Gord's Gold, Vol. 2 is a compilation album released by Canadian singer Gordon Lightfoot in 1988. Like the first Gord's Gold collection, Vol. 2 features re-recordings of earlier hits alongside the contemporary material. On Gord's Gold only the early songs that didn't match Lightfoot's 1970s sound (and whose original masters were owned by Lightfoot's former label, United Artists) were re-recorded. However, on Vol. 2 all tracks, apart from "Make Way (For the Lady)," "Ghosts of Cape Horn," Baby Step Back," and "It's Worth Believin'" were re-recorded. The album also contains the first appearance of "If It Should Please You," a previously unrecorded song that the band often performed in concert. Some tracks on Vol. 2 that had been released during the 1980s sound almost identical to their original recording. Additionally, the re-recorded tracks were recorded live in the studio.

Following the success of Sundown, Gordon Lightfoot continued his success by releasing a greatest-hits compilation. A double album (now a single CD), it contained the most popular songs from his Warner Bros. years on disc two, and he re-recorded many of his early songs for side one of record one. Although not as good, perhaps, as the originals, this did bring them up to date with his current sound style. Just about all the favorites are here (except "The Wreck of the Edmund Fitzgerald," which hadn't been recorded yet when this set was put together and appears on Lightfoot's second volume of Gord's Gold), making this a good general overview of a strong talent. When Warner transferred the double LP to CD, "Affair on 8th Avenue" was dropped from the program to make the set fit on a single disc. Randy Newman arranged the orchestration on "Minstrel of the Dawn," by the way.

One of the most celebrated singer/songwriters of her generation, Nanci Griffith had a gift for writing songs that were literate and emotionally complex while also sounding thoroughly universal, even when they most often reflected small-town Texas life. A proud daughter of the Lone Star State, Griffith liked to call her music "folkabilly," reflecting her influences in folk, country, early rock & roll, and the Texas songwriting community that for her was both an inspiration and a home base. Though her music was steeped in tales of ordinary lives, she wasn't afraid to speak her mind about social and political matters, and injected a progressive sound and feeling into music that embraced traditionalism. 1984's Once in a Very Blue Moon, her third album, was the creative breakthrough where she hit her stride as a songwriter and performer, 1993's Other Voices, Other Rooms was a celebration of her influences and was a critical and commercial success, and 2004's Hearts in Mind was an ambitious collection of politically oriented songs. Collection includes: There's A Light Beyond These Woods (1978), Poet In My Window (1982), The Last of the True Believers (1986), Other Voices, Other Rooms (1993), Flyer (1994).

3 CD deluxe editon set of 2008 release of Bob Dylan Vol. 8 Tell Tale Signs: The Bootleg series with rare and unleashed material from 1989 - 2006. A treasure-trove of 39 songs spanning 3 discs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylan's most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, 'Love And Theft', Modern Times and Oh Mercy.

Three CD set from the Folk/Rock icon containing 44 of his best known tracks gathered together on one set. Includes 'The Times They Are A-Changin', 'Mr. Tambourine Man', 'Like a Rolling Stone', 'Positively 4th Street', 'If Not for You', 'Knockin' on Heaven's Door', 'Gotta Serve Somebody' and many others.

5 disc box set includes the albums: Me And Bobby McGee (aka Kristofferson), Jesus Was a Capricorn (out-of-print in the US), Spooky Lady's Sideshow, Shake Hands With the Devil and The Silver Tongued Devil and I. The albums are packaged in mini-LP sleeves.

Dolly Parton, Linda Ronstadt, and Emmylou Harris have three careers unparalleled in music history. Together they have sold over 200 million albums worldwide and performed for decades in front of countless fans around the globe. It s no surprise that when their three voices united to release their debut collaboration, the results were remarkable. The threesome released two albums together, Trio (1987) and Trio II (1999), which have combined to sell more than five million copies worldwide and win three Grammy® Awards. Both of these classic albums have been newly remastered for a three-CD collection packed with rare and unreleased music produced by Harris. The bonus disc is loaded with 20 songs, including alternate takes and completely unreleased recordings from the trio spanning both album sessions.

Tribute albums frequently betray their subject, but not this homage to Johnny Cash’s Bitter Tears, the country giant’s 1964 salute to Native Americans. A concept album about a discomfiting cause – the US’s treatment of its indigenous people – Tears was a radical statement resisted, to Cash’s fury, by the Nashville establishment. For its 50th anniversary, producer Joe Henry gathers a stellar house band that takes turns to lead. Gillian Welch delivers an entrancing As Long As the Grass Shall Grow; Emmylou does likewise with Apache Tears. Steve Earle drawls: “I ain’t no fan of Custer” and instrumentals evoke North America’s haunted plains. Very fine.

Sarah Jarosz - "Polaroid Lovers" / Polaroid Lovers is the 7th studio album from four-time GRAMMY winner Sarah Jarosz. Produced by Daniel Tashian, Polaroid Lovers is a bold, creative statement that sees Jarosz exploring new sonic territory. The 11 songs on the album, all co-written by Jarosz with songwriters including Tashian, Jon Randall, Ruston Kelly and Natalie Hemby, touch on themes both personal and universal: love, longing, and finding one's place in the world.

Nine is the ninth album by the British folk rock group Fairport Convention, released in 1973. 2005 Remastered re-issue. Bonus Tracks include 'The Devil in the Kitchen' (Fiddlestix), 'George Jackson' (Live), 'Pleasure and Pain' (Live) and 'Six Days on the Road' (Live).

Rhino's Great Days: The John Prine Anthology is an excellent summary of John Prine's prime period, from his sublime 1971 eponymous debut to 1991's Missing Years. This (appropriately) draws heavily from his early recordings (including the aforementioned debut), but it also does a terrific job of finding songs on uneven albums, while giving weight to such classic albums as Bruised Orange. Although those previously mentioned albums are all worthwhile on their own terms (as are many of Prine's other records), this provides a nearly flawless recap of his career – so much so that it's not only for neophytes, but also reminds longtime fans why they loved him in the first place.

Summer Side of Life is Canadian singer Gordon Lightfoot's seventh album. It was released in 1971 on the Reprise Records Label. The album marked a radical departure from the sound Lightfoot had established on Sit Down Young Stranger in its use of drums and electronic instrumentation, to which he would later return in the second half of the decade. “Redwood Hill” contains elements of bluegrass music.

Secret, Profane & Sugarcane is the 2009 studio album by Elvis Costello. It was recorded in Nashville with American songwriter and producer T Bone Burnett, and released on 9 June 2009 on the Hear Music label. The album features bluegrass, Americana and country music along with Costello's familiar garrulous lyrics.

My Name Is Buddy: Another Record by Ry Cooder is the thirteenth studio album by Ry Cooder. It is the second social-political concept album by Ry Cooder. Cooder has described it as the second in a trilogy that began with Chávez Ravine and concluded with I, Flathead. The album is packaged in a small booklet that includes a brief story and drawing to accompany each song. Both the songs and the stories relate tales from the viewpoint of the characters, Buddy Red Cat, Lefty Mouse, and Reverend Tom Toad. The liner notes ask listeners/readers to join them as they "Journey through time and space in days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos, and trains… the America of yesteryear".

Gregory Alan Isakov wanted to pare it all back on 'Appaloosa Bones', the Colorado-based singer's new album. Arrangement-wise, the impulse to keep things simple was a pendulum swing away from his Grammy-nominated 2018 album, 'Evening Machines'. "I set out to make a record that was really bare bones," Isakov says. "I wanted to go backward a little bit, because 'Evening Machines' was such a deep dive into arrangements. I wanted to have more of a raw experience with this one."