Renowned for re-imagining songs from American Idol to his stirring viral hit with Cher's 'Believe', Adam Lambert - the Grammy-nominated pop icon, LGBTQ trailblazer and Queen frontman - brings you 'High Drama', a wonderfully diverse collection of covers with a twist, held together by Adam's once-in-a-generation voice and trademark flair.

Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, dancer, actor, comedian, film producer and television director.

The Moritzburg Festival Orchestra and cellist Jan Vogler will release on March 3rd, 2023 the world premiere recording of the cello concerto in F major by Enrique Casals (1892–1982) – a quite unknown work – as well as the cello concerto in D minor by Édouard Lalo together with SONY Classical.

The 1st album of young pianist Ondo Fuse, the one and only trio sound played with Riku Takahashi (ba) and Kaito Nakamura (ds)The 1st album of young pianist Ondo Fuse, who is active mainly in Tokyo. Since their first performance together as the Nakamura-Kaito Trio in December 2020, the three members have played mainly each other's original compositions and deepened their musical relationship.

Double bassists Scott Colberg, Ari Folman-Cohen, Michael Isvara Montgomery, & Ran Livneh make up Adnata Ensemble. The ensemble developed repertoire and discovered a musical language during the height of the pandemic.

A collection of original works composed and arranged by Tetsuro Kawashima, one of Japan's leading tenor saxophone players.

ATMA Classique proudly presents Jean Sibelius’ Symphonies No. 3 & 4 with Yannick Nézet-Séguin conducting the Orchestre Métropolitain de Montréal. Recorded at Maison symphonique de Montréal, this new release is part of our complete cycle of Sibelius symphonies, launched in 2019 with Symphony No. 1.

For the latest album in his S. O.S. (Save Our Soul) series, Marc Broussard has drawn inspiration from the blues.

Gene Krupa and His Orchestra, auch Gene Krupa, His Drums & His Orchestra oder kurz Gene Krupa Orchestra war eine Bigband, die von dem Schlagzeuger Gene Krupa geleitet wurde und von Ende 1938 bis Anfang 1943 und von Mitte 1944 bis 1951 bestand.

John Barleycorn Must Die is the fourth studio album by English rock band Traffic. As did most of their albums, it featured influences from jazz and blues, but the version of the traditional English folk tune "John Barleycorn" also showed the musicians attending to the same strains of modern interpretations of traditional folk music as contemporary British bands Pentangle and Fairport Convention. It marked the band's comeback, and peaked at number 5 on the Billboard 200, making it their highest charting album in the US, and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74. The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.

Just One of Those Things is a 1957 album by Nat King Cole, arranged by Billy May. The record placed at #18 on the Billboard album chart.

Having listened for over half a century to tens of thousands of recordings of Mozart’s music, be it piano music, string quartets, symphonies, operas, et al, I have been hugely energized by these recordings. Not because they are so great, but because they are often so terrible!

Having listened for over half a century to tens of thousands of recordings of Mozart’s music, be it piano music, string quartets, symphonies, operas, et al, I have been hugely energized by these recordings. Not because they are so great, but because they are often so terrible!

"Having listened for over half a century to tens of thousands of recordings of Mozart’s music, be it piano music, string quartets, symphonies, operas, et al, I have been hugely energised by these recordings, not because they are so great, but because they are so terrible!"

This trio that is creating spontaneous textures from outer and inner space should enthrall and capture the attention of listeners familiar with the musical experiments of the last century and the inventiveness of the first quarter of the twenty-first century.