is an album by American singer-songwriter , released in 1973. At the time of its release, it only reached #6 on the Billboard album chart, but has remained highly regarded by her fans over the ensuing decades. Presented as a sort of song cycle, the album opens and closes with two versions of the title song and the songs on each side segue directly into one another. The Spanish language track (the Spanish word for "heart," also used as a term of endearment, as in this song's lyrics) was a moderate hit single from the album, as was The flip side of the latter single, (not the hit), charted separately from its A-side.

Guns 'N' Roses - Don't Cry
EAC+LOG+CUE | FLAC: 96 MB | Full Artwork: 30 MB | 5% Recovery Info
Label/Cat#: Geffen Records # GED 21651 | Country/Year: Germany 1991
Genre: Rock | Style: Hard Rock, Ballad

"Don't Cry" is a song by rock band Guns N' Roses, two versions of which were released simultaneously on different albums. The version with the original lyrics is the fourth track on Use Your Illusion I, while the version with the alternate lyrics is the 13th track on Use Your Illusion II. Only the vocal tracks differ, and even then only in the verses; however, in those verses, not only are the words entirely different, but the meter and melody are also slightly different. There is also a third version, officially released only on the single for the song, which was recorded during Appetite for Destruction sessions in 1986.

At the time this album was recorded, Jefferson Airplane had expanded from a rock group into something of a San Francisco collective of musicians and launched its own record label, Grunt, necessitating a flow of product. As a result, there was a flurry of releases by the Airplane itself and several offshoots, with each of these records featuring several members of the loose aggregation informally dubbed "PERRO ("the Planet Earth Rock 'N' Roll Orchestra").

With gold, platinum and multiplatinum records to his credit as well as invitations to perform for two US presidents, gifted saxophonist Randy Scott emerges once again from the studio with a long awaited new project that is sure to add to his long list of musical accolades. Perfectly straddling the worlds of Gospel and Jazz, Scott has found a strong voice in both genres and with Serenity his 6thstudio album, his flair for conjuring up compelling musical portraits has never been more evident. Gracefully and effortlessly moving between the tenor, alto and soprano Scott has a complete mastery of his instrument and his flavor is robust and satisfying. Whether it s throwing down the funk on tracks like…

Pianist David Ake strikes a pensive pose on the back cover of Lake Effect, foreshadowing a good amount of the music that follows. With his previous album, Ake reveled in the opportunity to keep listener's guessing from song to song and moment to moment. It was a musical gambit that paid off handsomely, making Bridges (Posi-Tone, 2013) one of the stand-out releases of 2013. Here, Ake takes a step forward by taking a step back. Gone is the striking uncertainty projected through Bridges. Through much of this album, Ake simplifies his surroundings, painting musical reveries with gentle hands and highlighting the simpatico sensibilities of his band mates when the temperature rises…

This gritty vocalist gained early experience as a member of the Shadettes, a mid-60s beat group based in Dunfermline, Scotland. By 1968, the act had evolved into Nazareth, which grew from provincial origins into a leading international attraction…

Progressive rock fans discovered RAISON DE PLUS, thanks to the 1987 "Enchantement" compilation. Since this period, the French band from Nancy has worked on its first album project, as the "Le Roi Du Temps" maxi-vinyl tends to prove it. And eight years will be necessary to realize "Au Bout Du Couloir", involving a lot of care. With the same team, Jean-Louis HENRIET's group produces in 2001 the sublime "Ici Est Ailleurs". This opus sounds much more professional, while the musicians has reached another maturity step. With its Progressive rock sung in French, RAISON DE PLUS is close to ANGE, MONA LISA or ELIXIR. Or to heirs like VERSAILLES and MAGNESIS. A music influenced by the Seventies, as well for compositions and lyrics as for sounds (Analog keyboards, flute, etc…).

This is one case where the legend really precedes the record itself. Cut for about 600 dollars in Jack Endino's studio over just a matter of days, this captures Nirvana at a formative stage, still indebted to the murk that became known as grunge, yet not quite finding their voice as songwriters…