After having its share of R&B and funk triumphs in the 1980s, the SOS Band hit a creative low point with 1991's One of Many Nights. The departure of Mary Davis (whose robust lead vocals enriched "Take the Time (Do It Right)," "Just Be Good to Me" and other major hits) had been quite a loss, and while her successor, Chandra Currey, was far from a bad singer, she wasn't in a class with the great Davis. Nights does have a few strong points, including the silky "How Can We Ever Get Back Together," the driving "Get Hyped On This" and the melancholy "Broken Promises." But on the whole, the songs are mediocre, pedestrian and not very memorable. Only SOS' more devoted fans should obtain this CD; those who don't have any SOS albums in their collection would be better off starting out with a compilation of the Atlanta band's 1980s output with Davis.

This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany.

Roots 'N Blues: The Retrospective 1925-1950 is a four-CD box set released on Columbia Records in June 1992. The set features five hours worth of early blues, folk/country and gospel recordings from a variety of American artists. Many of these recordings had never previously been issued in any medium.

A unique strictly limited (500 only!) three CD set! This collection of pre-war Blues, Country, and Folk, expertly compiled illustrates the beginnings of what we now call AMERICANA. Disc one highlights Blues, disc 2 Country, and disc 3 Folk.

Following the commercial and critically acclaimed success of the recent albums “Blues” (2019) and the three-week running No.1 album on the Billboard Blues Chart “Check Shirt Wizard – Live in ’77” (2020), UMC is pleased to present a new Rory Gallagher best of collection entitled “The Best Of Rory Gallagher” on Friday 9th October 2020.

Duke Ellington Songbook Vol. 1 (1980). Sarah Vaughan interprets ten Duke Ellington-associated songs on the first of two sets. Vaughan is accompanied by a variety of jazz all-stars, including trumpeter Waymon Reed, trombonist J.J. Johnson, and the tenors of Frank Foster, Frank Wess, and Zoot Sims. Bill Byers contributed the arrangements for the larger band performances. The emphasis is on ballads, with the highlights including "I'm Just a Lucky So and So," "I Didn't Know About You," "All Too Soon," and "Lush Life." Vaughan's voice is in typically wondrous form throughout.
Duke Ellington Songbook Vol. 2 (1980). The second of two Pablo CDs featuring Sarah Vaughan interpreting Duke Ellington-associated material shows that the veteran singer never did decline. With assistance from trumpeter Waymon Reed, flutist Frank Wess, Eddie "Cleanhead" Vinson on alto and a surprise vocal…

The Hollies are an English pop group formed in Manchester in the early 1960s. Most of the band members are from throughout East Lancashire. Known for their distinctive vocal harmony style, they became one of the leading British groups of the 1960s and early-1970s. They enjoyed considerable popularity in many countries, although they did not achieve major US chart success until 1966. Along with the Rolling Stones, they are one of the few British pop groups of the early 1960s that have never officially broken up and that continue to record and perform. The Hollies were inducted to the Rock and Roll Hall of Fame in 2010.

Battlement (1979). "Battlement" is a legendary record featuring unfamous German musicians, working and playing with a sense of perfection in the wake of Genesis. The vocals, sung by Frenchman Frédéric Joos turn out to be (Very) close to Peter Gabriel's. Neuschwanstein creates music with the same complexity, intensity and power as their famous elders used to do. The songs are totally original and innovative though, with some King Crimson-esque skid. A pure jewel!
Alice In Wonderland [Recorded 1976]. "Alice In Wonderland" is a 40 minutes-long piece of work, obviously based on the famous book by Lewis Carroll. It confirms Neuschwanstein's significant importance in German rock history: the band succeeded, from the beginning, in creating a fluid and refined music, intense and suggestive, typical of the creative enthusiasm of the early Seventies…

The Hollies are an English pop group formed in Manchester in the early 1960s. Most of the band members are from throughout East Lancashire. Known for their distinctive vocal harmony style, they became one of the leading British groups of the 1960s and early-1970s. They enjoyed considerable popularity in many countries, although they did not achieve major US chart success until 1966. Along with the Rolling Stones, they are one of the few British pop groups of the early 1960s that have never officially broken up and that continue to record and perform. The Hollies were inducted to the Rock and Roll Hall of Fame in 2010.

Fabio Orsi is an electronic musician from Taranto (Southern Italy) specialising in atmospheric drone. He is a talented composer recently revealed in a series of publications received by an enthusiastic chorus of critical approval. In his compositions the languages of popular tradition meet the avantgarde approach, creating an original and charm mix.
"Find Electronica" (2007) is a wonderful album full of fine lyrics, structured as a long drone/ambient suite divided in two portions which are the frames of the articulated central track. A strictly personal exercise on the "Weird Folk" theme, hypnotic and seductive. The "found" electronica meets the sonorities made by the six chords, projecting enchanted landscapes on a vibrant horizon, with an intimate sensibility. Abstract and emotional, deep and dreamy…