Platinum selling artist Amy Macdonald returns with her highly anticipated fifth studio album, The Human Demands. Working with renowned producer Jim Abbiss (Arctic Monkeys', Kasabian, Ladytron), the new album is Amy's most authentic sounding record to date.

This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

The Grammy, BRIT, Golden Globe and Oscar-winning Sam Smith announces new single ‘Diamonds’, taken from their brand-new album ‘Love Goes’ released through Capitol Records.

Recorded in Helsinki, Paris and New York, Hey Clockface is the latest "Elvis Costello & Sebastian Krys Production", following their work together on Elvis Costello and The Imposters GRAMMY-winning album Look Now. Hey Clockface also features contributions from Bill Frisell, Nels Cline, and longtime collaborator Steve Nieve.

Lucinda and band gallivant through the selected discography of Tom Petty, celebrating a shared Southern heritage and love for rock and roll along the way.

Michael Pipoquinha learned to play bass the organic way, from his father and grandfather. He’s grown up in the YouTube age, copping licks from bassists and guitarists alike. His style, informed by his Brazilian heritage, combines mad slapping skills in the Wooten vein, along with ferocious grooves, plus serious melodic and harmonic knowledge.

Tomba sonora is a site-specific musical project for the mausoleum in the Emanuel Vigeland Museum in Oslo. The mausoleum is in effect one huge tomb, and its reverberation time has played a key role in how this music has been conceived and composed by Kristin Bolstad; moreover, the room's special frequency response and the overtones derived from it are also used actively in the musical material. The positioning of the vocalists and the direction of the sound are among the many ways the acoustic qualities of the room's space are used creatively to shape the flow and movement of the music.

A landmark album – Donald Byrd's first session with producer Larry Mizell, the man who went onto forever change the face of jazz funk! After rumbling around for a few years attempting electric styles that really didn't fit his mode, Donald wisely hooked up with Larry, and hit a groove here that would carry him for many many years. The album's a masterpiece of soul – heavy production with great keyboards, creating a nice set of grooves that let Byrd solo over the top, sounding better than he had in years! Great all the way through, and with tracks that include "Flight Time", "Sky High", "Black Byrd", "Slop Jar Blues", "Mr Thomas", and the prophetically-titled "Where Are We Going?".