Over three hours of calming music to create the perfect atmosphere for mindfulness. Remove all distractions and journey into the spirit of sound. With pieces by Ludovico Einaudi, Erik Satie, Michael Nyman, Claude Debussy, Ola Gjeilo, Eric Whitacre, John Tavener, Gustav Holst, Ólafur Arnalds and many more, this album will help you relax, meditate and focus in the frantic world we live in. Open yourself to the physical and emotional experience of listening. Each CD has been carefully curated for moments of profound reflection, sensitivity and spirituality. This stunning collection of popular piano, choral splendour and celestial contemporary works is perfect for those simply looking for a moment of tranquillity to escape from the pressures of the day.

Soul Jazz Records' new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame.

This is England, the day after the 60s. It’s a time of flux. On the cusp of progressive rock but without a rule book, many groups hold fast to psychedelia’s adventurousness and melodic delights, while they are also happy to venture deep into the jazz and folk scenes. The result is some wonderful, atmospheric, rain-flecked music.

Sarah’s new album ‘FRANCE’ will be released on November 20th exclusively in France! The first single, “Just Show Me How to Love You,” a masterful duet with the greatest French voice performer Florent Pagny, accompanied by the London Symphony Orchestra, will be released digitally on November 6th. The beautiful ‘FRANCE’ album also features artists Vincent Niclo, I Muvrini, Alessandro Safina, Roch Voisine, as well as other special guests such as Andrea Bocelli performing beloved classics. ‘FRANCE’ also includes a song by classical pianist Paul Ji, winner of Season 6 of ‘Prodiges,’ the acclaimed French musical competition television show on which Sarah will act as musical godmother in December.

Musical hurricane Kameel is the energetic trio of top musicians Patrick Steenaerts (guitar), Hans Mullens (bass) and Geert Roelofs (drums). Their debut album 'Barkas' will be released on February 28, 2020 (label: Poplar). A very dynamic album with instrumental compositions full of experiment and beautiful melodies. Sometimes danceable, sometimes erratic, crooked or angular, but always without compromise.

Though Bob Dylan and The Grateful Dead emerged on different coasts a few years apart, both were among the '60s survivors whose music stood outside of the mainstream no matter how much it had been included in it. They'd toured together and released Dylan & the Dead from concerts together in 1987, but here is a collection, selected by Bob Weir, that features mostly Weir's vocal performances with the band performing Dylan's songs. (A Garcia Plays Dylan album came later.) With the exception of a 1973 performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" (with Keith Godchaux on keyboards, Dickey Betts on guitar, and Butch Trucks on drums) and a 1990 performance of "Desolation Row," the songs here are from concerts throughout the '80s. "Man of Peace" features Dylan himself on vocals, taken from a rehearsal in San Rafael for the tour accompanying Dylan & the Dead.

Fresh Cream is the debut studio album by the British rock band Cream. The album was released in the UK on 9 December 1966, as the first LP on the Reaction Records label, owned by producer Robert Stigwood. The UK album was released in both mono and stereo versions, at the same time as the release of the single "I Feel Free". The album peaked at No. 6 on the UK Albums Chart. The album was released in a slightly different form in January 1967 by Atco Records in the US, also in mono and stereo versions.

This was Ammons' final recording before "being made an example of" and getting a lengthy jail sentence for possession of heroin; his next record would be cut over seven years later. The music is surprisingly upbeat, with Ammons joined by two guitars (Bucky Pizzarelli and Kenny Burrell), a fine rhythm section (pianist Hank Jones, bassist Norman Edge, and drummer Oliver Jackson), and the bongos of Al Hayes for a set of Latin-flavored jazz that was masquerading as bossa nova. The music is offbeat if not all that memorable, a decent effort but not essential.

The album that essentially kick-started the U.K. glam rock craze, Electric Warrior completes T. Rex's transformation from hippie folk-rockers into flamboyant avatars of trashy rock & roll. There are a few vestiges of those early days remaining in the acoustic-driven ballads, but Electric Warrior spends most of its time in a swinging, hip-shaking groove powered by Marc Bolan's warm electric guitar. The music recalls not just the catchy simplicity of early rock & roll, but also the implicit sexuality - except that here, Bolan gleefully hauls it to the surface, singing out loud what was once only communicated through the shimmying beat. He takes obvious delight in turning teenage bubblegum rock into campy sleaze, not to mention filling it with pseudo-psychedelic hippie poetry…