This is an odd album, mostly owing to the widely differing sounds represented on it. Though often credited exclusively to Gene Chandler, about half of it is comprised of Chandler's work with the Dukays, the group of which he was a part until the release of "Duke of Earl" (which was a Dukays recording released as a Chandler solo single). The Dukays material is fine if relatively undistinguished late-'50s R&B harmony vocal material, mostly consisting of pleasant romantic ballads. Chandler's work, by contrast, casts him in a mode very similar to Ben E. King's immediate post-Drifters recordings (he even does "Stand by Me" here). There's a considerable chasm between the doo wop and the solo sides, and some listeners might even get dizzy after a few switches back and forth. And the album is dominated by the later tracks, circa 1965, most notably "Turn on Your Love Light," where Chandler moves into the upbeat soul sound that would carry him from the mid-'60s all the way through into the 1970s (and a professional rendezvous with Curtis Mayfield). The sound is excellent, and if you can take the switches in style and mood, this is a fun album. [The original 12-song album has been reissued on CD in Japan under the same title and with the same cover art, with audiophile sound and five bonus cuts drawn from deeper in the Vee-Jay library.]

Jam Session [Recorded 1952]. Jam Session was compiled from a 1952 jam session which brought together three of history's greatest alto saxophonists; Parker, Johnny Hodges and Benny Carter, as well as Ben Webster and Flip Phillips on tenor sax. Orchestrated by Norman Granz to come as close to an authentic jam session as possible, this is the first of the Jazz at the Philharmonic series. The album includes an original blues tune ("Jam Blues"), a medley of ballads selected by each musician, and a mellow blues tune called "Funky Blues." The standard "What is This Thing Called Love," stands out particularly for its follow-the-leader style ending, with each musician trading fours. Interestingly, the meeting of these three greats, with their widely varying styles, results not in spectacular and fiercely competitive playing, but rather in a slight muting and sense of reserve from all three…

After discreetly having pre-release album cuts played on the UK’s pirate jazz-funk and soul stations, IMAGINATION, with their charismatic lead singer, LEEE JOHN, burst onto the scene in May 1981, when their debut single ‘Body Talk’ entered the UK Charts at #68, with it peaking at #4 on 18th July 1981, having gained momentum after their momentous and unforgettable debut performance on BBC One’s Top Of The Pops on 4th June. In the period 1981-1983, IMAGINATION had hits in almost 30 countries around the world, with very high popularity across Europe, especially in France, Italy, Benelux and Germany, whilst also appearing in the Billboard US Dance and R&B Charts on a regular basis in the throughout the ‘80s. They really were a internationally successful British group, earning numerousPlatinum, Gold and Silver discs, for hit singles ‘Flashback’, In And Out Of Love’, the much-sampled ‘Just An Illusion’ and ‘Music And Lights’, ‘New Dimension’, ‘State Of Love’, ‘Looking At Midnight’ and ‘Thank You My Love’ and albums BODY TALK, IN THE HEAT OF THE NIGHT, SCANDALOUS, NIGHT DUBBING, CLOSER and LIKE IT IS.

Either the mid-'70s or the addition of Ted Turner's replacement, Laurie Wisefield, brought about a severe identity crisis for Wishbone Ash. No longer were they the self-conscious band that evolved from their blues-based debut to their prog precursor Pilgrimage to their progressive tour de force Argus. While Wishbone Ash was still a guitar-oriented band, Locked In provided no originality and, save for a guitar refrain in "Rest in Peace," no memorable passages whatsoever. While his credentials are impressive, producer Tom Dowd was not the man for the job. He was much better suited as a producer of Southern rock, jazz, and R&B acts. Again, Wishbone Ash suffered from inadequate lead vocals, but that wasn't as serious a problem as their atrocious songwriting.

In their early years, Kaipa was one of Sweden's best Symphonic Prog bands. Roine Stolt from The Flower Kings was a member of Kaipa. Their albums contain mostly instrumental music, drawing its influences from classic progressive Rock bands (Camel, Yes, Genesis), Classical music (Bach), and also Swedish Folk music. The Decca Years is a compilation of the three first albums from Kaipa, released under the Decca label during the years of 1975 to 1978. It also includes a demo which was previously unreleased, and a previously unreleased live set.

