Nino Gvetadze - The Muse (2023) (Hi-Res)
FLAC (tracks) 24bit-48kHz - 638 MB
1:09:09 | Classical | Label: Challenge Classics
FLAC (tracks) 24bit-48kHz - 638 MB
1:09:09 | Classical | Label: Challenge Classics
The year 1860 represented a turning-point in Brahms’s life: he issued a ‘Manifesto’ in which he distanced himself from the Romanticism of the ‘New German School’ epitomised by Liszt and their association with Wagner’s music-dramas. This aesthetic change of heart placed an emphasis on hard work and craftsmanship rather than the more Romantic conception of inspiration, with Brahms taking a particular pride in being both German and a self-made man. This ethos is reflected in the Variations and Fugue on a Theme by Handel, Op. 24. Brahms’s two Rhapsodies, Op. 79 were composed in 1879 and were dedicated to his friend Elisabet von Herzogenberg. The title may lull the listener into a false sense of whimsy, when in reality these pieces are founded on clear structural designs. Three Intermezzos Op. 117: Brahms wrote of these three Intermezzos to his friend Rudolf von der Leyen, describing them as ‘Wiegenlieder meiner Schmerzen’: ‘lullabies of my sorrow’. Each has the character of a soliloquy or introspective personal reflection.


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