Eliana Pittman (born Eliana Leite Da Silva; August 14, 1945), is a Brazilian former singer and actress. Pittman was one of the more soulful singers of the early 1970s.

One could lose oneself among the multitude of German orchestras, so active is musical life in that great musical country. But these orchestras' many fusions can render reality somewhat opaque.

The legendary French duo Daft Punk have just stunned the world by dropping a new and complete edition of their TRON: Legacy hit soundtrack – 9 brand-new tracks as a surprise end of year release. It’s been almost a decade since Daft Punk released the soundtrack of TRON: Legacy and now you can enjoy 9 additional tracks that didn’t appear in the movie – gifting fans all around the world with the release of The Complete Edition of TRON’s soundtrack.

Steve Gunn's Time Off was one of the great surprises of 2013. Not because it showcased his already considerable skills as a guitarist, but because he discovered his strength as a songwriter too. Way Out Weather, written during his global travels over the last year, is ambitious. Its musical architecture is more focused yet its production is more spacious. Gunn employs a larger band here – drummer John Truscinski, bassist/producer Justin Tripp, banjo player and soundscape artist Nathan Bowles, harpist Mary Lattimore, Rhyton's Jimy Seitang, and multi-instrumentalist/engineer Justin Meagher. Gunn has gained considerable confidence as a singer. His grainy yet airy voice sits atop this mix, fully expressive for its limited range.

In Symphony No. 6 "Last Letter", Ross Harris explores settings of four poems by Vincent O’Sullivan, interlinking them with three musical interludes.

This film was produced on the lands of the Wangal and Gadigal peoples of the Eora nation. Pinchgut Opera acknowledges the first story-tellers and singers of songs.

Harry Jay Steele’s debut album Boundaries was recorded with Jordan Rakei’s co-producer and drummer Jim Macrae. On it he blends an eclectic range of influences; elements of Soul, Indie, African and Electronic Music are weaved into a rich tapestry of percussive rhythms, tasteful guitar work and deft poeticism.

20 years ago, at the beginning of his career, the young baritone Bo Skovhus made his first recording of Schubert’s “Schöne Müllerin”. Now, as a famous opera and Lied interpreter he presents a new production of all 3 Schubert Cycles: “I’m very thankful to do this again. As a young men you do not reflect so much what happen. Now, when I’m older, I understand much more about. Especially for this cycle it’s important to have another point of view.” (Bo Skovhus) Stefan Vladar, the famous Viennese pianist and his partner on the piano, shows us the virtuosity of the piano part in a new different light.

20 years ago, at the beginning of his career, the young baritone Bo Skovhus made his first recording of Schubert’s “Schöne Müllerin”. Now, as a famous opera and Lied interpreter he presents a new production of all 3 Schubert Cycles: “I’m very thankful to do this again. As a young men you do not reflect so much what happen. Now, when I’m older, I understand much more about. Especially for this cycle it’s important to have another point of view.” (Bo Skovhus) Stefan Vladar, the famous Viennese pianist and his partner on the piano, shows us the virtuosity of the piano part in a new different light.

After J. S. Bach's solo cello suites in the early 18th century, the genre experienced a fallow period until Zoltán Kodály set the pace with a monumental sonata for solo cello in 1915. It inspired a variety of similar works, but Kodaly's 30-minute sonata still stands 'like Mount Everest', to quote Daniel Müller-Schott, the soloist on this recording. His programme also includes music by Prokofiev, Hindemith, Henze, Crumb and Casals, and features a work of his own for the first time: Cadenza continues the tradition of compositions that other cellists have always added to their recital programmes.

Each of the three symphonies on this recording represents a significant milestone in Havergal Brian’s long musical journey, and each demonstrates the breadth of his symphonic approach. No. 8 was the first of Brian’s symphonies to be performed and is one of his most gripping and unpredictable, full of sonic invention. Behind the more apparently genial and expansive No. 21 lies profound emotional complexity, while No. 26 embodies elements of a divertimento though it retains disquieting outbursts. Gramophone wrote of the previous Brian recording by these forces (8.573408): ‘The New Russia State Symphony Orchestra do the music proud.’ This issue completes the commercial recording of all 32 of Brian’s symphonies.

Havergal Brian’s late creativity is almost unparalleled in musical history—in the last two decades of his life he wrote 25 symphonies. No. 7, the last of his truly large-scale symphonies, was inspired by Goethe’s autobiographical account of his time as a student in Strasbourg. Symphony No. 16 is a tough single-movement work, evoking Ancient Greece and the savagery of the Persian Wars. In bright contrast The Tinker’s Wedding is a sparkling comedy overture based on the play by J.M. Synge.

"D-Sides" is a compilation of b-sides and remixes from singles and bonus tracks for Gorillaz second album, "Demon Days." The 22 track album also includes unreleased tracks recorded during the album session. Originally released in 2007, this is the first time "D-sides" has been available on vinyl. The audio has been remastered and the 3-LP set is pressed on 180g vinyl.

Isaac Stern was among the most distinguished of the world's violinists. He achieved a strong rapport with his audience through his own personality and his visible love for the music, with an unerring command of the proper style for each work in his exceptionally wide repertoire. His technique was impeccable, his tone strong and warm, though not rich. He performed and recorded virtually the entire standard violin repertoire, including most of the many great violin concertos of the 1930s: those of Hindemith, Berg, Prokofiev (No. 2), Walton, Bartok (No. 2) and other works, some quite contemporary.

Belgian-Japanese pianist and composer Alex Koo is currently making a name for himself as a promising young talent on the European jazz scene.