Margret Köll – L’arpa di Partenope: Harp Music from Early Baroque Naples (2014)
Classical/Baroque | FLAC lossless | cuesheets+log | covers+booklet | 56m17s | 271mb
Accent | cat. no. ACC 24192
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This is the 8th CD of an 11CD’s Boxset with the complete compositorian oeuvre of one of Netherlands greatest composers of the twentieth century, Tristan Keuris. This box is a reflection of mostly historical concerts and studio recordings of ensembles that played Keuris’ music. Many different players, Radio4, Radio Nederland Wereldomroep, the Muziekcentrum van de Omroep and the NPS worked together on this project and its wonderful realisation…….
Following a deep and long research in musical archives, Pietro Spada was able to achieve the first ever complete recording of Sgambati's piano works. Giovanni Sgambati (1841-1914) was considered as the most important Italian pianist of the 19th Century. He was also recognized as the only true alternative to Franz Liszt who was formerly his teacher and later his best friend. He toured Europe with Liszt and altogether with him Sgambati founded the "Scuola Romana", one of the most important music schools of those years. As virtuoso piano player and composer, Sgambati performed …..
The fifth installment in Relapse Records's exhaustive reissue campaign of Death's immensely influential catalog is Leprosy, the band's titanic second album. Originally released in 1988 Leprosy was a pioneering album, building upon the thrash sounds of Metallica and Slayer but adding a previously unheard level of raw extremity. These songs are the roots of an entire genre: Death metal. While this was only the second record Death released, it immediately cemented them as heavy metal icons. Leprosy is set for an April 29th release date. The entire album, as well as the bonus material, has been painstakingly remastered by Alan Douches (Mastodon, Nile, etc) and will be reissued on The Deluxe 3xCD contains 50 minutes of previously unheard and unreleased Leprosy demos and rehearsal material an exclusive CD featuring over 40 minutes of unreleased live material
This is one of the most scathing topical folk albums ever made. Sainte-Marie sings in an emotional, vibrato-laden voice of war ("The Universal Soldier," later a hit for Donovan), drugs ("Cod'ine"), sex ("The Incest Song"), and most telling, the mistreatment of Native Americans, of which Sainte-Marie is one ("Now That the Buffalo's Gone"). Even decades later, the album's power is moving and disturbing…
The title is a tip-off that after the soul excursion of The Reflection, Keb' Mo' is getting back to the blues, but also that he's concerned with not limiting himself to just that genre. It's clear Keb' Mo' has a broad view of the blues, seeing it as the backbone of American music, a generous definition he makes plain on BLUESAmericana. As the record rolls through its ten tracks, it amiably drifts across the country, touching upon the careening New Orleans stomp of "Old Me Better" as well as the soulful thrum of Memphis on "For Better or Worse." Keb' Mo' takes plenty of stops along the way…
On this disc Christian Lindberg joins the Taipei Chinese Orchestra in a programme of works for trombone and Chinese orchestra. The disc also includes one of his own works for the orchestra, inspired by the poetic sounds of the Chinese instruments: The Wild Rose. Also by Lindberg, Kundraan was originally composed for trombone and chamber orchestra but was re-arranged for this disc. Yiu-Kwong Chung has here adapted a famous aria from the Peking opera Cursing General Cao Cao into a striking piece in which the solo trombone is supported by the traditional trio of Peking Opera (clapper and drum, descant fiddle and lute) and orchestra.
Chandos signed Karen Geoghegan as an exclusive artist in 2007 following her wonderful performances on the BBC TV ‘Classical Star’ programme. This is her fourth recording with the label, following her CD of works by Hummel, Weber, Berwald, Jacobi, Elgar and Gershwin, her CD of French music for bassoon and piano, and her contribution, in the Suite-Concertino in F major, to Noseda’s Wolf-Ferrari CD. All of these received much acclaim, and the expressive maturity and sensitivity of her playing have quickly cemented her status as a rising star.
On Holger's invitation David spent a few nights working in Can studio with the legendary bass player which saw the production of this evocative album. Two long form, drone-based, instrumental compositions, this album has remained a firm favourite of David's. Originally released in March 1988. Plight & Premonition is the first of two collaborations between David Sylvian and Holger Czukay, Flux and Mutability being their second. The music is ambient, makes use of 'found sounds'. It consists of two instrumental tracks, both of which are over 15 minutes long.