Sonic Temple is the fourth album by the The Cult, released in 1989. In addition to being a continuation of the band's hard rock sound that was introduced on their previous album, Electric, Sonic Temple features some of the band's most popular songs, "Fire Woman", "Sun King", "Edie (Ciao Baby)" and "Sweet Soul Sister". With this album, The Cult obtained critical and commercial success with a ranking of #10 on the Billboard 200. Sonic Temple was also the last album recorded with long time bassist Jamie Stewart, who left in 1990. After his departure, the band's music would take a different direction on their next album, 1991's Ceremony.

A young genius Abel Zarate. In the age of 15 he formed Naked Lunch, and in the age of 17 he became the 2nd lead guitarist of latin rock band Malo, forming the guitar duo with Jorge Santana…

…There are so many abrupt twists in the music here that you don't know what's coming next. The brilliant 'Man's Best Friend' (it's a gun, according to the ironic lyric) begins with a startling Spanish guitar intro before fuzzed up electric guitar and drums bludgeon their way in. 'Oriented' is a marvellous instrumental, as exotic as the title suggests. And, although there's a lot of experimentation going on, the tracks are well-crafted and accessible. DJH Thorn

The Who are an English rock band formed in 1964. The primary lineup consisted of vocalist Roger Daltrey, guitarist and keyboardist Pete Townshend, bassist John Entwistle, and drummer Keith Moon. They became known for energetic live performances including the pioneering spectacle of instrument destruction. The Who have sold about 100 million records and have charted 27 top forty singles in the United Kingdom and United States with 17 top ten albums, including 18 Gold, 12 Platinum and 5 Multi-Platinum album awards in the United States alone.

Alexander Martovsky - Keep Quite, Everybody Are Sleeping (2010)
IDM, Post-rock, Modern Classical | MP3 CBR 192 Kbps | 44,6 Mb
To & To

«Вполне симпатичная музыка. На мой вкус несколько монотонно и нет ярких мелодий. Но это мой вкус. При всем при этом достаточно яркие образы. Настроение явно получается. Нет шероховатостей, каких-то нелепых ходов и прочей нелогичной блуды. Местами настолько красиво, что даже цепляет, «Последняя дверь» к примеру, очень понравилась. В «Фотографиях» высадил мертвый звук флейт.
Надо добиваться самости, её мало, а это самое важное.»” – Александр Жемчужников, союз композиторов