Deutsche Grammophon has created a landmark new edition that offers a cross-section of the great German conductor’s career in all its remarkable creative phases. Wilhelm Furtwängler – Complete Recordings on Deutsche Grammophon and Decca, which commemorates the 65th anniversary of his death on November 30, 1954, comprises 34 CDs and a DVD of his irresistible 1954 Salzburg Festival Don Giovanni performance, as well as in-depth essays and analysis from critic and blogger Norman Lebrecht and broadcaster Rob Cowan. The release is also backed by contextual information and video interviews contributed by critic and blogger Norman Lebrecht.

Sviatoslav Teofilovich Richter was born on March 20, 1915 (Julian: March 7) in Zhitomir in present-day Ukraine. His father Teofil (Theophilus) came from a German commercial family. The famous Russian piano teacher Heinrich Neuhaus (of German origin) recognized his huge talent and enrol led him in his piano master cl ass at the Moscow Conservatory in 1 937. Profil Edition Gunter Hanssl er is progressively releasing all the recordings that the great Soviet virtuoso made between 1945 and 1963. Most of them were largely unknown in the West during the Cold War, as Richter could only perform til I 1960 behind the ""Iron Curtain"", that is to say, in the Soviet Union and the sate I lite states of Eastern Europe.

This fabulous five disc set is replete with some of those old Stokowski warhorses all recorded in absolutely mind boggling Phase 4 sound, overblown perhaps but astounding for its time. Decca's remastering is absolutely magnificent and the discs are jam packed with almost six hours of music. This is another fine memorial to a great conductor who remained astonishingly vital until the very end of his life.

A nocturne is a musical composition that is inspired by, or evocative of, the night. The term nocturne (from French nocturne 'of the night', also named Notturno) was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening occasion.

Lars Vogt (1970-2022) early recordings collected here provide a document of an artist who always remained authentic, both to himself and to music. Lars Vogt never sought absolute truth, but truthfulness instead meant all the more to him. The man and the artist were always very close, never currying favour and never detached from the world. He was, instead, open and natural. / "It's incredibly gratifying when you notice that you can perhaps light a little spark, a little flame for music in people, and when music helps you to find the path to your own soul."

After the success of his stunning album ‘Otello’, revered tenor Jonas Kaufmann returns with the sensational new album ‘Selige Stunde’. ‘Selige Stunde’ is the first recital in a small series of recordings that Jonas has made during the Covid-19 crisis. This stunning album includes a varied and heart-felt selection of songs that cover the most prominent Lieder composers. All tracks are short and are often performed as encores. The theme of the lyrics centre around love, longing, peacefulness and farewell. Kaufmann is considered one of the greatest tenors of this generation. He has performed at the world’s most prestigious concert venues including the Royal Opera House in London and the Metropolitan Opera House in New York. Kaufmann has won numerous prestigious awards including Gramophone Awards and Echo Klassik Awards.

Karajan was a great Tchaikovsky conductor. Although he recorded the last three symphonies many times he did not turn to the first three until the end of the 1970s. There’s no doubt that the reason these early symphonies sound so fresh is because the Berlin orchestra was not over-familiar with them. The Tchaikovsky symphonies were recorded at the Philharmonie between October 1975 and February 1979 and are presented with their Slavonic March and the Capriccio Italien, both recorded in Jesus-Christus-Kirche in October 1966. The six symphonies span the whole of Tchaikovsky’s career as a composer, from 1866 until 1893, the year of his death.

While we associate Tchaikovsky with music of virtuoso power and difficulty, sweeping up audiences with the fire of the Violin Concerto and First Piano Concerto, he also applied himself to music for the ever-growing market of amateur music-makers during his lifetime. Like many other great composers, he knew how to write for musicians of moderate ability without compromising or simplifying the individuality of his voice as a composer.

Yuan Sheng has a deep understanding and command of harpsichord and early pianos that has resulted in many well-received historically informed performances and recordings. In reviewing his all-Beethoven recital on an 1805 Kathönig piano, the Boston Intelligencer remarked that ‘Sheng had absorbed this music so thoroughly that a listener might easily have imagined the composer at the keyboard.’

Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovsky’s Pique Dame, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of ‘the three cards’ from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelona’s Liceu captures St Petersburg in the era of Catherine the Great, while the house’s Music Director Michael Boden conducts a large and impressive cast.

Anyone who has been searching for a powerful rendition of Pyotr Il'yich Tchaikovsky's Swan Lake, Op. 20, should consider this dynamic performance by Valery Gergiev and the Orchestra of the Mariinsky Theatre, undoubtedly one of the most forceful available, and perhaps one of the very best, notwithstanding one idiosyncrasy that must be directly addressed.

In August 2022, the musicians of the Rachmaninoff International Orchestra gathered in Bratislava to perform their first recording under the direction of founder and artistic director Mikhail Pletnev. There is an acclaimed arrangement of Swan Lake by Mikhail Pletnev, coupled with Rodion Shchedrin's famous arrangement of the Carmen Suite from Bizet's masterpiece.