Armin van Buuren - A State of Trance episode 431
2009 | MP3 256 Kbps | Trance | 223 MB
2009 | MP3 256 Kbps | Trance | 223 MB
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Come Find Yourself is the first album released by the band Fun Lovin' Criminals. They are probably best known for their hit "Scooby Snacks" which features samples from films by Quentin Tarantino.
Is it too early to start my "Recordings of the Year" list? The music and performances on this release are nothing short of a revelation. CPO is always willing to take a chance on a rare composer, and this gamble hits the jackpot. […] This is among the most brilliant, sophisticated music to come out of the Baroque, and Schenck's mastery of the possibilities of the viola da gamba surely rivals Saint-Colombe and Marais. His style shows all the usual French, German, and Italian influences, with a slight emphasis on the French but with a decidedly Germanic attitude toward the dance forms. (David Preiser, ClassicsToday.com)
Boulez's approach here allows the intelligence and artistry of three admirable soloists and the Vienna Philharmonic to emerge with compelling force.
Music Week (London)
"Following the path taken by Mostly Autumn, Karnataka looks for the ultimate synthesis of traditional Celtic music with current melodic Progressive rock. To manage this, this British band includes Rachel Jones's splendid voice and her side members' evident talents to create romantic atmospheres. Elegant electric guitar solos can evoke Andy Latimer or David Gilmour in a state of grace, while the inclusion of the flute sounds brings a welcome touch of folklore." (Progarchives.com review)
It is surprising that Czech composer Frantisek Ignaz Antonin Tuma (1704-74) should be remembered today for his instrumental music, given that it forms such a small part of his catalog of 224 works. […] Tuma's music is in late baroque style, and like his countryman and older contemporary, Jan Dismas Zelenka, he employs bold chromaticism in both homophonic and polyphonic passages. Tuma was a composition student of Johann Joseph Fux, the supreme law giver of contrapuntal writing in the late 17th and early 18th centuries, and, naturally, his influence can be discerned in Tuma's fugal writing. (Michael Carter, American Record Guide, March 01, 2000.)