In its year of inception, Kurt Hauenstein, multi–instrumentalist and forward thinking musician founds SUPERMAX in the city of Frankfurt am Rhein, and he releases his first Album "Don't stop the music". After his first tour through Germany’s biggest concert venues, SUPERMAX changes gear into the club-scene and introduces his exocentric, monotone (aficionados will know…) and smooth sound to a new flair oriented towards the European and American Underground-scene.

Computer World (German: Computerwelt) is the eighth studio album by German electronic band Kraftwerk, released on 10 May 1981. The album peaked at No. 15 on the UK Albums Chart. It was certified silver by the British Phonographic Industry (BPI) on 12 February 1982 for shipments in excess of 60,000 copies.
Computer World was ranked at No. 2 among the top 10 "Albums of the Year" for 1981 by NME. It was listed by Pitchfork as the 18th best album of the 1980s. Pitchfork listed the track "Computer Love" as the 53rd best song of the 1980s. Slant Magazine placed the album at No. 25 on its list of "The 100 Best Albums of the 1980s". Rolling Stone named it the 10th greatest EDM album of all time in 2012.

Philamore Lincoln has always been something of a shadowy figure in the psych pop universe, even among hardcore collectors. Elemental Music together with Sony Music Entertainment Spain proudly present a newly remastered edition of his lone album, The North Wind Blew South, originally released by the Epic label in 1970. This masterpiece is a late 60s lost classic of the U.K. soft-psych scene, the nearest touchstone being Donovan, but there are also touches of bubblegum pop and R&B.

Excellent addition to any prog rock music collection
Number 31 – According Rolling Stone Magazine Chile (50 Best Chilean Albums)
Sole album “Congregacion Viene…” came with a nice planet Earth shot as artwork, but the quartet (sometimes quintet was joined by quite a few musical guests including countrymen Los Jaivas (Parra brothers).

Essential: A masterpiece of progressive rock music.
What would it sound like if you combined symphonic prog with Andean folk influences?

In terms of prog-rock sophistication, this wonderful 1972 album is not the best place to start investigating Los Jaivas, but it is the most important album of Los Jaivas' earliest and folkiest phase. Here we see the early fusion of psychedelic rock with bona fide Andean music.

Essential: A masterpiece of progressive-rock music.
Appearing South-American hippie hymn "Todos Juntos" and the beautiful ballad "Mira Niñita"
In terms of prog-rock sophistication, this wonderful 1972 album is not the best place to start investigating Los Jaivas, but it is the most important album of Los Jaivas' earliest and folkiest phase.

"Sacros" (‘The Sacred’) was a Chilean rock band inspired by the spiritual passion and veneration for the great gods of South America, such as Quetzalcoatl, the Plumed Serpent, god of the ancient Mayas and Viracocha, Lord of Tiahuanaku in the Andes mountains.

Not to be confused with the American expatriate and British skiffle star of the same name, Johnny Duncan was a country-pop singer best known for a string of hits with producer Billy Sherrill in the late '70s. Born in the farm town of Dublin, TX, in 1938, Duncan learned guitar from his mother as a child and also had two future performers in his family in the person of cousins Dan and Jimmy Seals (of England Dan & John Ford Coley and Seals & Crofts, respectively). All four family members, plus Duncan's fiddle-playing uncle, Ben Moroney, played together in a local dance band. Duncan took up singing in his late teens and moved to Clovis, NM, in 1959, where he recorded some pop-oriented demos under producer Norman Petty.

A decade of life with all its peaks and troughs in roughly one nanosecond. Quantum physics? Sorcery? Not quite: You can always count on a man – Paul Stephenson! No, his new Album is NOT Light Green Ball – it’s „Girl With A Mirror“.

13th studio album by the English electronic band. Featuring the singles 'Heaven' and 'Soothe My Soul', the album marks the third in a trilogy of albums produced by Ben Hiller. Receiving critical acclaim, the album showcases modern tracks as well as paying homage to the 1980s. The album entered the UK Albums Chart at #2. This deluxe edition includes a bonus disc with four extra tracks.

The works on this disc are all early, dating from the first half of the composing life of Saint-Saëns that is, with the one exception of the Marche du couronnement which the composer wrote for the coronation of Edward VII in 1902. In Spartacus, the composer depicts Alphonse Pagèss tragedy on the revolt headed by the ill-fated gladiator in 73 BC by use of bold, chromatic notes, followed by a military allegro which integrates them.

The title track off Dolly Parton's third solo album, 1969's In The Good Old Days (When Times Were Bad) (RCA Victor), avoids empty nostalgia. That term better applies to a lot of other country music trends and songs. Examples include pretending that people in the Old West sat around singing in snazzy outfits instead of fending for their lives, or, more recently, Hank Williams Jr.'s alt-history about the South winning the Civil War. Instead of longing for an exaggerated take on the past, Parton wrote about looking back realistically while acknowledging a need to move forward.