All DJs have their own way of building their set. Some pick records entirely on the spur of the moment and trust their instincts, others write down a precise list on a piece of paper and never stray from it; the set is a kitchen where the DJ is the Chef. It doesn't matter how it’s done, as long as it's done properly and enjoyed by everyone, that's what matters the most.

Any DJ set tells you, unconsciously or not, about its author. Through the record choices and the way they are organized, one can feel the DJ’s state of mind and find out a bit more about the musical deposit discovered that is being shared and dug through by him or her at the moment.

Back in the 80s when the rules of hip hop came crashing into our teenage heads, some of us took to the microphone, others choose a can of spray of paint, others bought a rolls of lino to practice breakdancing on. For me however, it was DJing. Before I became interested in production or beatmaking, or even directing other musical artists, turntables were my first true love. Hours spent practising, scratching and cutting my first two records together. Those two records are now two of many in my collection. A collection that holds an integral (and imposing) part of my life.

Tad's International Record is back with the third installment of its popular 'Reggae Virus' compilation album, Reggae Virus: Sweet Yuh. This contagious album contains 15 songs by artists who have worked with the label over the years, including Dean Fraser, Hezron, Anthony Cruz, Chezidek, Glen Washington and Richie Spice.

XJAZZ! and the Analogue Foundation are proud to present 'Entangled Grounds: The Sound of XJAZZ! Berlin', a compilation that celebrates identity, innovation and collaboration from across the city’s musical landscape. It follows a shared journey which has taken place over the last ten years which has seen XJAZZ! become a cornerstone of Berlin culture, quietly bridging the gap between musicians, listeners and producers from across the globe.

Seu Jorge & Daniel Jobim Featuring Roberto Menescal, Carlinhos Brown, Carol Biazin, and Celeste. Featuring repertoire entirely dedicated to Bossa Nova, Seu Jorge and Daniel Jobim will be joined on stage by Roberto Menescal, Carlinhos Brown, Carol Biazin, and Celeste for a performance that pays homage to the genre. The performance echoes the 1962 Bossa Nova concert that was presented in the Main Hall at Carnegie Hall, now publicly known as Stern Auditorium / Perelman Stage.

This Is British Progressive Jazz (Remastered) is a captivating album released by British Progressive Jazz. Featuring a collection of tracks from various artists, this remastered edition offers a unique blend of jazz influences with progressive elements. Listeners can expect to be taken on a musical journey filled with intricate melodies, complex rhythms, and innovative improvisations. The album showcases the diverse talent within the British jazz scene, highlighting the creativity and skill of the musicians involved.

Following in the wake of baroque chart toppers by the Zombies, Beatles, and the Left Banke, a dandier approach to garage rock flowered in the back half of the ’60s. Awash in majestic harpsichords, lilting guitars, melancholic organs, and middle school orchestras, Soft Summer Breezes captures the decade’s last gasps of optimism via 16 gentle moments of soft psychedelia.

Spanning the tracklist of the original album, the fresh, exciting, and utterly surprising reinterpretations create new content for longtime Talking Heads fans and introduce a new generation to the magic of the music. The brilliant selection of artists recontextualizes STOP MAKING SENSE in popular music and culture, with a focus on generational and stylistic breadth.

Lowell George was the guitar virtuoso, vocalist and songwriter for Little Feat. In this collection of 25 songs, artists as Elvis Costello, Ben Harper and Dave Alvin interpret and perform his diverse catalog.George, born in Hollywood, California was a member of Frank Zappas Mothers of Inventions before leaving that band and forming Little Feat with Bill Payne. Lowells tenure in the band was for 7 years until his death and in that time, they released eight albums. While George died in 1979, his legacy lives on through this album.

In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music.

After nearly 10 years as Argo, the name of Chess Records’ jazz imprint was supposed to be the only thing about it that changed. But as Cadet Records assumed its new identity in the mid-’60s, the influence of the dawning psychedelic era, a boom of recording technology advances and, crucially, the arrival of a cadre of eager artists and brilliant producers put the label on a new, bewildering course to greatness. Tragic circumstances would bring about the label’s unraveling almost as rapidly as its meteoric rise, but not before Cadet released some of most audacious, boundary-pushing jazz, soul, blues and rock albums of the ’60s and ’70s — music that’s inspired generations of superstars, DJs and cratediggers ever since.

An All-Star Salute To Lee Greenwood was filmed in Huntsville, Alabama to celebrate the 40+ year career that Grammy award-winning artist Lee Greenwood has accomplished. Throughout the presentation, music artists of various genres perform some of Lee’s biggest hits plus special guests like Paula Deen, Kid Rock, Dolly Parton, and Pres George W. Bush provide video messages and introductions. Lee’s song “God Bless The USA” has become a patriotic anthem helping bring America together after 9/11 and other tragic moments in US history. The night this special was filmed, Lee was able to award two (2) veterans with an adapted home in conjunction with Helping A Hero, a 501c3 org.

Four CD set. The definitive post-Motown collection from the legendary songwriting trio Holland-Dozier-Holland. 68 tracks taken from the period 1969-1977 when the trio had started their group of labels; Hot Wax, Invictus and Music Merchant. Holland, Dozier and Holland are arguably the greatest songwriters ever. More prolific than Lennon and McCartney, they shaped "the Sound of Young America" and propelled the Motown sound in the mid-1960s into a creative stratosphere unmatched by any other independent music label. Although synonymous with Berry Gordy's Motown, it was their departure from Motown after a stand-off strike in 1967 and a brutal legal battle that led them to run their own group of labels, Invictus, Hot Wax and Music Merchant. This compilation is a definitive look at this period in history, exploring how H-D-H, under a new guise 'The Creative Corporation', drove the next generation of soul music in a myriad of different ways, towards funk, underground disco and jazz. Featuring 68 tracks, this collection documents HDH's creativity and growth over this seminal 8 year period. During this time the trio developed new artists to rival Motown's success such as Chairman Of The Board, Freda Payne, Honey Cone, Glass House, Flaming Ember, 8th Day, Laura Lee & Eloise Laws.

Broken Hearts and Dirty Windows: Songs of John Prine, Vol. 2, the follow up to the original 2010 tribute record. With tracks from Sturgill Simpson & Brandi Carlile revealed so far, the release adds to an esteemed legacy for Oh Boy Records, which is celebrating its 40th anniversary this year.