Bruce Springsteen Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen Comme Elvis Presley, Bob Dylan, Neil Young et quelques autres, Bruce Springsteen dépasse les frontières du genre musical dans lequel on tenterait de l’encager. Au fil de ses albums, le kid du New Jersey est devenu un symbole, tant musical qu’idéologique. Marchant sur les traces de son idole Dylan, le Boss s’est lancé dans des instantanés souvent poignants de cette bannière étoilé froissée, de l’american dream souvent maltraité, bref la chronique d’une Amérique de la marge, dont il reste l’un des plus étincelants ambassadeurs… Rares sont les musiciens ayant une aura aussi développée auprès de leur public que lui.

The album is the 121st edition of the UK Now series. The album contains 44 chart hits at the time of the album's release. NOW That’s What I Call Music! 121 is designed and signed as a reference on your choice of several exchangers file. Remember Monday, Morgan Wallen, Addison Rae, Levi Heron, Olivia Dean, Alex Warren.

Recorded live Massey Hall, Toronto, Canada, Dec 7th 1984. Fan Club of Taiwan. Promotional use only.

The best of Austin and British Invasion musicians perform in celebration of the Health Alliance for Austin Musicians. Performances include Eric Burdon & The Animals, The Zombies, Alejandro Escovedo, Ian McLagan, Ruthie Foster, Shinyribs, Van Wilks, Malford Milligan, Guy Forsyth, Monte Montgomery, Shawn Sahm, Erin Ivey, Hector Ward, and the ALL ATX band.

2CD bootleg that has been circulating amongst Clash fans for a long time: CD1 is the infamous Mick Jones version of the eventual album "Combat Rock", commonly referred to as "Rat Patrol From Fort Bragg." CD2 features a number of related outtakes, instrumentals, and live tracks from the Combat Rock/RPFFB era. On the first two tracks of CD1 the names in parentheses are alternate titles. Almost all of these tracks feature different arrangements, alternate lyrics, extra verses, or a combination of the three,when compared with the versions eventually released– in addition to the tracks that were never released in the first place.

It was distinctly ironic: at the very zenith of America's postwar space-age love affair with TV, 3-D, and rock & roll (and other disposable cultural ephemera), a grassroots movement set out to recapture the country's lost musical heritage. These curious minds not only found it in a wealth of seemingly forgotten protest songs, spiritual blues, and country laments, but also forged new songs in its image. That this crusade sprang from lower Manhattan's Washington Square and the doorstep of New York University made the paradox all the sweeter. Ted Myers, the producer of this triple-disc anthology, grew up just blocks from the epicenter of that folk-quake, and his generous sense of place and time permeates this rich collection. Generally misunderstood and historically pigeonholed, the era finally gets its due, chronicled here by 72 tracks that extend far beyond the roots-conscious work of Woody Guthrie, the Weavers, Ramblin' Jack Elliott, and Pete Seeger on one hand, and the more popular material by the Kingston Trio, Limeliters, Joan Baez, and Bob Dylan on the other. Culturally, the Folk movement was the alt-rock of its day–if eminently more conscious of history and politically committed.

Depressive black metallers Ghost Bath have emerged from beyond the veil with their new album, Rose Thorn Necklace, through long-time partner Nuclear Blast. Free from the Moonlover-Starmourner-Self Loather conceptual trilogy, sole proprietor Nameless (aka Dennis Mikula) explores the most intense and introspective Ghost Bath's oeuvre, advancing with blackened blasts and melancholic movements while moving his only child forward into the unknown. Hoisted into the firmament by the shimmering 'Vodka Butterfly' and the dissonant bliss of 'Well, I Tried Drowning' on one end and lowered into Mikula's personal abyss with 'Dandelion Tea' and the riveting title track on the other, Rose Thorn Necklace is absolute danger and haunting beauty.

Art Forms of Dimensions Tomorrow, a key transitional album in the Sun Ra catalog, was produced in two sessions shortly after the bandleader's 1961 migration from Chicago to New York (with a brief stopover in Montreal). One of about a dozen Arkestra albums compiled from recordings made at the Choreographer's Workshop, Art Forms displays Sun Ra's increasing tendency to juxtapose stylistic incongruities on vinyl in the interests of showcasing his versatility—or accommodating restless attention spans (perhaps his own).

