'The Border' is legendary country artist Willie Nelson's 75th solo studio record of new material. Produced by Willie's longtime collaborator, Buddy Cannon, 'The Border' features four newly-penned tracks by the pair combined with a half dozen tunes from some of their favourite songwriters including two co-written by Rodney Crowell plus Shawn Camp, Mike Reid and Bobby Tomberlin. Backed by some of Nashville's finest musicians, the album is another instant classic to follow up his last album of new material, 'A Beautiful Time' which won Best Country Album at the 2023 Grammys.

Grammy award-winning Rock 'n' Roll Hall of Fame inductee Jorma Kaukonen, known for his work with Jefferson Airplane and Hot Tuna, collaborates with bandmate John Hurlbut on their latest album. This release serves as a sequel to the highly acclaimed River Flows series.

Goose Creek Symphony originally found its roots in the Phoenix, Arizona area as a countrified side project for Richie Hart & the Heart Beats. Vocalist and guitarist Charles Gearheart (aka Richie Hart) spent his childhood "up Goose Creek Hollow" in Floyd County, Kentucky, and when he put together his good-time country-rock group, he drew upon his home's rich musical heritage as well as its name. In 1970, Gearheart and a group of local studio musicians assembled a handful of songs and presented them to Capitol Records. Capitol signed his project, forcing Gearheart to assemble a touring group. Banjo player and fiddler Fred Weisz was brought in to complement existing guitarists Paul Spradlin (listed as "Paul Howard" on the album), Bob Henke ("Williard"), Mike McFadden (following the breakup of his psychedelic group Superfine Dandelion), as well as a rotating cast of bassists and drummers. With a sound very similar to what the Band was doing at the same time, Goose Creek Symphony were rock & rollers who played a very faithful brand of country music, all the while layering rhythms and harmonies along the same lines as Buffalo Springfield and the Grateful Dead.

Surprise is the fourth studio album by American country music singer Sylvia. People Magazine reviewed it on 5.14.84: "Not only has Sylvia changed her look (with the help of makeup artist Way Bandy) to something that's as close to punk as any Nashvillian is likely to get, but she has also gotten a little rambunctious musically. Most of this album, such as William Davidson's "On the Other Side of Midnight" and the Dennis Morgan-Don Pfrimmer tune "Victims of Goodbye," is typical Sylvia, lilting ballads rendered with just the right touches of heartbreak. But there are also a couple of atypically revved-up tracks, especially "Give 'Em Rhythm," a rockabilly stomper by Morgan and Skeeter Davis that includes homages to Elvis and Jerry Lee Lewis, and a lathered-up "One Foot on the Street." Sylvia is not likely to threaten, say, Lacy J. Dalton or any other honky-tonk honey, but she pulls off this digression with style and zest. It provides an enjoyable change of pace on an entertaining LP."

The Avett Brothers return with their first album in five years. Produced by longtime collaborator, friend and early champion Rick Rubin, The Avett Brothers is as much untitled as it is self-titled, for as Thomas Keating said: “Silence is God’s first language – everything else is a poor translation.”

Analogue Productions (Atlantic 75 Series). Celebrating the 75th Anniversary of Atlantic Records!. If I Could Only Remember My Name —David Crosby's debut solo album!. 180-gram 45 RPM double LP. Mastered directly from the original master tape by Bernie Grundman. Pressed at Quality Record Pressings. Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

A distinctive pianist whose unique, slip-note playing style came to typify the pop-oriented Nashville sound of the late 1950s and early '60s, session and solo musician Floyd Cramer was born October 27, 1933, in Louisiana. After a childhood spent largely in Arkansas, he returned to his home state in 1951 and began appearing on the radio program The Louisiana Hayride, where he performed with the likes of Jim Reeves, Faron Young, Webb Pierce, and, in his debut, Elvis Presley. While Cramer cut a few solo sides in 1953, his most important work in the early '50s was as a session musician, where he first met Chet Atkins, who encouraged the pianist to move to Nashville. He did in 1955, rejoining Atkins as the house pianist at RCA Records to begin developing what would ultimately be recognized as the Nashville sound, a style shorn of the elements associated with traditional country and honky tonk instead favoring a more polished, progressive sheen.

The Marshall Tucker Band celebrates the release of its first full-length concert on DVD with Live From The Garden State 1981 from their legendary 1981 MTV concert. MTB’s homemade blend of rock, country and jazz featured the band’s acclaimed songwriter and guitarist, Toy Caldwell. The band found enormous success during the 1970s, with most of their albums going gold.

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine - Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm–a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist - Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm.

SOUTHERN STEEL "Get On Through" out of Miami, Florida in 1974 firmly resides in the upper realms of rare early '70s southern rock LPs and the brilliant guitar interplay, vibrant vocals and finely crafted songs will seriously grab late '60s westcoast rock ears as well. It's really accessible stuff, heartfelt country inflected vocals with appealing vivid guitar textures and rhythms that fly. Echoes of Buffalo Springfield, Flying Burrito Brothers, Byrds, more on the rock than the country side but genuine about both. It's southern but it's also eastcoast-westcoast. In fact the opening track titled "San Francisco Man" is loaded with searing guitar licks and propulsive rhythmic action hitting pleasure points similar to the first Moby Grape LP. "Get On Through" contains thoughtful song oriented outdoors rock with little in the way of "south's gonna rise again" attitude, bluesy grit, bad women, whiskey, or hard livin' roadhouse action. These guys genuinely sound turned on to life, everyday regular dude seeker post '60s style and it is contagious. You can really feel it when the sweet southern fried dual guitar leads cascade out at just the right moment.

Standard 2LP 180G Black Vinyl. One Deep River offers an unstoppable flow of future Knopfler classics, with their customarily learned lyrics and refined guitar textures. They draw on a lifetime of genre-crossing ingredients and influences in blues, folk, rock and beyond, and as usual, reveal their charms with unhurried grace and depth. 45rpm LPs, mastered at half speed by Miles Showell at Abbey Road Studios.

In 2018, Roger McGuinn and I teamed up with @martystuart and His Fabulous Superlatives for a 50th anniversary salute to Sweetheart of the Rodeo. Today, we announced the release of Roger McGuinn, Chris Hillman, With Marty Stuart And His Fabulous Superlatives Celebrate The 50th Anniversary Of Sweetheart Of The Rodeo set for Record Store Day 2024, April 20, as a limited edition 2 LP Translucent Gold Vinyl of 2,500 pressings, in a stunning gatefold cover. The album includes 24 tracks, selected from various stops on the 23-city, 27-show tour by Stuart’s audio engineer and the album’s producer, Mick Conley, and mastered for vinyl release by long time Byrds re-issue producer Joe Reagoso.

While it still lies much closer to Nashville than Key West (like in the boisterous slide guitar solo that lights up "The Great Filling Station Holdup"), Jimmy Buffett's A White Sport Coat and a Pink Crustacean does begin to delineate the blowsy, good-timin' Key West persona that would lead him to summer tour stardom and the adoration of millions of drinking buddies everywhere. "Why Don't We Get Drunk," "Railroad Lady," and "Grapefruit – Juicy Fruit" rightly became crowd pleasers. But Buffett reveals himself a storyteller with the touching sigh of "He Went to Paris," where a slide guitar appears again to lend a subtle gleam to the arrangement, or in the gorgeous, sweetly sad tale of a passed-away poet's unlikely posthumous success. It's in this wide-eyed honesty, as well as the winking sarcasm of the scrambling honky tonker "Peanut Butter Conspiracy" – "We never took more than we could eat/And we always swore if we ever got rich, we'd pay the mini mart back" – that Buffett's flair for easygoing accessibility really emerges.

Contains 18 tracks recorded during one of the band's live peaks in one of their hottest markets. Including several of John Dawson's classic originals, as well as covers of Chuck Berry, Otis Redding, The Rolling Stones, and many more. Sit back, spark one up and let 'Hempsteader' take you back to one supremely rocking night on Long Island with the New Riders!

Burrito Deluxe is the second album by the country rock group the Flying Burrito Brothers, released in May 1970 on A&M Records, catalogue 4258. It is the last to feature Gram Parsons prior to his dismissal from the group. It contains the first issued version of the Mick Jagger/Keith Richards-written song "Wild Horses," released almost a year before The Rolling Stones own take on it appeared on Sticky Fingers.