The first half of Sometimes I Believe She Loves Me captures a nine-song 1964 improvisational jam between Barbara Dane and Lightnin' Hopkins which remains a charming, if not revelatory, meeting of the minds. The remainder of the record consists of Dane's solo performances of such standards as "Careless Love" and "Betty & Dupree."

This CD combines together parts of two sessions recorded in Tokyo by the warm ballad singer Johnny Hartman. Although titled For Trane, the vocal recital only has three songs associated with John Coltrane ("My Favorite Things," "Violets for Your Furs," and "Nature Boy") and the majority of the selections are actually taken from an unrelated session in which Hartman was matched with trumpeter Terumasa Hino. The music alternates between ballads ("Violets for Your Furs" and "The Nearness of You" are high points) and swingers and, although Hartman does not really improvise, his voice (still in its prime at the time) is appealing. Considering his slim discography, Johnny Hartman's fans will definitely want this one.

Somehow this combination made sense: a revised band (with Nic Potter returning on bass and the addition of Graham Smith, formerly of String Driven Thing, on violin) with a shortened name, and an album that was named twice, with different cover art for each name. What also made sense was the focus on shorter songs and a change of musical attitude. While Hammill could never entirely shake off his approach to songwriting, he was able to modify it somewhat. Working with the new band, he was able to generate considerably more energy than on World Record. "Lizard Play" and "Cat's Eye/Yellow Fever (Running)" are wonderfully gymnastic songwriting exercises, yet remain engaging by dint of their forcefulness. Written and performed at the top of Hammill's game, this album is a delight.

2012 three CD set, the seventh volume in the So80s series, this time with an Ibiza theme. Blank & Jones searched for the biggest anthems of this magic island during the 1980s. Long time before mass clubbing started on Ibiza in the 1990s, there was a true musical melting pot creating it's very own soundtrack. The legendary KU (now known as Privilege), the Amnesia or Pacha were all hot spots for the Jet Set of the beautiful, the rich and the famous. Here comes the soundtrack for this special time with the whole range from Wham!, Sandy Marton, Bandolero and Lime, but also with the secret anthems of Ibiza like Flash & the Pan, Tullio de Piscopo, Art of Noise, Carly Simon an Tony Esposito. Celebrate the Sound of Ibiza in the 80s with Blank & Jones!

Johann Forkel, the biographer of J.S. Bach, numbered Müthel among the most remarkable of Bach’s pupils. Another of the great chroniclers of 18th century music, Charles Burney, described Müthel's works as 'so full of novelty, taste, grace, and contrivance, that I should not hesitate to rank them among the greatest productions of the present age.’ In Müthel's five concertos for keyboard and strings we nevertheless meet a distinctly individual composer, displaying sophisticated rhythms and harmonic playfulness. Presenting them on this set of two CDs, the young Polish harpsichordist Marcin Świątkiewicz makes his début on BIS. He is supported by his compatriots in the acclaimed period band Arte dei Suonatori, who clearly relish the often intricate and always eventful orchestral parts.

Widor wrote music for a wide variety of instruments and ensembles (some of his songs for voice and piano are especially notable) and composed four operas and a ballet, but only his works for organ are played with any regularity today. These include: ten organ symphonies, three symphonies for orchestra with organ, Suite Latine, Trois Nouvelles Pièces, and six arrangements of works by Bach under the title Bach's Memento (1925). The organ symphonies are his most significant contribution to the organ repertoire.

Dan Laurin has made a name for himself as an intrepid musician who never hesitates to venture into uncharted territory, as testified by his numerous recordings of contemporary recorder works, as well as by his monumental achievement in recording the complete (10 hours!) 17th century Der Fluyten Lust-hof by Jacob van Eyck. As he now turns to one of the most recorded works in Western music, his approach is as fresh and original as ever. With the aid of the highly praised Polish ensemble Arte dei Suonatori, Laurin gives us Vivaldi’s humming insects, pounding summer rain and drunken village revels in a way we’ve never before heard them.