Camel packed up their bags and moved to California, with the dust of a seven-years span of quiet on their backs, and the dream of creative freedom through their own label, Camel Productions, ahead of them. Inspired by the John Steinbeck novel "The Grapes of Wrath" (and one can only hope that Camel's westward move went smoother), Dust and Dreams is exactly the sort of labor of love that makes a private label worth having. Elegiac, literate, largely instrumental in spots, this stuff would make most label executives' eyes glaze over. It's also the sort of finely wrought music that will delight Camel fans who still fondly imagine their band in the Nude. Despite the long absence since Stationary Traveller, many familiar faces return to Camel's ranks: Susan Hoover, Ton Scherpenzeel, Colin Bass, David Paton, and Paul Burgess…

The Analogue Space Years '69-'73 is a definitive overview of Tangerine Dream's early, formative years, collecting highlights from the group's first four albums (Electronic Meditation, Alpha Centauri, Zeit, and Atem). Though this wasn't their most consistent or effective period, and their mid- to late-'70s work is far more essential, it's a handy way for curious fans to discover essentially everything they need to know about Tangerine Dream's early career.

Over three hours of calming music to create the perfect atmosphere for mindfulness. Remove all distractions and journey into the spirit of sound. With pieces by Ludovico Einaudi, Erik Satie, Michael Nyman, Claude Debussy, Ola Gjeilo, Eric Whitacre, John Tavener, Gustav Holst, Ólafur Arnalds and many more, this album will help you relax, meditate and focus in the frantic world we live in. Open yourself to the physical and emotional experience of listening. Each CD has been carefully curated for moments of profound reflection, sensitivity and spirituality. This stunning collection of popular piano, choral splendour and celestial contemporary works is perfect for those simply looking for a moment of tranquillity to escape from the pressures of the day.

Soul Jazz Records' new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame.

This is England, the day after the 60s. It’s a time of flux. On the cusp of progressive rock but without a rule book, many groups hold fast to psychedelia’s adventurousness and melodic delights, while they are also happy to venture deep into the jazz and folk scenes. The result is some wonderful, atmospheric, rain-flecked music.

Sarah’s new album ‘FRANCE’ will be released on November 20th exclusively in France! The first single, “Just Show Me How to Love You,” a masterful duet with the greatest French voice performer Florent Pagny, accompanied by the London Symphony Orchestra, will be released digitally on November 6th. The beautiful ‘FRANCE’ album also features artists Vincent Niclo, I Muvrini, Alessandro Safina, Roch Voisine, as well as other special guests such as Andrea Bocelli performing beloved classics. ‘FRANCE’ also includes a song by classical pianist Paul Ji, winner of Season 6 of ‘Prodiges,’ the acclaimed French musical competition television show on which Sarah will act as musical godmother in December.

Musical hurricane Kameel is the energetic trio of top musicians Patrick Steenaerts (guitar), Hans Mullens (bass) and Geert Roelofs (drums). Their debut album 'Barkas' will be released on February 28, 2020 (label: Poplar). A very dynamic album with instrumental compositions full of experiment and beautiful melodies. Sometimes danceable, sometimes erratic, crooked or angular, but always without compromise.

Though Bob Dylan and The Grateful Dead emerged on different coasts a few years apart, both were among the '60s survivors whose music stood outside of the mainstream no matter how much it had been included in it. They'd toured together and released Dylan & the Dead from concerts together in 1987, but here is a collection, selected by Bob Weir, that features mostly Weir's vocal performances with the band performing Dylan's songs. (A Garcia Plays Dylan album came later.) With the exception of a 1973 performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" (with Keith Godchaux on keyboards, Dickey Betts on guitar, and Butch Trucks on drums) and a 1990 performance of "Desolation Row," the songs here are from concerts throughout the '80s. "Man of Peace" features Dylan himself on vocals, taken from a rehearsal in San Rafael for the tour accompanying Dylan & the Dead.

Fresh Cream is the debut studio album by the British rock band Cream. The album was released in the UK on 9 December 1966, as the first LP on the Reaction Records label, owned by producer Robert Stigwood. The UK album was released in both mono and stereo versions, at the same time as the release of the single "I Feel Free". The album peaked at No. 6 on the UK Albums Chart. The album was released in a slightly different form in January 1967 by Atco Records in the US, also in mono and stereo versions.