Finally, it’s almost here, the release you’ve all been waiting for! Uncle Acid & the Deadbeats return with an unquestionable masterpiece, which exceeds all expectations. Nell’ ora blu is a cinematic audio experience of epic proportions, featuring exclusive guest appearances from a cast of Italian film legends from the phenomenal Giallo/Poliziotteschi era of the late 60s-mid 70s. Its leading actors; Edwige Fenech and Franco Nero, are finally together in their first ever collaboration.

Adelmo Fornaciari, more commonly known by his stage name Zucchero Fornaciari or simply Zucchero, is an Italian rock singer and Order of Merit of the Italian Republic. His music is largely inspired by gospel, soul and rock music, and alternates between ballads and more rhythmic boogie-like pieces. Zucchero's voice is gritty and textured, but he sings with a great sensitivity and lyricism, and these same qualities are mirrored in his songwriting. By blending blues, pop, and adult contemporary, Zucchero's music can be quite affecting. He is credited as the "father of Italian blues", introducing blues to the big stage in Italy. Zucchero is one of the few European blues artists who still enjoy great international success.

Love, drama and betrayal under the Sicilian sun: this ‘pasticcio’ of folk melodies and music by ‘learned’ composers was born of the love of Leonardo García Alarcón and the singers and musicians of the Cappella Mediterranea for Calabrian, Sicilian and Neapolitan songs dating from the seventeenth and eighteenth centuries. We hear music by Alessandro Scarlatti and Sigismondo d’India, both born in Palermo, as well as works from the extraordinarily rich collection of St John’s Co-Cathedral in Malta (notably by Vincenzo Tozzi). Leonardo García Alarcón even composed a five-part fugue on La canzone di Cecilia , associated with the heroine of the drama. The music was arranged by Quito Gato. This tribute to southern Italy by Cappella Mediterranea has triumphed on stage for years; now this recording immortalises it.

With "Seigneur", Roberto Alagna delivers an album imbued with spirituality. Between faith, love and hope, the tenor pays a highly personal tribute to the immense cathedral of lyric art to which he regularly adds his stone.

Ermal Meta annuncia l’uscita del suo nuovo atteso album di inediti prevista per il 3 maggio dal titolo “Buona Fortuna” (Columbia Records/Sony Music). L’album uscirà in vinile rosso autografato in esclusiva su Amazon. “Buona Fortuna” contiene anche i due singoli “Male più non fare” feat. Jake la Furia e “L’unico pericolo” usciti negli ultimi mesi anticipando l'album.

After 400 years, the Fieri Consort reveal newly-discovered madrigals of Maddalena Casulana alongside works by another of Italy’s greatest composers, Barbara Strozzi.

Recording an album of arias written expressly for Farinelli, one of the most legendary castratos of the eighteenth century, is brave; his name invokes a world of superhuman vocal feats, remarkable pathos, and a uniquely strong and brilliant tone that, for obvious anatomical reasons, will not be replicated by modern singers. But that clearly does not scare Vivica Genaux who, along with René Jacobs and the Akademie für Alte Musik Berlin, dives into Farinelli's repertory as if it were her very own.

Caballé's Tosca is one of the most ravishingly on record, with scarcely a less than beautiful note throughout, save where an occasional phrase lies a touch low for her. José Carreras recorded Tosca twice in the 1970s–his best years–but his voice was much better for Colin Davis when recording this set in 1976 than it was for Herbert von Karajan's 1979 interpretation. Davis's direction is flexible but dramatic and finely detailed, and the secondary singers are all very good.

Ha registrato otto dischi a proprio nome: “ Mi sono innamorato di Te” per l’etichetta Giapponese “Venus” ,“ Zenzi” e “Kairòs” per la Tùk Music di Paolo Fresu, "Roaming Heart" in piano solo coprodotto dalla Tùk Music e dall'etichetta francese Bonsai Music, "Where is the Happiness" , "Tempo di Chet" cooprodotto con Paolo Fresu e Marco bardoscia, "Time of silence" e "Gesuè" ancora per la Tùk.
Nel corso degli anni ha suonato in moltissimi Festival: Isole Canarie, Londra, Marciac, Shangai, Portogallo, Belgrado, Macedonia, Città del Messico, Colombia, Venezuela, Rochester, Kiev, New York, Libano, Toronto, Jakarta, Parigi, Lima, Santiago del Cile, Madrid, Praga, Berlino, ecc ecc.

Presenting a an American standard song collection that features imaginative and dreamy piano jazz solos. Experience a light swing music feel and a beautifully soft melody that is too marvelous for words!

A musical journey through Renaissance Europe via pieces that were highly popular and whose melodies were reused and varied by some of the best composers of the time.

Luciano Pavarotti has long avoided doing the kind of solo crossover release often proffered by his Three Tenors comrades Plácido Domingo and José Carreras; indeed, in his liner introduction he claims that he was initially "very skeptical" of this project. He came around, though, and the result marks his first solo album of any kind in years.

Alborosie's classic roots reggae album, "Soul Pirate" (which has over 223 million Spotify album plays) gets a dub version makeover. Featuring the classic tracks, "Kingston Town" and "Herbalist"- the "Soul Pirate" album was the result of Alborosie's six years at Geejam studios in Jamaica and was in partnership with local artists. Now, this classic album has a new dub remix produced by Alborosie.

Donizetti's rollicking comic opera "The Elixir of Love" receives a scintillating performance in this early 1970's London/Decca recording. Featuring an unbeatable cast, headed by Joan Sutherland and Luciano Pavarotti, this wonderful interpretation demonstrates singing of the highest levels of artistic integrity- definitive, passionate, lyrical, committed. The English Chamber Orchestra responds to Richard Bonynge's direction to provide sharp, colorful orchestral support, and the Ambrosian Opera Chorus' performance can only be described as brilliant. Donizetti wrote immediately attractive operatic works, this "Elixir of Love" being a perfect example.

For sheer vocal splendor you can't go wrong with the 1971 Decca recording featuring the virile baritone Sherrill Milnes as Rigoletto, Luciano Pavarotti in radiant voice as a stylish but slightly scene-stealing Duke, and Joan Sutherland as a Gilda who is a little too vocally resplendent to come across as innocent, but is certainly a treat to hear.