Following three triumphant sold-out shows at London’s iconic Hammersmith Apollo last year, The Teskey Brothers release their new album Live At The Hammersmith Apollo. The live album is an immersive extension of the band’s rich and beloved catalogue, featuring songs from their #1 ARIA Charting third album, The Winding Way, and for the first time on vinyl/CD, one of the band’s early hits, ‘Forever You and Me’.

Hilda Sehested, Nancy Dalberg, and Tekla Griebel Wandall – all born in the latter half of the 19th century – each left behind a body of chamber music as captivating as it is nearly forgotten. On this revelatory album of world premiere recordings, Ensemble MidtVest brings their voices to life with clarity, depth, and conviction. Many of these works, previously unpublished and unperformed, now emerge from obscurity for the first time.

Swag is the seventh studio album by Canadian singer Justin Bieber. It was surprise released on July 11, 2025, through Def Jam Recordings. The album features guest appearances from Gunna, Sexyy Red, Cash Cobain, Lil B, Druski, Dijon, Eddie Benjamin, and Marvin Winans. Swag serves as the follow-up to Bieber's previous album, Justice, and his second extended play, Freedom, both of which were released in the spring of 2021.

Maestro Mikhail Pletnev conducts his own, never before published composition: the 14 Memoires musicales (2024). He set his childhood memories to music in 14 musical images that captivate the listener like a colourful kaleidoscope.
Mikhail Pletnev’s trumpet concerto is dedicated to trumpeter Sergei Nakariakov, who is also the soloist in this concert recording.

Nicolai Gedda – possessor of one of the widest-ranging repertoires ever, phenomenal technique, and a bright, resonant voice with clarion high notes and a seductive mezza voice – had one of the finest singing careers of the 20th century. He excelled in music of English, French, German, Italian, Russian, American, and Swedish composers, and was equally adept in traversing styles from the Baroque to the contemporary; he was as noted a performer of oratorio and songs as of opera. His performances were masterpieces of authentic style, from language and diction to phrasing. While performing Samuel Barber's Vanessa, in which he created the role of Anatol, critics consistently acclaimed his diction as the finest in the cast, even though he shared the stage with Rosalind Elias and Eleanor Steber – both native speakers of English. Gedda's father was Russian, his mother Swedish, and in 1929 his parents moved to Leipzig, where his father became cantor and choirmaster of a Russian Orthodox Church.

Bruce Springsteen Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen Comme Elvis Presley, Bob Dylan, Neil Young et quelques autres, Bruce Springsteen dépasse les frontières du genre musical dans lequel on tenterait de l’encager. Au fil de ses albums, le kid du New Jersey est devenu un symbole, tant musical qu’idéologique. Marchant sur les traces de son idole Dylan, le Boss s’est lancé dans des instantanés souvent poignants de cette bannière étoilé froissée, de l’american dream souvent maltraité, bref la chronique d’une Amérique de la marge, dont il reste l’un des plus étincelants ambassadeurs… Rares sont les musiciens ayant une aura aussi développée auprès de leur public que lui.

The album is the 121st edition of the UK Now series. The album contains 44 chart hits at the time of the album's release. NOW That’s What I Call Music! 121 is designed and signed as a reference on your choice of several exchangers file. Remember Monday, Morgan Wallen, Addison Rae, Levi Heron, Olivia Dean, Alex Warren.

Recorded live Massey Hall, Toronto, Canada, Dec 7th 1984. Fan Club of Taiwan. Promotional use only.

The best of Austin and British Invasion musicians perform in celebration of the Health Alliance for Austin Musicians. Performances include Eric Burdon & The Animals, The Zombies, Alejandro Escovedo, Ian McLagan, Ruthie Foster, Shinyribs, Van Wilks, Malford Milligan, Guy Forsyth, Monte Montgomery, Shawn Sahm, Erin Ivey, Hector Ward, and the ALL ATX band.

