Su | Mo | Tu | We | Th | Fr | Sa |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 1 | 2 | 3 | 4 | 5 |
[…] Per la viola da gamba is a solid, entirely satisfying, and authoritative-sounding hour of Bach. In particular, the gamba and lute transformation of Bach's "doubtful" Violin Sonata, BWV 1025, utilizing Sylvius Leopold Weiss' original lute part and transposing the Bach's violin part down an octave, sounds more natural and authentic than the familiar "doubtful" version. The Sonata BWV 1029 is played as a trio with continuo, and this approach lends a concertato effect to the sonata, which works well due to the obviously close relationship between this work and Bach's Brandenburg Concerto No. 3. (Uncle Dave Lewis, All Music Guide)
Grant Green's 1964 STREET OF DREAMS date with organ guru Larry Young is an entirely different affair than TALKIN' ABOUT, the session the pair recorded earlier that year. It features four lengthy meditations that find Green and Young (not to mention vibraphone viscount Bobby Hutcherson) unfurling thoughtful, low-key riffs that establish an autumnal, introspective feel, as opposed to the more hard-bop-tinged tracks on the previous album. Green may be known as a master of soul jazz, but STREET OF DREAMS proves he's got plenty more strings to his bow, and sounds oddly contemporary, as though it could have been released on a label like ECM some 20 years later.