For drummer Jack DeJohnette's second project on his fledgling Golden Beams Productions record label, he moves from the Asian subcontinent south to Africa for a series of duets with master Gambian kora player Foday Musa Suso.

Album Notes
"Miko Mission - Toc Toc Toc", "Lee Marrow - Mr. Fantasy", "Ryan Paris - Fall in Love", "Robert Camero - Love Games" and more... are the songs which included on the 10th volume of "I Love Disco Diamonds", released in 2001 by Spain's Blanco y Negro label. This is part of one of the most extensive Euro-dance (Italo Disco) series available. Since the series is so extensive, you can bet there's plenty of filler, and that's definitely the case here. Continuate cosi, per far conoscere a tutti le mitiche canzoni dei nostri anni '80.

Zero 7 is a downtempo act comprising Henry Binns and Sam Hardaker from the United Kingdom. The band’s songs feature vocals from Mozez, Sia Furler, Tina Dico, Sophie Barker and José González.

On 23rd April 2001 they released their debut album, Simple Things, to wide acclaim. The album featured collaborations with vocalists Mozez, Sia Furler, and Sophie Barker.

On 1st March 2004 they released their second album, When It Falls. In addition to the three vocalists from their first album, it also featured a collaboration with Tina Dico. In the same year, Binns also co-wrote the Emma Bunton track Breathing from her second solo album.

Their third album The Garden was released on 22nd May 2006 and features José González and Sia Furler. It is a departure from the trip-hop sound that defined their first two albums, Simple Things and When It Falls. The Garden has much more of an acoustic rather than electronic flavour to it. The Garden is also notable in that it marks the vocal debut of Henry Binns; and while he doesn’t want the record to be defined by such a fact, it does add another personality to the mix. He duets on PlayThrow It All Away, PlayThis Fine Social Scene and PlayWaiting to Die, and sings solo on PlayYour Place.

However, if there is one fact that Henry and Sam don’t want people to be confused by, it is the title of the album, The Garden. Taken from the album artwork, which is a series of collages designed by a friend of theirs, entitled, spookily enough, The Garden, the duo are keen for the album’s meaning not to get lost in translation.

New album from the masters of extreme technical death metal

Szell's performances are very satisfying indeed. His Brahms is robust in strong movements, yet expressive in quiet ones, even if not so deeply embtional as we hear from some conductors. He practically never allows any mannerisms of interpretation… As to the playing, it is very fine; and it is good to be reminded again of this orchestra's soaring violins, its distinguished solo playing, its corporate discipline and rhythm. Very thrilling Brahms. T. H. Gramophone 1973

Tony Joe White's "The Beginning" is some of the rawest grittiest music you're likely to encounter. Most tracks are pared down with just Tony Joe & the soulful guitar, accompanied by nothing more than the thump of his foot. "Rich Woman Blues" is a hot breathy blues track. "Raining On My Life" is a melodic poor boy tune, "It was sometime in late September & the leaves were turing brown, & as near as I can remember, I was somewhere on the ground." Tony sounds like a whole band on the bouncy "Ice Cream Man," "She's a cool mamma jamma, but she don't like to wait; If you tell her you're coming, well you better not show up late." "Going Back to Bed" is a slow track where Tony's guitar sounds like weeping while "Drifter" is a similarly slow tune that regrets life on the road. Tony is at his funky best on "More to This Than That," "If this is the end of me just keep my guitars in the family; don't put 'em under glass & tune 'em flat, ought to be more to this than that." Spanish touches grace the ballad "Down By the Boarder." Tony goes into deep blues gear for "Wonder Why I Feel So Bad." "Clovis Green" is the song story of a wealthy man with a pregnant daughter. Tony Joe's guitar is fluid on his diatribe against the corporate music biz, "Rebellion." Tony gets funky with the closer, "Who You Gonna Hoo-Doo Now," "Coffee skin, a little bit of cream, golden eyes with a touch of green, high cheek bones, kind of tall, you won't think twice if you think at all." The music shines with these unplugged spare arrangements; raw grit makes it worth the trip.