"One Night In Europe" is the first DVD plus double-CD containing live recordings of the Australian prog band Unitopia. The images have been recorded at Cultuurpodium Boerderij in Zoetermeer, The Netherlands on October 15, 2010. This concert was part of the first European tour called 'The More Than A Garden Of Dreams Tour 2010'. This tour brought the band in The Netherlands, Belgium, Germany and Great Britain.

Tuba Skinny is a band that takes it’s listeners back in time to the traditional dixieland jazz and old blues music of the nineteen twenties and thirties. The members have been playing together since meeting on the streets of New Orleans six years ago, & officially began Tuba Skinny during the spring of 2009.

Argentinean pianist, arranger, and composer Adrián Iaies got involved in the jazz fusion scene in the mid-'80s when the talented musician formed a band called Touch, recording Ventanilla 16, released by Cirse Records in 1989, and La Lluvia es Sagrada, made in one session on May 26, 1993. That same year, Adrián Iaies created a project called Adrián Iaies Trío, issuing Nostalgias y Otros Vicios in 1998 and Grammy-nominated Las Tardecitas de Minton's in 1999. Later, concentrating on a solo piano record called Una Modica Plenitud. In the year 2000, after performing at New York's Brazilian-Argentinean Jazz Festival, Adrián Iaies moved to Barcelona, Spain, to make Tango Reflections.

Chalaba is the trio's third album, following Kalimba (ACT Music, 2007) and Out Of The Desert (ACT Music, 2009). The latter featured additional Gnawa musicians from Morroco, Bekkas' homeland, and Benin but Chalaba returns to the simpler line up of the first album. This gives a more spacious feel to the music, more freedom for the individual musicians, and a little more stylistic variation.

The veteran San Francisco Bay Area thrash metal legends' tenth studio album is also their first long-layer to feature the singing/screaming talents of Steve "Zetro" Souza since 2004's Tempo of the Damned – Rob Dukes, who handled vocal duties on the band's four prior outings, split with the group in the summer of 2014…

UK act Shadowlight was formed by long time friends James Hodkinson and Mark Wilson in 2009, a creative duo with a past stretching back to the early 1990's. One year later their initial musical sketches were formalized wit the release of an initial EP, "Winter". Following this they were joined by Ed Williamson-Brown (bass) and Paul Collins (drums), and work commenced on their first full length album, "Twilight Canvas", which was self released by the band towards the end of 2012. This album most certainly can be described as is a good slice of melodic crossover that should appeal to a good variety of prog fans (especially Porcupine Tree fans)…

Hailing from the southern edge of Finland, BATTLE BEAST were founded in 2008 and soon established themselves with their trademark of pure crunching riffs, high screams, blistering solos and strong choruses. Taking the best elements of traditional heavy metal, the sextet is never afraid to add its own flavour to the recipe. “The album had to be done this way - through emotional hell. Having transferred these "things" and emotions into songs I feel that I'm ready to move on. But like always, I wrote songs about the series "Berserk", as well, and the reason behind writing songs about that particular series is that I can strongly relate to that, especially to certain characters and to their way of thinking and feeling,” Anton adds. While with their previous album the young Finns did all the recording, producing and mixing themselves, »Unholy Savior« was produced by Anton Kabanen and co-produced by keyboardist Janne Björkroth and mixed by Matias Kupiainen at 5by5 Studios. Mastering was once again done by Mika Jussila at Finnvox Studios and the actual recordings took place at Sound Quest Studio and JKB Studios.

The eagerly anticipated 5th album from The Pineapple Thief is at last with us and the quality of the album more than justifies the wait. This is a stunning set of songs that exemplifies the melodious quality of the arrangements and performance of the main songwriter Bruce Soord. Although the album is a little heavier in places than the last album, “10 Stories Down”, it is still instantly recognisable for its trademark sonic canvases of guitars, bass, drums, keyboards and vocals, once again supplemented by some great violin.