Trois dragons venus du fond des temps, au plus loin que la galaxie puisse exister... Néma, Promée et Evaïa, se retrouvent sur terre, à l'heure de l'ère cybernétique, toujours prêts à se battre par amour et par vengeance.

is a story about the death of utopia, the last days of Earth and the one man who could save us all - but won't. Jonathan Hickman again explores his recurrent themes of systems that both demoralize and dehumanize the individual but in as bleak a setting as possible, the post-apocalyptic world of 2115. His tone evokes Warren Ellis: the detached narrator calmly describing the indescribable; matter-of-fact descriptions of cataclysmic events; heroes as ordinary men and women simply doing their jobs, not as idealized figures of worship. Yet he infuses his story with his own sense of irony that at the same time manages to avoid the usual cliches inherent in such a storyine. Well, Hickman has one more issue to go before we can say that he has pulled it off.

Garth Ennis really goes over the top with this six-issue limited spin-off of his hit series . At first glance, it dangerously treads the line of pornography. Yet reading the first two issues further reveals several layers and sub-texts: it is not just a raunchy satire of the comics crossover and the comics industry's obssession with it; it also holds a mirror to us comic book readers for drooling and getting off on such events with masturbatory delight. The stylized, cartoonish art by McCrea and Burns is never more apt here, to distance the viewer and at the same time to piledrive the idea how utterly freaky the sex would be if heroes ever have the chance to go at it in an orgy. If you can get the pun on the name , then you can see how much of a metaphor is for comics of today. Even for a Garth Ennis work, graphic and sexually explicit language and content. For mature readers only.

An off-beat tale of aliens and UFO conspiracies and robots, done with distinctive style by the tandem of Chris Ryall (Zombies vs. Robots) and Ben Templesmith (30 Days of Night). Templesmith's dark color palette, with the characters appearing as if caricatures being shone at with dim flashlights in dark rooms, may be bothersome to others. The effect is eerie enough to make you wait for the succeeding issues, though.

In 1892 Massachusetts a gorgeous young woman named Anna Williams is about to fully realize the immense powers she has repressed for so many years. The very powers that her mother had made her bury her whole life for fear of sparking another witch hunt two hundred years after the Salem trials. But now as Anna comes of age, and her gift no longer able to be hidden, an immensely evil and mysterious being named Darius is on his way to recruit her. Meanwhile Braden Cole, a hardened gunslinger with a sordid past, is on the tail of the elusive Darius as he looks to avenge the death of his family. Witchcraft, Massachusetts... a gunman from the old West... Wow... whether or not I mean that as an expression of delight, for Zenescope's new supernatural series you can see for yourself...

In ancient Greece, Zeus granted eternal life to two brothers, and bound them to his service. 3,000 years later, they are hunting an exiled god, only in their hunt they release onto earth one of Hades' most dangerous prisoners. With a fresh, compelling visual style and original storytelling, is a rebirth of classical mythology into action and intrigue. -- Solicitation