Gareth Davis returns to Moving Furniture Records with a new collaboration. This time together with Monika Buganjy they perform his composition Becoming. This work is grounded in early minimalist aesthetics of composers like La Monte Young and Phill Niblock, but also shares the sensibilities of contemporary artists like Duane Pitre, Sarah Davachi, Brian Eno and Ellen Arkbro.

A Looming Presence is the sixth album by Banabila & Machinefabriek. A playful yet dark soundtrack for a crumbling world.

With "du silence des anges" Bruno Duplant returns with the second release in his trilogy for Moving Furniture Records, imbued with a certain mysticism and a deep melancholy, but, this time, more luminous, carrying a hope still possible.

An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78. Except one, all tracks are previously unreleased.

Years in the making, naemi’s ambitious, sprawling debut album for 3XL features contributions from Erika de Casier, Ulla, Huerco S, Ben Bondy, NAP and label boss Shy, plus many others, on a gorgeously brooding double album braiding heart-liquifying dreampop guitars with weightless clouds of sublime ambience. A pensive and poetic celebration of love and friendship, it’s the most beautiful, vital music released by 3XL to date.

Masters of glacial escalation Irisarri & Mogard documented in a reverberating live encore at Madrid’s Condeduque cultural centre, and Irisarri’s NYC studio Black Knoll.

Poetic and romantically surreal, Ciro Vitiello's debut is a meditation on nostalgia and adulthood that threads quirky vocals through tender, enigmatic soundscapes, repeating themes and phrases until they turn into half-remembered dreams.

Following his highly acclaimed 2021 album "Atotal" (Aesthetical) and 2022 "Magnetoscope" (Raster), Vigroux returns with eight heavyweight tracks composed in 2023 and 2024. Vigroux states about his current work: "I am not very talkative about my music unless I am specifically questioned, the immaterial dimension of music partly spares us from the major questions which are the prerogative of theatrical forms for which I am also very active, in this sense for me music is a real outlet where things are done intuitively, for pleasure". Always pushing forth and expanding his now classic rigidly cold analog sounds and rhythmic structures entwined with lush atmospheric synth compositions, "Grand Bal is another milestone in his ever growing discography.

Aussie concrète innovator James Rushford continues to scrape the outer rim on 'Turzets', coughing alien text-to-speak voices into meditative piano phrases and tweezed electro-acoustic drones on the first side, then deconstructing medieval organ music on the flip, combining gusty archaic melodies with sci-fi tinted Yamaha CS-80 zips. Mind-boggling stuff - RIYL Oren Ambarchi, Sam Kidel, Jim O'Rourke or even OPN.

Phantom Limb boss and musician James Vella - aka A Lily - with Saru l-Qamar, setting archival Maltese home recordings to new music for an album of nostalgic quasi-ambience and cross-generational dialogue.

This volume includes recordings which have been previously released on other compilations such as “71 Minutes” and “BBC Sessions+”. When reviewing this material for this compilation some titles have been changed, e.g. “Can’t Fly Away”, “Children’s Toy Etude”, “Beglückte Schlagbohrmaschine”, “Stay Or Leave” have been released as “Party 1”, “Party 8”, “Party 6” and “Party 9” previously and “Woke Up Outside The Dust Bin” was “Chromatic”.

This volume includes recordings which have been previously released on other compilations such as “71 Minutes” and “BBC Sessions+”. When reviewing this material for this compilation some titles have been changed, e.g. “Ma Trompette (Alternative Version)” has been released as “Party 10” previously, “Zwölf Meter unter der Oberfläche” has been “(360)” and “Geister, die wir riefen” was “The Lurcher”.

Ka Baird’s Bearings: Soundtracks for the Bardos intertwines elements of the New York based vocalist, multi-instrumentalist, and composer’s ecstatic live performances within minimalistic, visceral compositions that expand in scope and sound through collaboration. The album’s eleven movements manifest as shapeshifting invocations defined by their own multiplicity; the emotional outcome of circumstance and grief, played against rigorous conceptualism and musical craft. Featuring a cast of contributors from all corners of the contemporary avant garde community and mixing depth and dimension from Randall Dunn, Bearings is a work of profound abstraction and focus, within which sonorous elements, structure, and meaning reach a single, unified form.

Pimao's debut album, 'Duangkamol,' is set to hit the shelves on March 22, 2024. The Berlin-based producer, DJ, and avid vinyl collector, Pimao skillfully weaves together samples from Thai, Chinese, Japanese, and Indonesian rarities, framing them with a cinematic sound design.

First compiled as a double CD in 2002, 'Moon’s Milk (In Four Phases)' is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-Super- Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness.