The debut release from Sweden’s Dysphorian Breed – a one-man project from David Fredriksson – is a triumvirate of slow, regal and at times spectacular doom metal. Blending aspects of death, funeral, sludge and epic, ‘The Longing For The Tides Of Metamorphosis’ consists of three 11-minute songs that have many virtues and a few debutant flaws.Fans of keyboard-driven funereal doom will not find too many surprises here, but will be satisfied with the quality and patience of Dysphorian Breed’s debut. The songs do not quite reach the high pinnacles that they sometimes threaten to scale, but with a little more complexity and experience added to the mix, ‘The Longing For The Tides Of Metamorphosis’ could yet be the start of something great.

George Harrison had two periods of great commercial success, separated by 15 years and two record labels, which is why there hasn't been a career-spanning Harrison collection until 2009's Let It Roll:The Best of George Harrison, the first disc to gather songs from Harrison's stints at both Apple and Dark Horse. Let It Roll balances these two periods, mixing it all up chronologically, so the set starts with the pristine bounce of …

Johnny Winter releases perhaps his greatest album on September 2, 2014! Step Back features an amazing list of musical guests and takes Johnny back to a more aggressive style of blues… one that helped shape the musical icon.

Thanks to their fine-tuned choreography and even finer harmonies The Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. The Temptations' initial five-man lineup formed in Detroit in 1961 as a merger of two local vocal groups, the Primes and the Distants. Baritone Otis Williams, Elbridge (aka El, or Al) Bryant, and bass vocalist Melvin Franklin were longtime veterans of the Detroit music scene when they joined together in the Distants, who in 1959 recorded the single "Come On" for the local Northern label.

This is the premiere recording of the Oslo Philharmonic Orchestra under their new artistic director Vasily Petrenko. Vasily Petrenko is renowned as a star conductor of the younger generation and one of the foremost interpreters of Shostakovich’s symphonies.

This installment is devoted to a third look at her chamber music, which, features stronly in the oeuvre of the brilliant Croatian countess.