All Shook Up is the fifth studio album by American rock band Cheap Trick. Released in 1980, it was produced by former Beatles producer George Martin. As such, this was the first album since their debut to be produced by someone other than Tom Werman. All Shook Up was even quirkier than its predecessor, the platinum-selling Dream Police. Many of its songs were less radio friendly and more experimental, and the cover art, influenced by Magritte's Time Transfixed, led many to question what the band was trying to accomplish. However, at the time, Cheap Trick had severed ties with long-time producer Tom Werman and took the opportunity to take their sound in a different direction. With the assistance of producer George Martin and engineer Geoff Emerick, many of the songs have a dimension not found on any other Cheap Trick album.

Thriller 40 is the 40th-anniversary edition reissue of Thriller (1982), the sixth album by the American singer Michael Jackson. It was released on November 18, 2022, by Epic, Legacy Recordings and MJJ Productions. Thriller 40 is the third reissue of Thriller, following the 2001 special edition and Thriller 25 (2008). Jackson released his sixth studio album, Thriller, on November 30, 1982. With sales estimated to be over 70 million copies worldwide, Thriller became the world's best-selling album of all time; the album was the first in history to yield seven top-ten singles. The success of Thriller put Jackson into the dominating position of pop music, becoming an international pop-cultural icon.

Capital Gold plays only the best music from the major icons of pop and rock history including Elton John, Queen, Simon & Garfunkel, The Animals, Blondie, David Bowie, Tina Turner, The Moody Blues, Genesis, Roxette, Otis Redding and many others.

A rare find for fans of this acclaimed guitarist/songwriter, Seven Worlds is the long-lost solo debut from Eric Johnson. Cut in the late '70s, this album is far more than a promising collection of demos; it's a full length, fully-produced album that showcases all of Johnson's awesome talent – not only as a guitar virtuoso, but as a talented pop/rock songwriter. Tunes such as "Showdown" clearly indicate the talent that Johnson had, even at this early stage. A classy false start to a great career, and a must for fans of Eric Johnson.

AVID Jazz here presents three classic Tony Scott albums plus including original LP liner notes on a finely re-mastered and low priced double CD. Born Anthony Sciacca into a musical family, in New Jersey in 1921, Tony Scott went on to study at Julliard before taking the jazz road to “fame and fortune”. Coming up he played with just about everyone, from mentor Ben Webster to Buddy Rich, Trummy Young, Billie Holiday, Sarah Vaughan and Duke Ellington to name but a few. “52nd Street Scene” acts as a kind of tribute to the New York jazz scene happening between 1942 and 1949 based around the famous 52nd Street area. It features such luminaries as Joe Thomas, Wilbur De Paris, Pee Wee Russell, Coleman Hawkins, Tommy Flanagan, Al Cohn, Roy Haynes and Red Rodney. “In Hi-Fi” is an album of two sides, side one recorded in the studio and side two recorded “on the spot” at Mintons. It features amongst others Dick Katz, Philly Joe Jones, Percy Heath, Milt Hinton, Osie Johnson and Earl May. “The Touch of Tony Scott” finds our man in a number of combinations! With his orchestra, in a tentet and in a more modest quartet!

AVID Jazz continues with its Four Classic Album series with a re-mastered 2CD release from Art Blakey complete with original artwork, liner notes and personnel details (where available). To blues and rock fans Art Blakey was the John Mayall of the jazz world! His 35 year association with his Jazz Messengers being the same kind of training ground for jazz musicians that Eric Clapton and Mick Taylor found with Mayall in the ‘60s. The list is incredible, from Hank Mobley, Horace Silver and Freddie Hubbard to Wayne Shorter, Lee Morgan and Wynton Marsalis and way beyond. Blakey started his long career back in the 1930s playing with Mary Lou Williams and touring with the Fletcher Henderson Orchestra.