He started out with Elvis Presley on the Sun label and jumped from rockabilly stardom to the status of a country legend. Johnny Cash began performing concerts at prisons starting in the late 1950s. Although Cash cultivated a romantic outlaw image, he never served a prison sentence. Cash's record, "Folsom Prison Blues", made the country Top 5. His "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year, Cash became the first Sun artist to release a long-playing album. His single "Don't Take Your Guns to Town" became one of his biggest hits.

"Special collector's edition" 150 tracks on 15 compact discs. The story of the House Sound - from the very beginning to the latest Acid Trax.

Curtis Mayfield hit a stride during the '70s that was unparalleled among R&B/soul performers from an album standpoint. He was writing, producing, arranging, and performing on great album after great album, then distributing them on his own label as well. This one included the big hit "Kung Fu," plus the title song, and once more perfectly blended rigorous message tracks and steamy love songs.

2014 release on the Swedish singer/songwriter's own label. Includes new recordings of songs from her previous albums plus a brand new song," Aftermath".

Those who think of singer/saxman Curtis Stigers as a pop/rock artist and associate him with "I Wonder Why" and "Peace, Love and Understanding" will be surprised to learn that Baby Plays Around is very much a jazz album – not jazzy pop, but straight-ahead acoustic jazz. Not that there is any reason why someone with pop/rock credentials can't embrace jazz if his heart is really in it; after all, jazz and rock are both part of the blues family. And even though some pretentious individuals in the jazz world love to state that jazz is "America's classical music," the fact is that jazz has more in common with rock and R&B than with Beethoven or Mozart. Stigers thrived on that blues feeling as a pop/rock singer in the early '90s, and he thrives on it as a jazz singer.

This set is assembled to be a definitive 1977 tour album with some of the best performances from the North American 1977 tour featuring consistent high fidelity and discreet surround sound as heard at the original shows…

Limited Edition 2 CD Set / 32 Performances - Post 1945. “Art Tatum was the greatest soloist in Jazz History, regardless of the instrument." - Leonard Feather . "First you speak of Art Tatum, then take a long deep breath, and you speak of the other pianists.” - Dizzy Gillespie. "If you put a piano in a room, just a bare piano. Then you get all the finest jazz pianists in the world and let them play in the presence of Art Tatum. Then let Art Tatum play … everyone there will sound like an amateur." —Teddy Wilson. Art Tatum was among the most extraordinary of all jazz musicians, a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands (his 1933 solo version of "Tiger Rag" sounds as if there were three pianists jamming together) but was harmonically 30 years ahead of his time; all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Able to play stride, swing, and boogie-woogie with speed and complexity that could only previously be imagined, Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh (and sometimes futuristic) ideas that put him way ahead of his contemporaries. This collection of post 1945 performances is culled from unreleased studio sessions, Radio & Television appearance and private home recordings.

The timeless, rarely performed drama about witch-hunts, power games between wife and husband, mother-in-law and daughter-in-law and prejudice is brought to life captivatingly on the stage of the Deutsche Oper.

As ornate as the sonic tapestries she weaves, Enya's first ever box set is a four-disc marvel of gold and velvet that culls 51 tracks from her first five albums, including B-sides. All of the obvious cuts are here, from her breakthrough single "Orinoco Flow" to "May It Be" from the Lord of the Rings soundtrack. The 48-page booklet is bursting at the seams with photographs, illustrations, and track-by-track commentary from lyricist Roma Ryan. The enhanced fourth disc includes a video performance of "Oíche Chiúin (Silent Night)" from a 1996 BBC special. This is an excellent gift for fans of the lauded Irish singer.

Shoot Out at the Fantasy Factory is the sixth studio album by English rock band Traffic released in 1973. It followed their 1971 album The Low Spark of High Heeled Boys and contained five songs. Shoot Out, while achieving poorer reviews than its predecessor, did reach number six on the Billboard Pop Albums chart, one space higher than Low Spark had peaked in 1972. Like its predecessor, the original jacket for the Shoot Out LP had its top right and bottom left corners clipped.