Sans domicile fixe, Julius parcourt inlassablement les rubriques nécrologiques dans l'attente du décès de celui qui lui a volé sa femme et sa situation. Et voilà que soudainement, le hasard le rend témoin d'un complot qui se trame à l'encontre de cet homme qu'il désire voir mourir. Julius n'est cependant pas prêt à se laisser voler la seule chose qu'il lui reste : sa vengeance. Un véritable roman noir urbain, où l'on suit ce personnage déchu qui prépare patiemment sa revanche... dans l'ombre.

"The Evolutionary War" was a comic book crossover which ran through most of the Summer annuals published by Marvel Comics in 1988.
The storyline was the first of its kind. While there had been previous extended crossovers over multiple titles before it, "The Evolutionary War" was the first to take place exclusively in annuals. This format of crossover was to be repeated by Marvel a year later in 1989's "Atlantis Attacks" and was imitated by DC Comics for the first time three years later with their Armageddon 2001 crossover in 1991

"Inferno" was a Marvel Comics company-wide crossover in 1989 that mainly involved the mutant titles, namely The Uncanny X-Men, X-Factor and The New Mutants. The story concerned the corruption of Madelyne Pryor into the Goblin Queen, the final transformation of Illyana Rasputin into the Darkchylde, and a demonic invasion of New York City.

THE SIEGE STARTS HERE!! Remember when you were first introduced to the Cabal, the gathering of the most sinister members of the Marvel Universe, and you said to yourself: Well, that's going to blow up in everyone's face! Well, you were right and it happens right here!! Norman Osborn faces off with Doctor Doom and his mysterious threat to Doom is revealed. All of this is setting the stage for next month's explosive event: SIEGE! By: Brian Michael Bendis, Michael Lark, David Finch --

This 2010 Annual, just released December 3, 2009 but with a cover date of February 2010, sets the stage for the next and logical chapter in Marvel's crossover Universe, next big event, . The creative team is composed of writer Brian Michael Bendis and artist Chris Bachalo. Personally, I'd have dumped this were it not for Bachalo's arrestingly moody an beautifully atmospheric visuals. I don't like Bendis' awful handling of his recent Marvel titles, and this one is no different, particularly the "surprise ending" that completely spoiled my expectations in a certain great but still ongoing Marvel miniseries. But don't mind my ramblings--see for yourself.

is the third and last book of , the second of Laurell K. Hamilton’s bestselling series of erotic fantasy novels published by Marvel--the first being --narrated by the protagonist herself. The other books in the series are (Book 1) and (Book Two). Laurell K. Hamilton's previous Marvel publications are posted here at Avaxhome by yours truly. Consistently very good all throughout.

is a multi-awarded, long-running and still-ongoing weekly British science fiction-oriented comics anthology that serializes a number of separate stories each issue (called a "prog") that has been at the cutting edge of contemporary pop culture since it’s first publication by IPC Magazines in February 26, 1997. IPC, later Fleetway, continued to produce the title until 2000, when it was bought by Rebellion Developments. Due in part to its weekly publication schedule, it is one of only a few comics to surpass 1,600 issues. It is most noted for its Judge Dredd stories, and has been contributed to by a number of artists and writers who became renowned in the field internationally, such as Alan Moore, Neil Gaiman, Grant Morrison, Bryan Talbot, Brian Bolland, Garth Ennis and Mike McMahon.