AVID Jazz continues with its Four Classic Album series with a re-mastered 2CD second set release from Kenny Dorham. From an early start playing piano at age seven, Kenny Dorham moved on to trumpet and played with the likes of Wild Bill Davis, Russell Jacquet (brother of Illinois), Dizzy Gillespie, Billy Eckstine and Lionel Hampton. Finally in 1948 he joined up with Charlie Parker in a small group setting where his soloing finally gained the attention he had for so long deserved. We at AVID like Kenny’s style so much we decided he should get a Second Set, and here it is, besides, due to space limitations, we omitted some classic albums from the great trumpeter’s first set! Across our four fine selections Kenny is joined by the absolute cream of jazz players of the day, many of whom you will find with their own albums in our extensive catalogue. The names literally read like a who’s who of jazz greats including Hank Mobley, Cecil Payne, Horace Silver, Oscar Pettiford, Art Blakey, Kenny Burrell, J.R. Monterose, Hank Jones, Max Roach, Sonny Rollins, Kenny Drew, Paul Chambers and Philly Joe Jones.

This compilation of work from the decade by Banco de Gaia (aka Toby Marks) not only shows off his best work in a setting that's a continuous mix, but also makes one of the strongest cases yet for electronica as the new prog rock. It might not have the complex time signatures or rampant instrumental virtuosity of an earlier era, but it does offer far more than most rock music, with depth, ingenuity, and a tune that - generally - progress from A to B, and in the best cases, to C and beyond. And Marks frequently offers the very best cases, not just on pieces like the excellent "Last Train to Lsaha" or "887," but also on "Gizeh" and "Mafich Arabi." You can trace the development in his work, from the early post-rave material to the more thoughtful, ethnic-influenced work, which is ultimately more satisfying…

English listeners went mad for Katie Melua with the release of her debut album in late 2003. Issued domestically in June 2004, Call Off the Search posits the lovely Melua pristinely in between pop, adult contemporary, and traditional American musical forms, with savvy marketing handling the finishing touches. (Think Norah Jones.) It's a comfortable, lightly melodic affair that drinks red wine safely in the middle of the road. Raised in Soviet Georgia and the United Kingdom, Melua has a beguiling accent that colors the ends of her phrases, adding character to her velvety, if occasionally only satisfactory singing voice.

With "Canto di Primavera" Banco closes the era of the seventies giving their music a touch of late Camel sound, as it evident in the opener instrumental "Ciclo". We are far from the richness and complexity of albums as "Io Sono Nato Libero", "Darwin" or even "Come in un Ultima Cena" but there are still some excellent moments of excellent contribution to the italian progressive scene. The sound is more polished and song-based with relaxing and melodic ballads enriched by nice keyboards parts, acoustic guitars, sparse sax touches and even mandolin.

Jack Bruce must have enjoyed his 2005 get-together with Cream so much that, when Clapton and Baker were unwilling to continue the collaboration, he rang up Robin Trower to renew the brief power trio fling they had in the mid-'80s. The Trower-Bruce pairing had released only two albums, B.L.T. and Truce, and was dormant since 1982, so this 2007 reunion was somewhat of a continuation of the project, albeit one separated by a quarter century. The results impressively continue where Truce left off, as Bruce brings his distinctive croon/moan to bluesy, riff-oriented tunes dominated by Trower's silvery guitar runs. Gary Husband fills the drum slot adequately if inconspicuously, but his contributions are mixed so far under Bruce's vocals and Trower's guitar that they are secondary. The previous two releases called in Trower's old Procol Harum lyricist Keith Reid and Bruce collaborator Peter Brown to write the words, but Bruce and Trower pen these 11 songs without outside assistance.

Rogers re-emerged after a long layoff with a 1972 album for Leon Russell's Shelter label called Gold Tailed Bird. It wasn't the equivalent of his immortal Chess stuff, but the Shelter sides, here in their entirety, are pretty decent themselves (and no wonder, with the Aces, Freddy King, and reliable Chicago pianist Bob Riedy all involved). A few extra numbers not on the original Shelter LP make this 18-song set even more solid.