Desaster's 7th album is called The Arts Of Destruction. Violent, raw, and visceral from the very first track The Arts Of Destruction is set to non-stop aggression and blazing speed, a furious blend of Black Metal and Thrash Metal. This piece of darkened and hellish Heavy Metal shows you the unique and un-modern sound of the band. You can expect a non compromising, head crushing metal bullet without mercy!

"Relapse", the first MINISTRY album of original material since 2007's "The Last Sucker", will be released on March 30, 2012 via MINISTRY mainman Al Jourgensen's 13th Planet Records. The Ministry mainman gathers his favorite conspirators (members of Rigor Mortis, Static X, Gwar and Prong) and offers the inspired, politically-charged 'Relapse,' which includes a great cover of S.O.D.'s "United Forces." Stand back and watch the sparks fly…

This is a definitive best-of from the scathingly satiric, invariably tuneful band that arose from the ashes of The Housemartins. Sadly, Paul Heaton and friends have always been too twee and clever for the colonies, though classics like "My Book" and "Old Red Eyes Is Back" deserved better. A lovely, sing-along new track, "One Last Love Song," sounds like a farewell to arms, while the limited-edition disc of B sides proves that only XTC can match them in terms of high-caliber throwaways.

One More Story (1988) is the third solo album for music artist Peter Cetera and his second album after leaving the group Chicago. This album includes the hit "One Good Woman". It also includes the single "Best Of Times". The album was produced by Patrick Leonard, and contains an appearance by his most famous artist at the time…

This is the second volume in a series devoted to the works for strings by Béla Bartók, with James Ehnes the featured soloist. Ehnes had earlier recorded the Violin and Viola Concertos (CHAN 10690), which was made Disc of the Month in Gramophone magazine. On this new recording, he turns to the Violin Sonatas and Rhapsodies, complemented by the earliest surviving work by Bartók for violin and piano, an Andante. He is accompanied by the pianist Andrew Armstrong.

So much of Steve Reich’s music depends on shifting tensions and sonorities. The slightest harmonic tweak in the upper strings must be as committed as the most grounding and predictable left-handed piano thuds. Consequently, performing his works requires an almost telepathic connection between musicians and expert marshalling, perhaps even more so than any other contemporary composer. This new recording of Reich’s Desert Music and his Three Movements fortunately adheres to this maxim, presenting unpretentiously but effectively these effervescent, atmospheric works.