Su | Mo | Tu | We | Th | Fr | Sa |
---|---|---|---|---|---|---|
29 | 30 | 31 | 1 | 2 | 3 | 4 |
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 30 | 1 | 2 |
This set matches the McCoy Tyner Trio (which includes bassist Cecil McBee and drummer Al Foster) with four different guests. Altoist Arthur Blythe and vibraphonist Bobby Hutcherson fare best but both trumpeter Freddie Hubbard and guitarist John Abercrombie also have their strong moments. In addition to four Tyner compositions, there is one song apiece from McBee, Abercrombie and Hutcherson in addition to four jazz standards. This collection is a fine all-around showcase for the brilliant pianist even if no new ground is broken. ~ AllMusic
Featuring songs from their entire back catalogue, starting with 1987’s legendary debut album Into The Macabre until their latest Old Skull, The Age Of Fear captures legendary Black/Thrash veterans Necrodeath’s musical essence, including the previously unreleased onyric version of the song Queen Of Desire, the stunning cover version of Slayer’s Black Magic and the live version of the band’s own The Theory.
A dark combination between violent brutality and eerie desolation. Black metal hailing both the first and second wave of black metal, and doing so without sounding like a third-rate carbon copy. Taking these elements and creating something of their own, carving out a cold slab of rotten flesh from the decaying carrion of black metal, consuming it with ravenous cannibalistic menace, then with ease regurgitate it and re-shape and reanimate the bile covered piece of flesh into a different shape and form from the previous one. To put it simply, if you like black metal, you should check out Sacrilegious Impalement
The King Brothers - Lee and Sam have been making music together for over 30 years. Based in southern California, they play some of the tightest blues west of Chicago. Their famous cousin Freddy King, as well as Albert King, were early inspirations. But their music is all their own. The Kings feel that the blues must grow and change in order to survive, so rather than imitate older artists, they've ceded them respect and gone forward with their own unique approach to the music.