American composer Ross Lee Finney's Pilgrim Psalms is a collection of contemporary settings of inspirational hymns carried by the pilgrims to Plymouth in 1620. Finney considered these melodies "among America’s greatest folk heritage, influencing sacred singing through each singing." This recording features Andrew Clark leading the Harvard Glee Club, the Radcliffe Choral Society and soloists on the Pilgrim Psalms, while the Harvard-Radcliffe Collegium Musicum opens and closes the programme with two companion pieces by Finney.

Founded in 2003 by Austrian recorder player Michael Oman, the Austrian Baroque Company is one of the country's leading early music ensembles. In its founding year, the ensemble recorded instrumental music from the 16th to 18th centuries from the Mediterranean region for the ORF label. On the occasion of the ensemble's 20th anniversary, the highly acclaimed recording will be re-released on FRA BERNARDO.

So What is the third solo studio album by the American singer-songwriter and multi-instrumentalist Joe Walsh. It was released in late 1974 on ABC-Dunhill Records. It contains hard rock songs such as "Welcome To The Club" and a remake of the Barnstorm track, "Turn To Stone". It also contains more introspective material such as "Help Me Through the Night" and "Song For Emma". On a few tracks, Don Henley, Glenn Frey, and Randy Meisner of Eagles contributed backing vocals.

Soul Survivor compiles the best material from Mighty Sam McClain's four Audioquest releases, all recorded during the 1990s, along with two previously unreleased tracks.

One of the best live blues albums of all time from the spokesman of the Blues. Recorded in September 1970 at a free show for the inmates at the Cook County Jail in Chicago. The record spent three weeks at the top of the Souls Albums chart and is listed in Rolling Stone's 500 Greatest Albums of All Time.

That's really a matter of taste - he had never played so hard before and never again after that! Instead of his meager minimalism, which he has refined more and more over the past ten years, here, on his third recording, he relies on screeching, yowling lead guitars (Will Kimbrough - as always) and - it's hard to believe it - comes close to Tom Petty! Although he, Petty, by no means sounds as edgy and aggressive as Snider in 1998.

With his second EP, Nightlife Stories, 22-year-old Billy Tibbals offers a set of songs with echoes of classic glam and glitter, the elegant stomp of T. Rex, Sparks, ‘70s David Bowie, filtered through a wide range of modern influences and attitudes. As Tibbals elaborates, “To me, it's just my life—it doesn't feel like I'm reviving anything, it's just what naturally comes out when I write songs.”

Eduardo Cardinho, is a vibraphonist, composer and producer based in Porto, Portugal. Distinguished himself as one of the most creative vibraphonists of his generation, well known by his rhythmic approach and unique sound, Cardinho has developed his own voice and technique on the vibraphone over the years. Working simultaneously between jazz and improvised music, classical music, pop and electronic music.

Honey Bxby prefers to be blunt and get straight to the point. Beating around the bush is a waste of time and sugarcoating her truth isn’t the sweet life she imagined. This philosophy is present throughout her 2023 EP 3 Words, 8 Letters. Whether it be through provocative requests for the continuation of an addicting love on “Poseidon” or simply boasting about her sexual prowess on “P*ssy Power.”

Born and raised in Vienna, Josef Krips trained as a choirboy and studied with Felix Weingartner, who then hired him as a repetiteur at the Volksoper. He his debut there in 1921, before graduating to the Vienna State Opera in 1933. In the aftermath of the Second World War, it was Krips above all who reformed and re-trained the State Opera as a world-class ensemble, and in the most difficult conditions. His pragmatism and understated authority made him a model recording conductor, and Decca hired him to work with orchestras in several of their centres of activity.

Born and raised in Vienna, Josef Krips trained as a choirboy and studied with Felix Weingartner, who then hired him as a repetiteur at the Volksoper. He his debut there in 1921, before graduating to the Vienna State Opera in 1933. In the aftermath of the Second World War, it was Krips above all who reformed and re-trained the State Opera as a world-class ensemble, and in the most difficult conditions. His pragmatism and understated authority made him a model recording conductor, and Decca hired him to work with orchestras in several of their centres of activity.

Gustav Auzinger studied sacred music and pedagogy of music and organ under the guidance of Michael Radulescu at the Superior School of music in Vienna. He carries out several activities in his field: he is organist of the historical organs of the church of Santa Anna in Steinbruch and in the castle of Neuhaus, and he teaches organ at the Sacred Music Conservatory of Linz.

This album is a Rachmaninoff piano duo album by Miku Omine, who has made Rachmaninoff his life's work and whose performances and album are highly acclaimed, and Takako Takahashi, who won 5th place at the 12th International Chopin Piano Competition. In a live recording held at Tokyo Bunka Kaikan on October 20, 2023, two suites by Rachmaninoff, which can be said to be the pinnacle of two-piano works, and a suite of Tchaikovsky's "Sleeping Beauty" arranged by Rachmaninoff for duet were recorded.

Years in the making, naemi’s ambitious, sprawling debut album for 3XL features contributions from Erika de Casier, Ulla, Huerco S, Ben Bondy, NAP and label boss Shy, plus many others, on a gorgeously brooding double album braiding heart-liquifying dreampop guitars with weightless clouds of sublime ambience. A pensive and poetic celebration of love and friendship, it’s the most beautiful, vital music released by 3XL to date.

Embark on a captivating musical journey with Knut Vaage's spellbinding compositions, as performed by the exceptional talents of cellist Amalie Stalheim, violinist Harald Aadland, and the Norwegian Radio Orchestra under the baton of Eivind Aadland. Relieff, Refleks, Rite transports listeners to a realm where modernity meets tradition, where haunting melodies intertwine with intricate harmonies to evoke a range of emotions. Stalheim's emotive cello playing, coupled with the orchestra's dynamic expression, brings Vaage's visionary works to life, offering a transcendent experience that lingers long after the final note fades away.