David Foster is a Canadian musician, record producer, composer, songwriter, and arranger. He has been a producer for notable musical artists including Christina Aguilera, Andrea Bocelli, Toni Braxton, Michael Bublé, Chicago, Natalie Cole, The Corrs, Céline Dion, Jackie Evancho, Kenny G, Josh Groban, Whitney Houston, Jennifer Lopez, Seal, Rod Stewart, Madonna, Barbra Streisand, and Westlife. During the '80s, '90s, and early 2000s, David Foster was among the most commercially successful producers and composers in all of popular music. Foster has won 16 Grammy Awards from 47 nominations.

AC/DC, for most intents and purposes, fell apart after the release of Rock or Bust in 2014, so it's a relief to hear Power Up and discover that AC/DC still sound like AC/DC: thick, powerhouse chords and rhythms battle and groove with Brian Johnson, who shrieks for pleasure, not attention. That sense of relief never dissipates as Power Up offers song after song that firmly hit their target, adding up to an album that delivers reliable thrills. Considering how AC/DC have rarely strayed from the blueprints they scribbled back in the days of Bon Scott, this may not seem to be a newsworthy event, but considering how the group got mired in a spell of bad fortune in the mid-2010s, this amounts to a minor miracle.

Whitesnake brings together some of the most-passionate music of its multi-platinum career on 'Love Songs', a collection that contains remixed and remastered versions of the group's best love songs. It's the second release in the band's 'Red, White and Blues Trilogy,' a series of compilations organised by musical themes. The new collection includes a mix of hits and deep tracks that were originally released between 1987 and 2011 on five Whitesnake studio albums and David Coverdale’s third solo album, Into the Light.

International sensation Federico Colli continues his personal exploration of the music of Mozart with this second volume of works for solo piano. Colli opens his programme with the Adagio in B minor, K. 540, from 1788, toward the end of Mozart’s short life. The only piece on the album not to involve variation form, this Adagio instead adopts sonata form, and is an extremely rare case in Mozart’s output of its chosen key. The two sets of variations that follow (from the seventeen sets that Mozart composed) use a similar approach in their method of constructing variations on the theme – ‘Twinkle, Twinkle, Little Star’ in the first instance, and Gluck’s smash hit ‘Les Hommes pieusement’ (or ‘Unser dummer Pöbel meint’) in the second. Colli concludes his programme with the rather extraordinary Sonata in A major, K. 311. Instead of the expected sonata form, the first movement is a theme with (six) variations. Following the second movement (a minuet and trio), Mozart finishes with a rondo – arguably one of his most famous pieces, the ‘Alla turca’.

Reference Recordings proudly presents the debut release of Ukrainian piano duo Anastasiia Larchikova and Mykhailo Diordiiev in Four Hands. Two Hearts. One Hope: Ukrainian and American Music for Piano Duo. Producer Sergei Kvitko says, “this is a labor­-of-­love album with a young and very talented Ukrainian piano duo presenting a contemporary, but VERY accessible program of Ukrainian and American music — Americans are John Corigliano‘s Gazebo Dances, Ricky Ian Gordon‘s Ring-­A­-Ding­-Ding, and a world premiere recording of Lowell Liebermann‘s Romance, Etude and Chorale, Op. 134, which is the centerpiece of the album — a stunning and deeply moving work that was commissioned by Steinway as a wedding present to Lang Lang. The Ukrainian music is also splendid.

Even after the completion of the highly praised Bach cantata series, which was released between 2004 and 2014, and in which La Petite Bande recorded cantatas for every Sunday of the liturgical year, Sigiswald Kuijken still does not let go of his great passion for Johann Sebastian Bach. He turns once again to the cantatas and presents on his new recording three works that Bach wrote for the end of January and the beginning of February, and that he performed in Leipzig at St Thomas' Church between 1725 and 1729.

Here is the start of a great adventure: the complete recording of the five books of pièces de viole of Marin Marais. The First Book, published in 1686, contains a dozen suites, two of which are scored for two bass viols and continuo. It also features a very moving Tombeau for ‘Monsieur Méliton’, probably one of Marais’s teachers, and a set of variations on a theme given to the composer by an ‘estranger’, which foreshadows one of the principal compositions of his Second Book, the Couplets des Folies d’Espagne.

'Herzens-Lieder' [Songs of the Heart] – this title would certainly have appealed to the two librettists and four composers featured upon this CD. In terms of music and church history, they all – Johann Kuhnau, Georg Philipp Telemann, Christoph Graupner and Johann Sebastian Bach – form part of the Lutheran church choir tradition.

Fratres is the new album of and first artistical cooperation by reclaimed pianist Kai Schumacher and cellist Benedict Kloeckner. The artists embark on a search for the mystical and minimalist in the current music scene and thus also encounter the pioneers of this musical style\u200B. The album contains works by Arvo Part ("Fratres"), Olivier Messiaen ("Louange"), Gavin Bryars ("The South Downs"), Christopher Cerrone ("The Pleasure at Being the Cause"), Valentin Silvestrov ("Postludium"), Sophia Jani ("Sororibus" - World Premiere Recording) as well as by Kai Schumacher, J.S. Bach, Philip Glass, Georges Gurdjieff, and Franz Liszt.

Bioscope is the highly anticipated collaborative project from guitar maestro Steve Rothery, founding member of Marillion, who has sold millions of albums worldwide and helped define the sound of progressive rock with chart-topping records — and from electronic visionary Thorsten Quaeschning, musical director of Tangerine Dream, credited on over 100 album releases and known for his acclaimed work on major film and game soundtracks. The word ‘Bioscope’ comes from the Greek ‘bios’ meaning life and ‘skopeein’ meaning to look; prior to the invention of cinema, it meant ‘a view or survey of life’. And that’s what Bioscope is about.