Tony Joe was the third studio album released by Tony Joe White. It was released on Monument Records and contained the singles "High Sheriff of Calhoun Parrish" and "Save Your Sugar For Me" It was recorded at RCA Victor Studios, Nashville and Lyn-Lou Studios, Memphis in 1970. It was produced by Billy Swan.

German dance-pop duo Modern Talking comprised of Thomas Anders and Dieter Bohlen is the most successful German music act of all-time, literally shaping the musical landscape of the 1980‘s. At the height of their chart success, the duo sold over 75 million records in only three years, achieving a legendary status that has remained unmatched. Originally released in 1991, The Collection compiles 16-tracks from the duo's dominant run in the '80s, primarily of the best material from their first five albums, including such international smashes as "You're My Heart, You're My Soul," …

Keni Stevens is a British born soul singer. He is best known for his debut 1987 album, Blue Moods. Stevens released two singles on Elite Records in 1985, "Night Moves" and "All Day All Night", which were played by specialist UK radio stations. This led to interest in his work, although he was initially mistaken for being a US artist. Polygram offered Stevens a £2.5 million recording contract, which he declined feeling it would threaten his independence.

The term Swamp Rock was invented for albums like this. A head on collision between Country Soul, Funk, classic late 60s Rock and a steamy Southern night…

The Cure perform hit after hit at the Isle of Wight's 2011 Bestival in the Robin Hill Country Park, including Hot, Hot, Hot and Why Can't I Be You?

George Szell (1897-1970), one of the greatest conductors of the twentieth century, was born in Budapest, studied piano, conducting, and composing in Vienna and Berlin, and learned his craft as a conductor in the opera houses of Europe. World War II brought him to America, where he conducted at the Metropolitan Opera (1942-1946), and finally led the Cleveland Orchestra from 1946 until his death, "molding the ensemble into one of the world's finest," as the Harvard Biographical Dictionary of Music notes. Szell and the Cleveland became as distinguished a collaboration as Toscanini and the NBC or Karajan and the Berlin Philharmonic. Szell brought the Cleveland Orchestra to such a peak of perfection that many good judges considered the Cleveland under Szell the premier conductor/orchestra team in the world.