Ecouter chanter Julia Sarr, c’est un peu comme écouter l’immense Richard Bona accompagner ses lignes de basse d’une voix cristalline, pure et parfaitement maitrisée. Même si leur langue et leur origine sont différentes, lui est camerounais et chante en dioula, elle est d’origine sénégalaise et chante en wolof, les émotions et les vibrations transmises sont similaires, distillant leur folklore respectif dans un jazz délicat et bien servi. Le CV de la jeune auteur, compositrice et interprète est assez impressionnant, on l’a en effet aperçu dans les chœurs de Salif Keita, Lokua Kanza, Youssou N’Dour, MC Solaar et même auprès de l’éternelle diva sud-africaine Miriam Makéba (RIP). Daraludul Yow est son premier projet solo, il affiche d’emblée un savoir-faire exceptionnel que Julia décline en 14 titres puissants où l’on retrouve…

There's a wealth of information to be found inside the beautiful packaging that accompanies this release, but a brief Theodore Roosevelt quote may be the most telling piece of text to be found there. It reads: "There is nothing more practical in the end than the preservation of beauty, than the preservation of anything that appeals to the higher emotions in mankind." That really says it all about this artist and her work, for there is nobody more capable of harnessing emotions in music and projecting and preserving the beauty and power of the natural world in sound than Maria Schneider. She's demonstrated that time and again, and she does it once more on this awe-inspiring release…

Hamilton, Joe Frank & Reynolds were a 1970s soft rock trio from Los Angeles. The original members were Dan Hamilton (guitar/lead vocal), Joe Frank Carollo (bass/vocal), and Tommy Reynolds (multi-instrumentalist/vocal), all of whom had previously played in The T-Bones, a 1960s band noted for the instrumental hit "No Matter What Shape (Your Stomach's In)".
The group first hit the charts in 1971 with "Don't Pull Your Love". Reynolds left the group in late 1972, and was replaced by keyboardist Alan Dennison; however, the band still kept the name 'Hamilton, Joe Frank & Reynolds'. This revised line-up performed the group's biggest hit, 1975's "Fallin' in Love"

Phantom Navigator is the seventeenth album by jazz saxophonist Wayne Shorter, that was released on Columbia in 1987.

Epic's Greatest Hits may not be a perfect collection – for instance, it contains re-recordings of his earliest folk songs, "Catch the Wind" and "Colours," not the originals – but for many casual fans, that may not matter since the remaining nine songs offer an excellent summary of his hit singles…

Aggressive, meticulous, passionate, righteous — all distinguishing traits that have come to symbolize the fundamentals of metal/hardcore pioneers PRO-PAIN. Since their crushing 1992 NAIRD-nominated debut album "Foul Taste Of Freedom", PRO-PAIN have become a staple in the diets of heavy music listeners around the globe. Their successful and enviable career has perpetually prospered throughout its course, and yet they still manage to find room to improve, and more importantly, impress. Each and every PRO-PAIN album is a paragon of intensity, inspiration, honesty and unwillingness to compromise. Their latest (and fifteenth) studio effort, titled "Voice Of Rebellion", is a testament to those very same qualities. Recorded, mixed, and mastered by Corey Williams at Sound Lounge Recordings in Venice, Florida, "Voice Of Rebellion" features 14 punishing tracks which are sure to satisfy die-hard fans and new fans alike. Production credits are shared by Williams and PRO-PAIN mainman Gary Meskil.

The best of the classics of Grand Mix Radio Nova 10 and 142 CD titles. This box highlights the 10 volumes of the collection Nova Classics, started at the same time as the NovaTunes. We have tried to recreate the essence of 30 years of radio programming, more than 30 years during which we refused formatting, by seeking other essential music, incomparable, unlikely.

Wave World is a Dutch/Canadian multimedia project attracting quite a lot of attention for its fascinating music and enchanting shows. During live performances, their impressive music is blended with computer-generated graphics of a virtual world, projected on a huge screen. Wave World's extraordinary music style can best be described as modern space music with dance influences. The enthralling shows carry the audience away to an alien world, that might exist in another time and another dimension. On March 25, 2000, after several previews for restricted audiences, Wave World officially premiered its first multimedia show as part of the 7th Alfa Centauri Festival in Huizen, The Netherlands…