Second full length album from Swedens Netherbird, now kicking their music further into the realms of harsh Black Metal with roots firmly planted in the Scandinavian extreme metal legacy. The album is quite varied and showcases the wide variety of influences that forms the foundation of the band. Features Adrian Erlandsson (Ex-At the Gates, the Haunted, Cradle of Filth) on drums and Tobias Gustafsson (ex-Eucharist) on bass.

' After growing frustrated with James Brown's fleeting focus, and a decline in the popularity of the sound the original JB's left to join George Clinton's "Parliament". James Brown continued to tour with differing versions of the J.B.'s, including a late-'70s outfit dubbed the J.B.'s International, but for all intents and purposes, the true J.B.'s no longer existed. This is the last of the James Brown produced JB's Albums. However, though mainly written and produced by James Brown this record is more disco-orientated. It's an absolute must for people who want to discover another aspect from these funkmeisters. ' source: discomusic.com

Ogeil’s method with the Goldberg Variations is highly articulated and declamatory, even occasionally offbeat: roiling arpeggios, robust chromaticisms and ebullient rhythms.

Released nearly 25 years after Bert Jansch and John Renbourn's 1966 debut as a duo, BERT AND JOHN, AFTER THE DANCE takes its title from one of that album's best-loved songs. AFTER THE DANCE shows the two British guitarists (who had formed the legendary folk group The Pentangle in the interim) at the peak of their immense instrumental and interpretive skills.

With his indelible, elastic tone, restless curiosity, and open-eared approach to music beyond the traditional corridors of jazz, guitarist Bill Frisell is among the most prolific and continually surprising improvisers alive. Quartet is built around a typically inventive, typically off-centered Frisell lineup including Ron Miles (trumpet, piccolo trumpet), Eyvind Kang (violin, tuba), and Curtis Fowlkes (trombone) who draw from a sonorous palette. By avoiding a conventional rhythm section and piano, Frisell and his confederates create a group sound with the intimacy of small jazz group while tapping the timbres of chamber music; the material (which includes pieces composed for a TV special built around friend Gary Larson's "Far Side" cartoons) is equally beyond category

Featuring highlights from three European concerts in 1973 and 1974, this extraordinary collection of performances by the legendary Freddie King includes never before released footage from such memorable appearances as the 1973 Montreaux Jazz Festival. In blues standards like "Sweet Home Chicago" and signature King songs such as "Have You Ever Loved a Woman," these performances showcase the powerhouse guitarist known as the Texas Cannoball at the height of his creative power. Songs: Have You Ever Loved a Woman (Version One), Look Over Yonders Wall, Ain't No Sunshine, Big Legged Woman, Have You Ever Loved a Woman (Version Two), Blues Band Shuffle (Version One), Woman across the River, Ghetto Woman, Blues Band Shuffle (Version Two), Sweet Home Chicago

This legendary blues-jam band is rolling past three decades now, and this fiery swinging collection is one of their most powerful and varied recordings ever. In addition to the "Tower of Power on speed" energies that have earned them various awards, critical accolades, and a devoted following, this collection boasts dashes of funk, soul, the inimitable saxman Rich Lataille, and the crisp guitar excitement of Chris Vachon. At the forefront is the raspy vocal believability of Mac Odom. It's always interesting how the best blues bands can make songs of despair sound so joyous, but Roomful of Blues also takes a few more wistful looks at romance……