Vancouver’s premiere multi-faceted production duo Potatohead People (aka Nick Wisdom & AstroLogical) make their long awaited return to Bastard Jazz with their 4th album, ‘Eat Your Heart Out’. Jumping off on the clean & musical production sensibilities that they have become heavily fetishized for over the last decade, the album finds the duo further stepping out from the shadow of the boards and stepping into the spotlight as vocalists, songwriters, players and musicians standing strong in their own respect.

Raw, authentic chamber pop with refined arrangements, where rock, jazz, world and classical music intertwine.

London-based four-piece Adult Jazz release their first full-length album in a decade, So Sorry So Slow, via Spare Thought. It features the single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.

In the present recordings of Beethoven's Symphonies Nos. 1 in C and 3 in E-flat ("Eroica") with the Royal Flemish Philharmonic, Philippe Herreweghe shows himself completely in command of all the resources of a large symphony orchestra. And he shows us something else. He knows his Beethoven. Hopefully much more is to come from this fruitful synergy of musical forces. Very highly recommended! The performances are superb.

After a series of symphonic recordings, one of the greatest musicians of our time completes his love of Jean Sibelius with solo performances of the composer's intimate piano pieces. Vladimir Ashkenazy recorded these works at Jarvenpaa Hall - which has the best acoustics in Finland - and at Ainola, the composer's own home. For "Valse triste", one of the most popular Sibelius pieces, Ashkenazy recorded the composer's transcription twice, first at Jarvenpaa, and then at Ainola using the composer's piano.

If you regard Rachmaninov’s Third Symphony as a decadent, nostalgic remnant of Czarist Russia, then you really should hear this performance. The music couldn’t sound fresher, lighter, or more modern. It’s not that Vasily Petrenko slights those lush, romantic elements, but he certainly doesn’t dwell on them either. As for the rest of the disc, the presence of Vocalise was inevitable, but the Caprice bohémien is a delightful work, far too little known, and it’s as splendidly played as the symphony. EMI’s engineers do everyone proud. This is definitely a distinctive view of Rachmaninov, a breath of fresh air, and a nice complement to more traditional approaches.

U.K. SUBS ARE DEAD! The curtain call performance by ’77 British punk legends, U.K. Subs presented in one multimedia CD/DVD package! Still fronted by incendiary frontman Charlie Harper along with longtime bassist Alvin Gibbs and newer members Steve Straughan and Stefan Häublein, the band offers thrilling, energetic performances of all their classic songs from “Warhead” to “Riot” to “Stranglehold” and lots more!

Post-hardcore punk legends Hot Water Music return with their follow up to 2022's exceptional Feel The Void, marking their quickest turn around between albums in over two decades. Described as "a celebration of our history and future", the project features an expansive list of guest features including Dallas Green of City & Colour/Alexisonfire, Brendan Yates and Daniel Fang of Turnstile, as well as Thrice, The Interrupters and Popeye Vogelsang all making appearances. Prepare for a collaborative and joyous, gravel-throated batch of gritty anthems from one of the best to ever do it, getting by with a little help from some very important friends.

Imagine Kate Bush and Tori Amos wrote a yacht doom album satirising the edgelord-tech-billionaire-worship generation, recorded by Peter Gabriel and Michael McDonald in the early 80s using an industry prerelease unit of the late 90s Yamaha PSR-8000 synthesiser, several heavily distorted guitars, and a baby grand.

A lush, lavish celebration of music, full of beauty, grace and finesse.

“Tidal Memory Exo is an album I made while living in a rust-ridden flooded squat in a weird UK seaside town. The area has been in an endless storm, causing strange otherworldly primordial garbage to be washed to shore. It’s basically only populated by rogue junk-hoarding scrap weirdos right now. I’ve been trying to get involved in the music scene that’s bubbling up locally. There’s lots of weird new mutated genres and illegal radio stations popping up - completely isolated from the rest of the country because of this massive storm. They don’t really like me, but I sort of wormed my way in and finally got this album together. Tunes about oceanic scum, illegal teletext transmissions, & the prehistoric trilobite angels lurking in the sewers.”

The 60's Collection is a box set featuring eight Judy Collins albums from the 1960s, including: A Maid Of Constant Sorrow, Golden Apples of the Sun, Judy Collins 3, Judy Collins' Fifth Album, The Judy Collins Concert, In My Life, Wildflowers and Who Knows Where the Time Goes. The collection features popular songs "Both Sides Now", "Someday Soon", "Turn, Turn, Turn! - To Everything There Is A Season", "Suzanne" and more!

The third full-length solo release for the Bad Religion lead singer features contributions from Social Distortion's Brent Harding, David Hidalgo, Jr., and Jonny Wickersham. This album represents three distinct historical trends that came together in the span of only 10 days during recording at Studios 606 and Big Bad Sound in April of 2016.

Giovanni "Jack" Savoretti is an English solo acoustic singer of Italian descent. "Sleep No More", his 3rd album, features original songs that are set to establish Jack as one of the UK's biggest male artists. On this career -defining album, Jack Savoretti has well and truly found his voice, both as a singer and as a songwriter. Jack worked with a variety of producers including Mark Ralph (Years and Years/Take That), Sam Dixon (Adele), Matty Benbrook (Paolo Nutini), Cam Blackwood (George Ezra) and Steve Robson (James Bay, John Newman and James Morrison).

"Baby, Let Me Be Your Mess" is the debut solo project from Portland, Oregon musical fixture Danny Dodge, best known for his stints in the No Tomorrow Boys and the Criminal Guitars. This album showcases Dodge's jangly power pop riffs à la Tom Petty or The Byrds, framing his clever lyrical wordplay.