“When choosing the title of this album, we were immediately drawn to the title of the first piece in our recording, Dhipli Zyia by Xenakis, which simply translates as ‘a band of two folk musicians’.

Rare funky gospel album released on Stax offshoot label, The Gospel Truth. Includes the moody 'Foxfire'.

The music on Prophecy was made during an intense period of climate-related disasters in my home of Australia last summer that seemed to represent the beginning of a strange new way of existing on Earth.

On 26 March 2020, the Swedish cultural manager Martin Engstroem announced the cancellation of this year's Verbier Festival.

"Live at River Plate" is a live concert film documenting AC/DC’s Black Ice World Tour. The three concerts performed in December 2009 at the Estadio Antonio Vespucio Liberti in Buenos Aires, Argentina, which is the home stadium of Argentinian football club River Plate. It was directed by David Mallet, with Rocky Oldham as producer. The recording of the concerts required the use of 32 HD cameras; a company called Serpent Productions was responsible for filming and then producing the footage of the concerts. It was also the band’s last live album to feature rhythm guitarist Malcolm Young, and bassist Cliff Williams; Young, before his retirement from touring due to dementia five years later and his death in 2017, and Williams, who later left the band due to his retirement from the music industry in 2016.

On her third album for both Fat Possum and Loose Records, Courtney Marie Andrews has pulled in to one package all the songwriting skill, vocal prowess, and musicianship displayed on previous albums, into one career defining statement. A break-up record for sure, though due to Courtney's extraordinary storytelling gifts, more of a modern day coming-of-age tale of love won, love sustained, and unfortunately, love's inevitable dissolution.

Brand new album of covers. Was originally exclusively for RSD. A collection of Michael Yonkers tunes covered by Damaged Bug (the synthesiser heavy side project of Oh Sees' John Dwyer).

When Dizzy Gillespie put his hat in the ring for President of the United States in 1964, he also offered to be the first African-American astronaut, just in case they couldn’t find anyone else. In making Dizzy Atmosphere, Dave Douglas’s tribute to the great trumpeter, composer and humanist, Douglas said he wanted to explore Dizzy’s experimental and wide open mind as well as the influence of his music.

Taking inspiration from bands such as STRFKR, Youth Lagoon and Panda Bear, Minielly’s music fuses dreamlike soundscapes with alt-pop. The Ontario-based artist boasts a flair for instrumentation, effortlessly balancing layered guitars with synths and vocals - a great example of how his artistic autonomy shines through when making creative decisions.

'All The Time', Jessy Lanza's first album since 2016's 'Oh No', is the most pure set of pop songs that she and creative partner Jeremy Greenspan have recorded, reflective and finessed over time and distance. Innovative juxtapositions sound natural, like rigid 808s rubbing against delicate chords in 'Anyone Around', subtle footwork flutter giving a nervous energy to 'Face', unusual underwater rushes underpinning 'Baby Love'.

Wu Hen is the sophomore album from Peckham visionary Kamaal Williams an invitation to elevate to a higher state. Cinematic strings from Miguel-Atwood Ferguson and virtuoso saxophone from Quinn Mason are textural additions that make for a deeper, multi-layered experience than previous releases. Bringing groove back to the forefront, Wu Hen oscillates between celestial jazz, funk, rap and r&b reinforced with the rugged beat-heavy attitude of grime, jungle, house and garage – a self-styled fusion Kamaal describes as Wu Funk.

A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over” and this is evident in the innovative production style that ‘paints with sound’ using overlapping nuances to create an undefinable and intoxicating new palette.

‘Virus’ is the culmination of a musical thought experiment which started with the ‘Vector’ writing sessions in 2017 and holds intriguing potential for the band’s future, as vocalist Ross Jennings explains, “whilst ‘Virus’ can absolutely be enjoyed as a stand-alone work, it is thematically and conceptually linked with ‘Vector’, so our intention is to perform both albums back to back for a special performance someday”.

The power of a Winter song is hard to describe, like how the delicate world building of a good book can be more compelling than real life. There's a make-believe, fairy tale surrealism that sets Winter's blend of shoegaze and psychedelia apart while existing in the same universe as the ethereal dream pop of Cocteau Twins and Melody's Echo Chamber.

Celebrating Anthony Braxton on his 75th birthday, THUMBSCREW digs into the Tricentric Archives, focusing on previously unrecorded pieces by the legendary composer, multi-wind master and bandleader. The all-star collective trio releases its fifth album for Cuneiform, The Anthony Braxton Project.