Weather Report is generally regarded as the greatest jazz fusion band of all time, with the biggest jazz hit ("Birdland") from the best jazz fusion album (1977's Heavy Weather). But the group's studio mastery sometimes overshadows the fact that it was also a live juggernaut – so don't overlook the outstanding live and studio album from 1979, 8:30. This was a rare quartet version of Weather Report, with co-leaders in keyboardist Joe Zawinul and saxophonist Wayne Shorter. The bassist was the inimitable Jaco Pastorius, the drummer a young Peter Erskine.

Jesus rock pioneers the Wilson McKinley are a fascinating footnote in the annals of psychedelia – minor legends in their native Pacific Northwest, they are generally considered the first secular band to forsake the ample pleasures of the flesh in favor of forging lives and music devoted to spreading the Christian gospel…

This box contains 16 Apple Records albums, originally issued between 1968 and 1974. There is also a brand-new single compilation Come And Get It: The Best Of Apple Records. Each original album has been re-mastered and the vast majority features bonus material, as well as new packaging that includes updated notes and visuals.

Epic pagan folk metal horde Wartha from Minsk, Belarus has just unveiled the first details of its upcoming full-length album “Azure Lakes“. The band was formed in 2008 and released its debut album “Paŭstań” in 2013 via Stygian Crypt Production. After this album, the band released 3 singles and the time for their next album will soon come.

Evan Parker, Barry Guy, Paul Lytton - Live At Maya Recordings Festival (2013) {NoBusiness Records}
XLD rip | FLAC (tracks)+CUE+LOG -> 391 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 300 dpi (png) -> 33 Mb | 5% repair rar
© 2013 NoBusiness Records | NBCD 55
Jazz / Free Improvisation / Avant-Garde Jazz

After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ideas, chops to burn and a preternatural responsiveness. Live At Maya Recordings Festival, captured at Winterthur, Switzerland in 2011 forms another top notch entry into an already distinguished discography.