One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album would rank as the band's most gothic release. Siouxsie and company took things to an entirely new level of darkness on Juju, with the singer taking delight in sinister wordplay on the disturbing "Head Cut," creeping out listeners in the somewhat tongue-in-cheek "Halloween," and inspiring her bandmates to push their rhythmic witches brew to poisonous levels of toxicity.

The Butterfly Effect, Jah Wobble's follow up to his recent and acclaimed Dream World album, features a collection of eight tracks that lyrically tackle (sometimes with tongue in cheek) subjects such as the nature of mind, the post modern age and what it is to be human. The album was recorded at Inner Space Studios in London. All of the songs collected here originated from poems that were written by the legendary bass player around the time of the global financial crash of ten years ago. 'The Iron Lady Got Rust' in particular looks back to a time which saw Thatcher impose UK banking deregulation and the free market political and economic attitudes that led to the crash and subsequently to modern day austerity and Brexit.

One of the most important and revered bands of the post-punk and alternative rock scenes, the Jesus and Mary Chain's artistic impact is incalculable. Heavily influenced not only by the dangerous sounds of bands like the Velvet Underground and the Stooges, but also by the sonic grandeur and pop savvy of the '60s-era girl group sound and the Beach Boys, the band was able to find the beauty in noise, while both celebrating pop conventions and thoroughly subverting them. Their landmark 1985 album, Psychocandy, basically invented noise pop, while Darklands stripped away the scuzz to reveal pristine melodies. From there the group explored many aspects of rock, from beat-heavy electro punk to dusty heartbreak ballads - hitting big with "Sometime Always" in 1994 - before going their separate ways in a cloud of bad feelings…

Mourning Widows was a musical project led by former Extreme guitarist Nuno Bettencourt. The band was formed in 1997, and they released two albums during their career. Despite not being widely released in the United States, both albums were successful in Japan. Bettencourt formed the band after the moderate success of his 1996 solo album, Schizophonic. The band's sound went back to a funkier guitar-driven rock reminiscent of Extreme, while still having post-grunge and alternative influences. After the end of the Furnished Souls For Rent tour, in 2001, Nuno decided to dismiss the band and released a record as Population 1, mostly recorded by himself. That became the name of his new band too, which would later become DramaGods.