He played the characteristic mix of styles of dance bands in the 1920s. George Olsen was a drummer and bandleader from Portland, Oregon, who made his name playing in hotels and then in Broadway shows, and despite latterly not being one of the best known names of the era had a string of 49 hits between 1925 and 1945. He played the characteristic mix of styles of dance bands in the 1920s, featuring a blend of hot dance music alongside his more familiar style of middle-of-the-road orchestral music, gradually introducing featured singers after his initial hits, and becoming typical of the "sweet" orchestras of the 1930s who were popular on radio. This 49-track 2-CD collection solely comprises all his career hits, which came out on the Victor, Columbia and Majestic labels. It includes the No. 1 hits "Who", "Always", "A Precious Little Thing Called Love", "Lullaby Of The Leaves" and "The Last Round-Up", plus the Top 3 hits, "Sunny", "Drifting And Dreaming", "Horses", "Someone To Watch Over Me", "Blue Skies and "The Best Things In Life Are Free". There were no notable stars among his featured vocalists, but they include Fran Frey, Bob Borger, Bob Rice, Jack Gifford, his wife Ethel Shutta, Paul Small, Dave Marshall, Joe Morrison Judith Blair and Ray Adams. Featuring only his hits, this is a thorough look at one of the consistently popular and successful bandleaders of the '20s and '30s.

A comprehensive box set that reaches back to the band's pub rock roots and into the present.
- A celebration of the 40+ years Girlschool rocked the world, beginning with their independently released 45 disc "Take It All Away" and "It Could Be Better."CD 4 features many rare B-sides and non-album cuts as well as demos from 1978 to 2002 and CD 5 features an extremely rare live Painted Lady recording from before Girlschool.

For fans of: The Runaways, Rock Goddess. First time that this show has been made officially available on CD in a new, exclusive CD. Filmed at the Camden Palace on December 7th, 1984, this recording captured the London-based Queen’s of heavy metal, Girlschool, while they were midway through recording their 1985 album, ‘Running Wild’. After a run of classic albums for Bronze Records, home of Motorhead and Uriah Heep, Girlschool had been signed to American major label, Mercury Records. Featuring Cris Bonnaci on lead guitar, and vocalist Jackie Bodimead, alongside founder members Kim McAuliffe and Denise Dufort, with bassist Gil Weston, unsurprisingly this set features a total of five songs – ‘Running Wild’, ‘Are You Ready?’, ‘Nowhere To Run’, ‘Love Is A Lie & Can’t You See’ - from the yet to be released ‘Running Wild’, their first album without lead guitarist and lead singer Kelly Johnson. This raucous, hour-long set was originally filmed for TV, while acting as a useful promotional tool for the imminent US release (inexplicably, the album wouldn’t receive an official release outside of the States until 2015, when it was made available on CD for the first time by HNE). Featuring liner notes from Rich Davenport, based on new interviews with Kim McAuliffe.

Grammy Winner Jeff Lorber is famous for launching the career of Kenny G, and his productions and collaborations with such greats as Dave Koz, Janet Jackson, Lalah Hathaway and Miles Davis! Grammy Nominated Paul Jackson, Jr. Is one of the world's most sought after guitarists, having been featured Michael Jackson's Thriller, many Whitney Houston hits, and much more. Grammy Nominated Everette Harp has recorded and shared the stage with such musical giants as Aretha Franklin, Luther Vandross, Billy Joel, and Patti LaBelle. Jazziz magazine hails his "amazing virtuosity" and Jazz Time calls him "a rare talent." Simpatico is overflowing with soaring saxophone solos, brilliant guitar riffs, super funky piano solos and incredibly compelling melodies. Highlights include the uber-funky "Get Up With JFS," the romantic, heartfelt "Janyce," the spirited, joyful "Dreaming My Life Away," and much more !

Legendary pianist Cecil Taylor enjoyed a month-long residen- cy in Berlin in June and July 1988, during which he began an artistic partnership with drummer Tony Oxley which lasted until Taylor’s final public performances in 2016. Recorded at the Outside In Festival in Crawley, UK in September 1988, Flashing Spirits is a high-intensity, extraordinarily beautiful piano-drums duo, previously unreleased and a revelation even for listeners who followed Taylor’s long and unceasingly exploratory career.

BELOVED is the highly anticipated second full-length studio album from seven-time GRAMMY®-nominee and multiplatinum-selling R&B singer-songwriter, GIVĒON. With his smash single “TWENTIES,” and “RATHER BE,” the singer continues to show his growth, both as an introspective songwriter and an empathetic human being. From his captivating baritone voice to his pensive lyrics and colorful soundscape, GIVĒON continues to defy not only musical standards, but expectations of how he should be as both an artist and a man.