STUNNING 1983 SHOW WITH IAN GILLAN ON VOCALS  Following a three-year stint as Black Sabbath’s vocalist following the departure of Ozzy Osbourne in 1979, Ronnie James Dio left Sabbath himself in 1982 to form his own band, and took drummer Vinny Appice with him.  The remaining original members, Tommy Iommi and Geezer Butler, began auditioning singers for the band's next release. Deep Purple and Whitesnake's David Coverdale, Samson's Nicky Moore and Lone Star's John Sloman were all considered and Iommi states in his autobiography that Michael Bolton auditioned. The band settled on former Deep Purple vocalist Ian Gillan to replace Dio in December 1982.

Clearwater wrote the lion's share of this well-produced collection, reaching back for material by Jimmy Reed, Otis Rush, and Willie Mabon to round it out. The usual infectious mix of shimmering West Side blues, hauling rockabilly, and even a touch of funk on "Little Bit of Blues." Guitarist Will Crosby shares lead chores with his boss, and Carey Bell (Eddy's cousin) handles the harp work.

This two-LP set, which was released in 1976 as part of United Artists' Blue Note reissue series, brought back trumpeter Freddie Hubbard's early album Hub Cap, a sextet session with tenor-saxophonist Jimmy Heath, trombonist Julian Priester, and pianist Cedar Walton. Although that session (comprised of four Hubbard compositions, one of Walton's songs, and Randy Weston's "Cry Me Not") is excellent, it is the full album of previously unreleased material from an all-star quintet that is of greatest interest. Hubbard teams up with fellow Jazz Messengers Wayne Shorter (on tenor), Walton, bassist Reggie Workman, and (in Blakey's spot) drummer Philly Joe Jones for some advanced hard bop. Highpoints include the fiery "Philly Mignon" and a strong version of "Body and Soul."

For reasons unknown, it took over two decades for Henry Mancini's score for the smash 1983 television miniseries The Thorn Birds to earn an official soundtrack release, but Varèse Sarabande's lavish two-disc release proves worth the wait. Nor has time dimmed The Thorn Birds' power – this deeply romantic, intimate score remains one of Mancini's most stirring, rivaling the composer's most legendary big-screen efforts. Mancini eschews epic drama in favor of smaller-scale nuance, evoking the doomed romance of novelist Colleen McCullough's tale in finely honed strokes. The music is elegant yet understated, rich in variety but amounting to something far greater than the sum of its disparate elements.

An avid chamber musician, Anne-Maria Hölscher regularly performs with various chamber music ensembles, contemporary music ensembles such as Ensemble Ascolta, Klangforum Heidelberg, Collegium Novum Zurich, and various orchestras. She also regularly performs solo concerts with a broad repertoire spanning the past five centuries.

It isn't hard to understand why some goth rock, darkwave, and gothic metal fans have been drawn to Anekdoten. Their music isn't goth rock, darkwave, or gothic metal; they are a progressive rock/art rock band that has strong '70s leanings and has been greatly influenced by King Crimson (with hints of Pink Floyd and Jethro Tull). But because their material tends to be melancholy, dark, and gloomy, some goth rock and darkwave enthusiasts have embraced them. And while Anekdoten's work has never been groundbreaking, much of it has been of a high quality. That high quality is evident on Chapters, a two-CD anthology that was assembled in 2009. Chapters ranges from previously released recordings from the '90s and 2000s to some previously unreleased rarities, including an alternate mix of "Sad Rain" and demos of "Book of Hours," "Prince of the Ocean," "This Is Far from the Sky," "Thirty Pieces," and "Nucleus"…

One of French pop's most poetic songwriters, Georges Brassens was also a highly acclaimed and much-beloved performer in his own right. Not only a brilliant manipulator of language and a feted poet in his own right, Brassens was also renowned for his subversive streak, satirizing religion, class, social conformity, and moral hypocrisy with a wicked glee. Yet beneath that surface was a compassionate concern for his fellow man, particularly the disadvantaged and desperate. His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré. Though he was a skilled songwriter, Brassens had little formal musical training, and he generally kept things uncomplicated – simple melodies and spare accompaniment from a bass and second guitar. Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era. His poetry and lyrics are still studied as part of France's standard educational curriculum.

Maretimo Records presents Spring Time Vol. 13 - 18 premium chillout, chillhouse, downbeat, lounge trax. Let the sunshine & springtime in your heart. Beautiful chill music trax will warm your body, mind & soul.

Despite being born a Canadian citizen - between 1960 and 1966 he lived with his mother in Winnipeg, Manitoba, which he calls his ‘hometown’ and where his music career began - from 1967 Neil Young lived outside Canada, until he returned in 2020. After becoming successful, he bought properties in California, one of which, in Malibu, burned to the ground in the 2018 Woolsey Fire. In 1970. Young purchased Broken Arrow Ranch (which he named after the Buffalo Springfield song) , a property of about 1,000 acres near La Honda, California (population 979 at the 2020 census) for US$350,000 (US$2.7 million in 2023 dollars); the property was subsequently expanded to thousands of acres.

Men I Trust Drop Second New Album Of The Year 'Equus Caballus'.

Influence of hallucinations induced by chewing roots from the iboga plant on the works of Joaquin Joe Claussell's Edits & Overdubs IBOGA Compilation. The iboga plant is indigenous to the humid, tropical climates of West Central Africa, including Gabon, Cameroon, Congo, and Angola, which are home to the 2nd largest rainforest in the world. It has been used for centuries in spiritual initiation ceremonies and practices, particularly by the Bwiti tradition and religion in Gabon. Joaquin Joe Claussell was inspired by these influences and went into the studio to create a compilation of edits and overdubs of African vibrational sounds and rhythms. The result is a collection of eleven compositions that showcase the future possibilities of this influential work.

Pink Floyd at Pompeii - MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben. Digitally re-mastered from the original 35mm footage, with enhanced audio newly mixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert with additional rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios.

Sol y vida is Elīna Garanča’sjourney to the South, from Spain to Italy and Latin America, and is her first album focusing entirely on non core-classical repertoire. Be ready to expect a personal album from the mezzo-soprano, whose centre of life has been Spain for many years. A selection of songs, canzone and tango pieces, both mirroring and spreading a flamboyantly emotional array of beaming happiness, passionate longing and exuberant joy. A feast of vocal colours, and a firework of passion, from the well-known Granada to the intimate world of La Llorona.

Switzerland has always had a great attraction for Russian composers. Peter Tschaikowsky, Sergei Prokofjew and Igor Stravinsky were impressed by the beauty of the Swiss Alpine landscape. The composer Sergei Rachmaninoff should even find his new home here. Not far from Lucerne, on Lake Lucerne, the famous composer and pianist built a magnificent house, the "Villa Senar", in 1930 and found the peace and quiet here to compose famous works today. In the summer of 1934 he wrote his highly virtuoso "Rhapsody on a Theme by Paganini" for piano and orchestra, and a year later his 3rd symphony.

The back cover of this Czech release promises "certainly the most intense chamber programme that might be dedicated to the joint memory of Sviatoslav Richter and Dmitry Shostakovich," and the performances live up to the billing. The first half of the program is given over to a pair of string quartets from the year 1960, around the point where Shostakovich's inward turn following his denunciation by Soviet cultural commissars merged with his reflections on the violence of modern war to create a uniquely modern tragic dialogue.