Welcome to the world of hidden signs, treasures and symphonic jewels in Raiders in Symphony with the Danish National Symphony Orchestra and Danish National Concert Choir. The Danish National Symphony Orchestra is in adventurous mood, and the iconic music from the Indiana Jones films are the jewel in the crown.

Jean-Efflam Bavouzet and Gábor Takács-Nagy continue their acclaimed survey of Mozart’s Piano Concertos with this tenth volume, concentrating on the very early works of the child-genius composer.

Emiri Miyamoto (宮本 笑里, Miyamoto Emiri, born 7 December 1983, in Tokyo, Japan) is a Japanese violinist.  She is the second daughter of retired oboe player Fumiaki Miyamoto.

On Galaxymphony II: Galaxymphony Strikes Back, listeners are invited to travel through the universe with the best tracks from Apollo 13, Avatar, Blade Runner, Gravity, Interstellar, Star Trek, Star Wars, The Hitchhiker’s Guide To The Galaxy, and The Mandalorian.

The two Sonatas for violin and piano by Gabriel Fauré - Op. 13 and Op. 108 - together with Leone Sinigaglia’s Sonata for violin and piano Op. 44 trace a musical journey spanning the transition from the nineteenth to the twentieth century. They reflect the passage from late Romanticism into the musical language of the early twentieth century, while still retaining the legacy of the great Romantic masters such as Johannes Brahms, Antonín Dvořák, and César Franck.

The overwhelming presence of one of Japan's leading pianists, Michie Koyama, is now available in a live recording of her memorable 40th anniversary debut performance at Suntory Hall on October 12, 2025! Koyama is the first Japanese pianist to win both the Tchaikovsky and Chopin competitions, and is well known for her Russian repertoire. He has released Rachmaninoff's Piano Concerto No. 2 (BBC Symphony Orchestra, conducted by A. Davis, recorded in 1992) and No. 3 (Moscow Radio Symphony Orchestra, conducted by V. Fedoseyev, recorded in 2002), and this is his second recording of No. 2 after 33 years since his first recording in London in October 1992. This is the second recording of Tchaikovsky No. 2 after 33 years since the first recording in London in October 1992.

Alexander Rudin and the Ural Youth Symphony Orchestra here present two symphonies by Nikolai Myaskovsky — one of the most undiscovered composers of the 20th century. In his creative legacy, Myaskovsky equals his more famous contemporaries — Prokofiev and Shostakovich.

‘We ultimately know very little about Domenico Scarlatti,’ said Scott Ross in 1987, in an interview with Jean-Michel Damian broadcast on France Musique to mark his recording of the Neapolitan composer’s complete 555 sonatas. And what if this ‘little’ did not concern so much the musician’s biography, which we know included travelling throughout Italy during the first half of the 18th century, until he entered the service of Maria Barbara of Braganza, a Portuguese princess whom he followed to Spain, and her marriage to Ferdinand VI, and to Madrid, where Scarlatti died in 1757, at the age of seventy-one? We also know that a significant number of his 555 sonatas were never performed during his lifetime. Innovation was very much at work here. For Scott Ross, Scarlatti had become ‘overspecialised in the keyboard, in keyboard performance, and in writing for the keyboard’. What was extraordinary about him ‘was his obsession with the keyboard above all else’. And yet, what amazes us is the wide variety of instruments that emerge from Scarlatti’s keyboard.

Introducing "East is East", the latest album from Infusion Baroque. This fourth album from the Montreal-based ensemble is a fusion of Western Baroque, Persian and Indian music traditions. Featuring collaborators Amir Amiri, Hank Knox, Thibault Bertin-Maghit, Hamin Honari, Vidita Kanniks, and Shawn Mativetsky, the thirteen tracks see Western and Eastern musical traditions find common ground in transcultural music.In "Bergamasca" and "La Folia", baroque composers are realized with Persian santur, tombak, and daf alongside the Western harpsicord, violin, cello, and recorder.

Composed in 1680, Proserpine marks the reunion of Lully and Quinault after the scandal surrounding Isis (1677). Set in the splendour of Saint-Germain, the work offers a mythological mirror to the Dauphin's wedding. In it, Lully revolutionises his art: the orchestra becomes the driving force of the drama while the voices gain in expressive intensity. Under the baton of Christophe Rousset, Les Talens Lyriques revive this gem in which the fate of a captive queen and the splendour of restored peace unite in immortal harmony.

This album offers an intimate journey into Schumann’s world through three emblematic works. At its heart stands the original 1841 version of the Fourth Symphony, a rarely performed score whose transparency and almost chamber-like clarity reveal a Schumann of striking immediacy, far from the heavier later revision.

Great vocal masterpieces are given a new voice in a boldand poetic programme by Spanish saxophonist CarlosGimenez who showcases the instrument's profoundlylyrical side, capable of breathing, sighing and singing withstartling emotional immediacy.

Andrés Gabetta (violin & direction), Veronica Cangemi (soprano), Mario Stefano Pietrodarchi (bandoneon and accordion), and the Gabetta Consort present From Venice to Buenos Aires, a remarkable journey from 18th-century Venice to the streets of Buenos Aires.

Embracing the whole world, Mahler’s Symphony No. 3 is a vast fresco in which nature, man and the spiritual interact on a cosmic scale. Directing the combined forces of the Royal Philharmonic Orchestra, Philharmonia Chorus and Tiffin Boys’ Choir, and with the movingly expressive voice of Hanna Hipp, Vasily Petrenko reveals all the richness of this visionary peak of Post-Romanticism.

2nd solo record of the guitarist Arkaïtz Chambonnet, member of the Quatuor Eclisses. « In early 2023, I stumbled upon a piece for guitar—Portu errota—by a Basque composer I had never heard of, Antón Larrauri. Being of Basque origin myself, I began searching for other composers and works related to the Basque Country. I then discovered a whole repertoire of guitar music that I had never suspected existed, some of which had been very little performed, or even never recorded. That's how the story of this album began…” Arkaïtz Chambonnet