Robert Clark Seger is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, breaking through with his first album, Ramblin' Gamblin' Man (which contained his first national hit of the same name) in 1969. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands.

Easy to Love is a most appropriate title for the recording debut of vocalist Kate McGarry. Right from the voice-bass intro on “My Heart Stood Still”, you know that this is to be no run-of-the-mill progam. An immediate reaction may be to notice the exceptional diction and enunciation and the distinctive phrasing that McGarry demonstrates. It's not surprising to learn that her greatest influences have been such unique stylists as Jon Hendricks, Betty Carter, and Mark Murphy, as well as the great lady of jazz vocals, Ella Fitzgerald.

Known for a terrifying rendition of Otis Redding's hit "(Sittin' On The) Dock of the Bay" (among others), Michael Bolton tears up every classic soul tune he can get his hands on. Ray Charles' "Georgia on My Mind" and Percy Sledge's "When a Man Loves a Woman" take on completely new meanings in the hands of this former hard rock singer. This 17-cut retrospective includes all the songs that catapulted him to mega-stardom and plenty of others that show him as just another sincere fool for love ("I Promise You" and "I Found Someone"). Just as Meatloaf turned up the juice on the histrionics of Bruce Springsteen, Bolton takes the soul singer out of the smoky nightclub and into the hockey arena for the whole world to hear.

Niki King and Marcus Ford have become established as one of Scotland’s most high profile jazz duos with sell-out concerts at both the Edinburgh and Glasgow International Festivals. They have also performed internationally including concerts in Germany, Japan, Switzerland, China and Italy. Niki King won the Perrier Jazz vocal award 2001 and was further nominated for the prestigious spirit of Scotland Award and International Young Jazz Vocalist in Brussels 2005. As a solo artist she has supported Al Green and the Average White Band and with her incredible vocal range and stage persona she is considered one of the UK’s most exciting new vocalists.

An American blues harmonica player, singer and songwriter, from Mississippi. One of the greatest bluesmen ever. His harp, vocals, and songwriting have never been surpassed. All his records are classics, but this one is truly unique — it's the cream of two rare, acoustic albums cut in Denmark in 1963. Gentle, personal blues with brilliant harmonica, accompanied by only Matt Guitar Murphy and Memphis Slim on piano. Original LP listed on Stereophile's Record "2 Die 4" list. Analogue Productions' DSD transfer presents these recordings in the best possible audio quality.

Ronnie Kole is now one of America's most legendary pianists and entertainers whose devotion to New Orleans is well documented with his induction into the New Orleans Musical Legends Park. His love-affair with the city's music is longstanding, as evidenced by this 1971 trio recording "New Orleans Today".

Living legend Ronnie Kole's 1968 album for Paula Records, "Ronnie Kole Plays For (You Alone)", is digitally rereleased here in stunning high definition, featuring grooving numbers such as Ode to Billie Joe, Leija, and Big Noise from Winnetka.

Sandro Fazio is an European Jazz Guitarist, Composer and Arranger living in Amsterdam. "Growth" is the second part of a musical trilogy, following 2008's "Birth". The music is extremely evocative due to the charm of lyrical melodies and the slow, yet relentless, pace. Not too complicated, despite constantly changing musical constructions, it features five very talented musicians from the contemporary European jazz scene.

The Zurich Airport Orchestra is the airport's musical ambassador in Switzerland and abroad. It also fosters a community spirit and shared culture among staff working at Zurich Airport. The orchestra was founded in 2003 under the motto of "Music brings people together". With its extensive repertoire of music from all over the world, the orchestra puts on unforgettable concerts at all sorts of events – celebrations to mark inaugural flights or store openings, as well as anniversaries, gatherings and receptions. Programmes are always tailored to suit the particular occasion.

After five triumphs at the Paris Opera, Chevalier Gluck, reformer of French opera and protege of Marie-Antoinette, created his last work in 1779: Echo et Narcisse, based on Ovid's Metamorphoses. Adopting the style of a pastoral, it was spurned by the public at its premiere, but is a tribute to the splendour of the French tradition. With the support of the Fondation Etrillard, Herve Niquet has resurrected Gluck's last opus, in which the fates of the nymph Echo, who repeats the last word she hears ad infinitum, and the proud Narcissus, condemned to love only his own reflection, intertwine: two perfectly Baroque myths!

Musettes, hurdy-gurdies, and flutes formed the dream countryside of Rococo-style salons, that of Watteau’s painting Concert Champêtre (1727), when Naudot’s Fantaisies were enjoying their hour of glory. The fashion for “pastoralism” was in full swing, and professional musicians as well as great amateurs vied with each other in “pastoral” concertos where musettes and hurdy-gurdies featured heavily. These instruments were popular originally, garnering great skill to rise to the heights of virtuoso: enough to enchant Louis XV’s courtesans and those close to La Pompadour! Alexis Kossenko reveals these wonderfully outdated gems to us as a bold shepherd.

It’s a kind of cathartic unburying of the subconscious. It absorbs particular mytho-spiritual features of South Indian Classical and Balinese Gamelan music and perhaps bridges sonic territories between post-jazz, experimental, and ambient music. It reflects on travels to places like Chennai, (studying oral traditions of South Indian classical music) Delphi, (exploring the myths of ancient Greece) and the Dordogne valley (delving into palaeolithic cave art of southern France).

The magnetic music of Portuguese trumpeter Luís Vicente has always been marked by its munificence and openness, revealing an intrinsic candour and purity of expression, where ideas and values are articulated, exchanged and cultivated without need for extraneous fuss or unnecessary obfuscation.

"Hiraeth" is an untranslatable Welsh word that describes the longing for a home, a place or a feeling that no longer exists or never existed. The album pulls on a heart that conveys a distinct feeling of missing something irretrievably lost.

Three-time Grammy nominees and San Antonio, Texas-born quartet, NOTHING MORE return with their highly awaited 8th album CARNAL, scheduled for release on June 28th. The album features 15 songs with introspective philosophical lyrics with unapologetically massive anthems. Since their emergence in 2003, Nothing More has earned rock radio chart history with #1 singles with both "This is the Time (Ballast)" and "Go To War" and already has seven Active Rock Radio Top-10 singles in their repertoire. "CARNAL" further proves their expertise in the rock genre and beyond.