Though they had their moments, Lita Ford's PolyGram albums tended to be uneven. When the graduate of the Runaways – a great but neglected '70s band that also boasted Joan Jett and Cherie Currie – moved to Dreamland/RCA in 1988, her solo career got somewhat of a boost, both creatively and commercially. On Stiletto, the input of hit producer/songwriter Mike Chapman is an asset. Though not outstanding, the album is a focused and generally enjoyable disc ranging from sweaty …

Sax infused house is something Hed Kandi know a thing or two about. With The Lovely Laura among their residents, you can be sure to hear plenty of classic sax numbers and jazz reworks at their glamorous Saturday night affairs at Es Paradis. So who better then to hand pick some of these dance floor anthems for your listening pleasure? Hed Kandi presents their new compilation Summer of Sax.

"Fear No Evil" is the second studio album released by the British heavy metal band Grim Reaper in 1985 under the British independent label Ebony Records. The album starts with the title track, which is just fucking classic. Great riffs, leads, and some very powerful vocals.

"See You in Hell" is the debut studio album released by the British heavy metal band Grim Reaper in 1983, on the independent record label Ebony Records. The album cover was designed by Garry Sharpe-Young. The title track was ranked No. 38 on VH1's 40 Most Awesomely Bad Metal Songs Ever countdown.

Given away free with Rock Society magazine, the journal of the Classic Rock Society. The Classic Rock Society was founded in 1991 to promote Classic and Progressive Rock. The organisation produces Rock Society, a bi monthly glossy colour magazine with news, reviews, interviews and features on rock. Featuring the finest music from: Jeff Green Project, 25 Yard Screamer, Nick Magnus, Sontaag, Syzygy, Alex Carpani, Halo Blind, Superdrama.

"A fine keyboardist who also plays koto, Yutaka Yokokura has often mixed in his Japanese heritage with his love for Brazilian music. He took classical piano lessons from the age of four, listened to pop music of the era, and at the age of 15 in the mid-'60s, he became attracted to Brazilian music. Soon Yokohura was leading his own group, mostly playing Brazilian material that was influenced by Sergio Mendes. In 1972 Yokohura moved to the U.S. to attend Cal State Long Beach. He performed with Hiroshima during 1975-78, which served ironically as an opportunity for the keyboardist to be introduced to his own Japanese culture.

This cycle of Shostakovich’s Symphonies has constantly offered interesting and thought-provoking interpretations alongside striking performances. Wigglesworth started his traversal with the BBC National Orchestra of Wales, recording Symphonies Nos. 5, 6, 7, 10 and 14 with that orchestra, and in 2005 continued the project with the Netherlands Radio Philharmonic Orchestra.