RSD 2022. Includes two previously-unreleased tracks exclusive to this release - 'Sweet Talker' (12" Version) and 'Wanna Give My Love' (12" Version) and many recently uncovered vault tracks making their first appearance on vinyl. With top-drawer production talent includes Prince, Nile Rodgers, Narada Michael Walden and Shep Pettibone. Having rocketed to fame in the UK in the early '80s, Sheena quickly established herself as an international star, where her genre-crossing approach resulted in her being the only artist in US history to score top three hits in each of Billboard's main charts: The Hot 100, R&B, Dance, AC and Country. As part of Cherry Red's on-going re-issue campaign of the star's EMI catalogue, this collection focuses on Sheena's huge success on the US club charts and features 6 US top 40 Dance hits in their full 12" extended mixes, including the controversial Prince- penned #1 'Sugar Walls'.

My Son John (2001) is a jazz album by veteran tenor saxophonist Gordon Brisker, released on Naxos Jazz. Recorded at Avatar Studios in New York City, the album features Brisker on tenor saxophone, with contributions from trumpeter Tim Hagans, pianist Mike Nock, bassist Anthony Cox, and drummer Billy Hart. The nine-track collection includes Brisker's original compositions such as The Open Path, Impetus, and the title track My Son John, as well as a reimagined version of "You Go to My Head".

“This album is a celebration of everything we thought we lost,” says Trombone Shorty. “It’s a celebration of all that we’ve been through and all that we’ve learned along the way. It’s a celebration of New Orleans.” Released twenty years to the day after Hurricane Katrina devastated the Crescent City, Second Line Sunday, the new collaboration from Trombone Shorty and New Breed Brass Band, is more than just a party; it’s a reflection on culture and tradition, on family and community, on survival and resilience. The songs here are steeped in the rich history and vibrant social fabric of New Orleans, and the performances are nothing short of ecstatic, fueled by raucous horns and intoxicating rhythms. The sequencing, meanwhile, is carefully curated to transport you into the heart of the action, tracing the emotional arc of a second line parade from its swaggering start to its funky, freewheeling finish. The result is a spiritual experience asmuch as it is an album, a joyous cultural travelogue that showcases some of modern New Orleans’ brightest stars paying homage to the scene that raised them, while at the same time pushing it forward with their own distinctive style and sound.

Way to My Heart (1991) is the debut album by Rachel Rachel, the first all-female American Christian rock band. Released on Word/DaySpring and produced by Billy Smiley of White Heart, the album features energetic AOR-style pop-rock with standout tracks like a cover of Carry On Wayward Son and the hit I Will Stand By You, which reached No. 4 on Christian radio. The album itself peaked at No. 25 on the Billboard CCM chart.

Silence of the Night (1997) is the debut album by Melbourne-based AOR/melodic rock duo Frozen Tears, led by vocalist Thanis Akritidis and guitarist/keyboardist Jon Powers. Featuring hard‑rock polish and strong 1980s melodic hooks, the six-track record—later expanded in deluxe editions—showcases standout tracks like Silence of the Night, Let Down, Will I Ever, and One More Time, plus a stadium-ready club anthem for South Melbourne FC

The Philadelphia Orchestra and their Music Director Yannick Nézet-Séguin are embarking on another project of Rachmaninoff’s works, presenting his three Symphonies and other orchestral works. When Rachmaninoff’s 1st Symphony was premiered in 1897 by a badly prepared orchestra the performance turned out to be a disaster which obviously hurt the young composer deeply, not even 24 years old. Yet, later decades proved this early work to be absolutely worth a listen when performed by a first-class orchestra and conductor.

Second Time Around (2015) is a refined cool-jazz album featuring Serbian trumpet legend Dusko Goykovich and American tenor saxophonist Scott Hamilton, recorded in Munich on February 8–9, 2015. Released by Organic Music (catalog ORGM 9767), the album blends elegance with a mellow, swinging feel through tracks like A Baptist Beat, Recado Bossa Nova, Love for Sale, and You're My Everything—a poignant tribute to Goykovich’s late wife. The supporting trio of Bernhard Pichl (piano), Rudi Engel (bass), and Michael Keul (drums) provides a warm, timeless backdrop for this richly expressive session.

