Sludge. Doom. Big muff, huge fuzz. All words equally valid to describe Tombstones' Year of the Burial. This three piece outfit from Norway appear to have discovered the brown note. It's thick as mud with more fuzz than a room full of cops. The vocals are cold and howling like the Norse wind itself. There are some strange time changes, but it's really down tempo all the way.

Seax (pronounced "sea axe") was formed in 2010 by former Zircon guitarist Hel, as well as Martin Roche from doom metal band Dead Languages on bass. The intent was to bring old school heavy metal into the New England area, and hopefully the rest of the world. Later in 2011, Seax began rampaging their brand of speed metal at venues in New England and plans are currently in place to spread to other places. The debut album "High on Metal" has also been recorded and Seax is currently shooting for an April 2012 release.

Jose Antonio Munoz 'El Chozas' (Seville, 1949) is a classic flamenco singer which had its peak especially in the era of the Andalusian summer festivals, but even today continues to offer his singing. He worked for a long time with Paco Cepero and proved a rebel song, especially singing flamenco tango and bulerías (styles in which he created quite a few melodies and lyrics), and even got to make creating a personal style of fandango, the fandango 'El Chozas' and spread the fandango of Pichichi. In his career he has released eight albums since its inception to its latest edition.

Llops de Mar is a Spanish musical and vocal group with usual repertoireof 'habaneras', waltzes and 'sardanas' currently composed of 6 members, which tend to develop their musical activity usually in the Costa Brava of Girona (Spain). On the CD we review here a series of 9 popular topics between 'habaneras', waltzes and songs of the sea. Well-coordinated voices, backed by a melodic accordion (played by Christina, the only woman in the group) and a sober bass. Let's delight in this romantic-nostalgic music.

This is Elvis doing what he did best; captivating audiences around the world with his incredible live shows. Lesser performers would insist on recording and editing their performances but the King had absolute belief in his talent and ability. Throughout his career he was always prepared to broadcast his work live. This is the definitive proof of Elvis as a live phenomenon. None of these performances were pre-recorded. They were all broadcast absolutely live with no edits or overdubs. For these amazing shows there was no safety net, no retakes or the chance to correct a mistake. What you see here is the most honest picture of the most remarkable performer in history.

In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?"…

This set was recorded in 1970, first appeared in 1971, and now is re-issued on CD as Decca - London ,there is just SOMETHING about the freedom and vocal ease of the 35-year-old Pavarotti (pre-beard!). The high notes shine and soar and he just seems to be the young, impetuous King. Milnes shows us why he was the logical American baritone successor to Tibbett, Warren, Weede, Merrill and MacNeil in the great Verdi roles .Grand Dame Renata Tebaldi as Amelia and Regina Resnik as Ulrica–both at the end of their best years; don't forget, their careers started in the mid-1940s ,the ladies acquit themselves well enough vocally and also add involved characterizations of their roles.