2CD bootleg that has been circulating amongst Clash fans for a long time: CD1 is the infamous Mick Jones version of the eventual album "Combat Rock", commonly referred to as "Rat Patrol From Fort Bragg." CD2 features a number of related outtakes, instrumentals, and live tracks from the Combat Rock/RPFFB era. On the first two tracks of CD1 the names in parentheses are alternate titles. Almost all of these tracks feature different arrangements, alternate lyrics, extra verses, or a combination of the three,when compared with the versions eventually released– in addition to the tracks that were never released in the first place.

It was distinctly ironic: at the very zenith of America's postwar space-age love affair with TV, 3-D, and rock & roll (and other disposable cultural ephemera), a grassroots movement set out to recapture the country's lost musical heritage. These curious minds not only found it in a wealth of seemingly forgotten protest songs, spiritual blues, and country laments, but also forged new songs in its image. That this crusade sprang from lower Manhattan's Washington Square and the doorstep of New York University made the paradox all the sweeter. Ted Myers, the producer of this triple-disc anthology, grew up just blocks from the epicenter of that folk-quake, and his generous sense of place and time permeates this rich collection. Generally misunderstood and historically pigeonholed, the era finally gets its due, chronicled here by 72 tracks that extend far beyond the roots-conscious work of Woody Guthrie, the Weavers, Ramblin' Jack Elliott, and Pete Seeger on one hand, and the more popular material by the Kingston Trio, Limeliters, Joan Baez, and Bob Dylan on the other. Culturally, the Folk movement was the alt-rock of its day–if eminently more conscious of history and politically committed.

Depressive black metallers Ghost Bath have emerged from beyond the veil with their new album, Rose Thorn Necklace, through long-time partner Nuclear Blast. Free from the Moonlover-Starmourner-Self Loather conceptual trilogy, sole proprietor Nameless (aka Dennis Mikula) explores the most intense and introspective Ghost Bath's oeuvre, advancing with blackened blasts and melancholic movements while moving his only child forward into the unknown. Hoisted into the firmament by the shimmering 'Vodka Butterfly' and the dissonant bliss of 'Well, I Tried Drowning' on one end and lowered into Mikula's personal abyss with 'Dandelion Tea' and the riveting title track on the other, Rose Thorn Necklace is absolute danger and haunting beauty.

Art Forms of Dimensions Tomorrow, a key transitional album in the Sun Ra catalog, was produced in two sessions shortly after the bandleader's 1961 migration from Chicago to New York (with a brief stopover in Montreal). One of about a dozen Arkestra albums compiled from recordings made at the Choreographer's Workshop, Art Forms displays Sun Ra's increasing tendency to juxtapose stylistic incongruities on vinyl in the interests of showcasing his versatility—or accommodating restless attention spans (perhaps his own).

He played the characteristic mix of styles of dance bands in the 1920s. George Olsen was a drummer and bandleader from Portland, Oregon, who made his name playing in hotels and then in Broadway shows, and despite latterly not being one of the best known names of the era had a string of 49 hits between 1925 and 1945. He played the characteristic mix of styles of dance bands in the 1920s, featuring a blend of hot dance music alongside his more familiar style of middle-of-the-road orchestral music, gradually introducing featured singers after his initial hits, and becoming typical of the "sweet" orchestras of the 1930s who were popular on radio. This 49-track 2-CD collection solely comprises all his career hits, which came out on the Victor, Columbia and Majestic labels. It includes the No. 1 hits "Who", "Always", "A Precious Little Thing Called Love", "Lullaby Of The Leaves" and "The Last Round-Up", plus the Top 3 hits, "Sunny", "Drifting And Dreaming", "Horses", "Someone To Watch Over Me", "Blue Skies and "The Best Things In Life Are Free". There were no notable stars among his featured vocalists, but they include Fran Frey, Bob Borger, Bob Rice, Jack Gifford, his wife Ethel Shutta, Paul Small, Dave Marshall, Joe Morrison Judith Blair and Ray Adams. Featuring only his hits, this is a thorough look at one of the consistently popular and successful bandleaders of the '20s and '30s.