The only career-spanning collection ever afforded this American icon-in fact, it's the ONLY set that contains tracks from every label of note that's recorded Merle during his 45 years in the music business! A 40-page booklet includes an extensive biography and rare photos from his family and friends. The set begins with his first hit, Sing a Sad Song , followed by (My Friends Are Gonna Be) Strangers; The Fugitive; Okie from Muskogee; The Fightin' Side of Me; Daddy Frank (The Guitar Man); Natural High (with Janie Fricke); Pancho and Lefty (with Willie Nelson); Haggard (Like I've Never Been Before) , and much more. 60 tracks!

Melody ~ Waltz for Forest (2003) is the 16th album by Japanese jazz-fusion band Dimension, released by Zain Records. Celebrating their 10th anniversary, the album features melodic, nature-inspired compositions blending smooth jazz and ballads. Key tracks include Waltz for Forest, Everlasting Melody, and If (featuring R&B group 4 P.M.). The trio—Takashi Masuzaki (guitar), Kazuki Katsuta (sax), and Akira Onozuka (keys)—deliver a serene, emotional soundscape. The CD also includes bonus live footage.

Blues In The Night (2010) by tenor saxophonist Denis Solee is a smooth jazz album featuring cinematic and blues-infused standards. Backed by artists like Beegie Adair and Jack Jezzro, Solee reinterprets classics such as Harlem Nocturne, ’Round Midnight, and Theme from The Pink Panther. Released by Green Hill Productions, the album blends sultry, film noir atmospheres with mainstream jazz. Its mellow, late-night vibe makes it ideal for relaxed listening.

Patty Smyth, an Oscar and Grammy nominated singer and songwriter, burst onto the scene with the band Scandal in 1982 and its self-titled debut that turned out to be the best-selling EP in Columbia Records history. The album featured the hit single, “Goodbye to You,” a song Smyth co-wrote, and the hits “Love’s Got a Line on You” and “Win Some, Lose Some.” In 1984, the group’s first full-length album, The Warrior, climbed into the Top 20 on the sales chart, eventually earning RIAA-certified platinum status, with more than a million in sales. Smyth’s 1992 solo album featured her biggest hit ever, “Sometimes Love Just Ain’t Enough,” a song she wrote that featured a performance by Don Henley. The song reached No. 2 on Billboard’s Hot 100 and stayed there for six consecutive weeks, going No. 1 on the adult contemporary chart. The album and the single each earned platinum status. The album also produced the hits “No Mistakes,” “I Should be Laughing” and “Shine.”

Max Mutzke is the debut studio album by German recording artist Max Mutzke. It was released by Rare Records and Warner Music Group on 7 January 2005 in German-speaking Europe after he had won both the talent contest SSDSGPS on the ProSieben late-night talk show TV total and Germany 12 Points!, Germany's national final for the Eurovision Song Contest 2004.

John Wetton had one of the most varied careers in progressive rock. He played in the majority of the big names in prog, in many cases in their classic lineups. His first major band experience came when he joined Family in 1971. He was featured on two of their albums: 1971's Fearless and Bandstand (released the following year). He performed various functions in the group, but his primary role was as bassist. Previous to this group he had recorded with Edwards Hand and Mogul Thrash. He left Family to join Robert Fripp and company in King Crimson, taking a place that had been previously filled by Greg Lake. This would not be the last time the two of them would replace one another. His tenure with that group was not exceptionally long, however, as Fripp disbanded Crimson in 1975.

John Wetton had one of the most varied careers in progressive rock. He played in the majority of the big names in prog, in many cases in their classic lineups. His first major band experience came when he joined Family in 1971. He was featured on two of their albums: 1971's Fearless and Bandstand (released the following year). He performed various functions in the group, but his primary role was as bassist. Previous to this group he had recorded with Edwards Hand and Mogul Thrash. He left Family to join Robert Fripp and company in King Crimson, taking a place that had been previously filled by Greg Lake. This would not be the last time the two of them would replace one another. His tenure with that group was not exceptionally long, however, as Fripp disbanded Crimson in 1975.

The Conjuring: The Last Rite, the fourth installment in the Conjuring franchise, is the final chapter in the story of paranormal investigators Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga. Benjamin Wallfisch composed the film's music.Wallfisch is an experienced composer in this cinematic universe, having previously created soundtracks for films such as The Conjuring 2, Annabelle: Creation, and The Nun. This makes him a key figure in shaping the franchise's recognizable musical style.