Various Artists – Guido Gezelle (1999)
Classical/various style periods | APE lossless/2cd | cuesheets+logs | covers+booklet | 55m35s/45m03s | 354mb
Label: GLOBE | cat. no. GLO 6047
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The Kinks were an English rock band formed in Muswell Hill, North London, by brothers Ray and Dave Davies in 1964. Categorized in the United States as a British Invasion band, The Kinks are recognized as one of the most important and influential rock acts of the era.Their music was influenced by a wide range of genres, including rhythm and blues, British music hall, folk, and country. Ray Davies (lead vocals, rhythm guitar) and Dave Davies (lead guitar, vocals) remained members throughout the group's 32-year run. Original members Pete Quaife (bass guitar, vocals) and Mick Avory (drums and percussion) were replaced by John Dalton in 1969 and Bob Henrit in 1984, respectively. Dalton was in turn replaced by Jim Rodford in 1978. Keyboardist Nicky Hopkins accompanied the band during studio sessions in the mid-1960s…
The ultimate ex-singer of ACCEPT returns once again with another German Heavy Metal attack. Without a doubt that this giant singer still has a few things to show to his old band that made a wonderful comeback last year. "Rev-Raptor" turned out to be just another Heavy Metal release. There is a sort of depth to it and some mementos of a great career, yet, the road needs to shift a little in order to go beyond the potential. Udo is still the German bad boy no matter how old he is and he has what it takes to get the job done, yet his music needs to be refreshed and the sooner the better. The glory days of "Animal House" and "Perfect World" must rise again.
Fragments Of Memories is the third album of The Frozen Autumn. The Frozen Autumn is an Italian darkwave band, formed in May 1993, characterized by a blend of melancholic vocals, atmospheric gothic-wave and 80s-style electropop.
Fragments Of Memories is the second album of The Frozen Autumn. The Frozen Autumn is an Italian darkwave band, formed in May 1993, characterized by a blend of melancholic vocals, atmospheric gothic-wave and 80s-style electropop.
This music came from John Coltrane's final recording sessions, although no one at that time knew it. It was emblematic of his work in that era – unpredictable, experimental, restless, sometimes remarkable, sometimes more noteworthy for what was being attempted than presented. GRP's reissued CD includes a great bonus cut, the nearly 12-minute "Number One" with a surging, raw Coltrane tenor contrasted by Pharoah Sanders' piccolo and flute.