Merlin D. Tuttle, Donna L. Hensley, "Bat House Builder's Handbook"
English | 1994 | ISBN: 0963824864 | 36 pages | PDF | 4.63 mb
English | 1994 | ISBN: 0963824864 | 36 pages | PDF | 4.63 mb
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In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job. She decides to give him a second chance for their marriage. When Mark arrives from America to visit the couple, Margot tells him that she had destroyed all his letters but one that was stolen.
Loud Like Love is the seventh studio album from internationally acclaimed rock band, Placebo. Recorded in London at RAK Studios during 2012 and early 2013, the album was produced by Adam Noble and features 10 brand new studio tracks. The Deluxe Edition version includes 8 exclusive bonus tracks.
300 years have passed since the Sanderson sisters were executed for practicing dark witchcraft. Returning to life thanks to a combination of a spell spoken before their demise and the accidental actions of Max, the new-kid-in-town, the sisters have but one night to secure their continuing existence…
Travis Pastrana and his tight-knit, highly-skilled, adrenaline-addicted friends bring their impossible, ridiculous, insane and hysterical adventures to the big screen for the first time.
The wonderful French pianist Cédric Tiberghien has made several admired recital and chamber recordings. Now he joins the impressive roster of pianists who have contributed to Hyperion’s Romantic Piano Concerto series with Volume 60: Théodore Dubois. Three works by this French composer are included here, and they present a captivating panorama of the evolution of Dubois’ style over some forty years: the Concerto-capriccioso of 1876 seems like a preliminary study in the style of such composers as Weber and Mendelssohn, whereas the highly Romantic Concerto in F minor (1897) is reminiscent of Saint-Saëns. The completely unknown Suite for piano and strings (1917), for its part, resembles a neoclassical pastiche.