In this piece, which should actually carry the title "Levels of Memory", I worked for the first time electronically formed material. … I attempt, step by step, to enter into instinctive, atavistic regions… Leviathan? Titanic? We will not escape.

Wolfgang Rihm

Ludwig van Beethoven: Symphony No. 9 in D minor Op. 125,
Gundula Janowitz (soprano); Sieglinde Wagner (contralto); Luigi Alva (tenor); Otto Wiener (baritone);
Chor des St. Hedwigs-Kathedrale, RIAS Kammerchor; Berliner Philharmoniker, Herbert von Karajan, conductor
Classical | 1 CD | EAC Rip | 284 MB | FLAC+LOG+Cue | Full scans | 4shared links
Publisher: Berliner Philharmoniker – im Takt der Zeit

Live Recording – Berlin, Philharmonie, 15. October 1963 (night of opening Berlin Philharmonie concert hall)

His career riddled by drug abuse and paranoia, Peter Green is still regarded by some fans as the greatest white blues guitarist ever, Eric Clapton notwithstanding. A 2CD Career retrospective of Peter Green's Fleetwood Mac and his Splinter Group.

This was one of the most stunning debut albums of the 1980s. Given the domination of synthesizer pop on the radio, Melissa Etheridge was a breath of fresh air when she burst out of the gate with this roots rock album sung with a sensitive bravado often compared to Janis Joplin. Although the passionate vocal deliveries are similar, the comparisons end there: Etheridge is a Midwesterner who was clearly influenced by classic rock artists such as Bruce Springsteen and John Cougar Mellencamp. The main theme explored is the emotional complexity of relationships, and throughout the album she sings about the hunger for affection, the pain of unrequited love, and the fire of obsessive romance. While the limited scope of the songwriting requires the listener to enter her world and exorcise the demons of relationships past, the album is full of infectious, up-tempo songs that propel the album forward. Etheridge's true talent, however, is reconciling uncontrollable emotions such as jealousy with a strong and fiercely independent spirit ("Similar Features," "Like the Way I Do"). Perhaps that's why Etheridge became a role model for a generation of young women who found her to be an uncompromising artist unafraid to expose (and celebrate) her strengths and weaknesses. This is a fine introduction to Melissa Etheridge, and it is one of her most enjoyable albums.

VA - I Love Disco Diamonds Collection Vol. 44 [12'Inch]
EAC Rip | Included: EAC Log + CUE + Flac + Covers | Size: 606 MB | RAR files | RS.com
Release: 11 April, 2007 | Label: Blanco y Negro | Number: MXCD 1696 | Genre: Italo Disco | Mono/Stereo: 2 Channel
Mastered by Quim Quer at Blanco y Negro Music Studios
Created & compiled by Rafael Carmona Perez
Special Limited Edition

"Bad Boys Blue - Lovers In The Sand", "Caesar - My Black Lady", "T . Ark - How Old Are You", "Paul Crazy - Believe Me" , "Mikron - Polynesia" and more... are the songs which included on the 44th volume of "I Love Disco Diamonds", released in 2007 by Spain's Blanco y Negro label. This is part of one of the most extensive Euro-dance (Italo Disco) series available. Since the series is so extensive, you can bet there's plenty of filler, and that's definitely the case here.

VA - I Love Disco Diamonds Collection Vol. 43 [12'Inch]
EAC Rip | Included: EAC Log + CUE + Flac + Covers | Size: 592 MB | RAR files | RS.com
Release: 29 January, 2007 | Label: Blanco y Negro | Number: MXCD 1686 | Genre: Italo Disco | Mono/Stereo: 2 Channel
Mastered by Quim Quer at Blanco y Negro Music Studios
Created & compiled by Rafael Carmona Perez
Special Limited Edition

"Gazebo - Trotsky Burger", "Milou - Sentimental Lover", "Roby Benvenuto - Gringo", "Anthony - Africa" , "Veronique - Dream On Violin (New Vocal Version)" and more... are the songs which included on the 43rd volume of "I Love Disco Diamonds", released in 2007 by Spain's Blanco y Negro label. This is part of one of the most extensive Euro-dance (Italo Disco) series available. Since the series is so extensive, you can bet there's plenty of filler, and that's definitely the case here.

Blossom Toes were an English psychedelic pop band active between 1967 and 1969. Initially known as The Ingoes, they were renamed and signed to manager Giorgio Gomelsky's Marmalade label. The original line-up comprised Brian Godding (born 19 August 1945, Wales) (guitar, vocals, keyboards), Jim Cregan (born James Cregan, 9 March 1946, Yeovil, Somerset) (guitar, vocals), Brian Belshaw (born 25 February 1944, Wigan, Lancashire) (bass, vocals), and Kevin Westlake (born Kevin Patrick Westlake, 5 March 1947, Dublin, Co Dublin, Eire — 30 September 2004) (drums). We Are Ever So Clean is the first album by The Blossom Toes. It was voted to be Number 40 of Record Collector’s "100 Greatest Psychedelic Records". Richie Unterberger: "One of the happiest, most underappreciated relics of British psychedelia".

This album is quite unique and it deserves your attention even if unfortunatly it is out of print actually. Well, if you find it used, you can buy it with confidence. It has been recorded in 1995 and it's not a common Jazz album with piano, double bass and drums. Here you have the fantastic Kenny Barron at the piano obviously, but he plays keyboards and double bass too and the incredible Mino Cinelu who plays a lot of different instruments (mandolin, banjo, guitar, keys, drums, percussions, additional sounds effects ... and he sings too in a couple of tune). It is a collaboration of these two artists exclusively. The result is a very strange album, very entertaining and incredibly well played and written.