Peter Sculthorpe is the most internationally prominent Australian composer to emerge in the second half of the 20th century. Here is the last of three volumes with his works for string quartet.

Sensitive and intimate, but also very positive and overwhelming, this way of singing is an independent creative path. Sometimes in hard-driving, other times sweating in low heat, who doesn’t know her goes from surprise to ecstasy, ‘Sodade’ brushes dangerously the outrage of leaving other titles without reference.

Darkspace is an ambient black metal band from Bern, Switzerland. In contrast to most misconceptions about black metal productions, the focus of their music is not satanic or misanthropic; their songs' lyrics talk overall about space, darkness and cosmic mysticism. Besides dominant sounds, vocals are sporadic isolated samples from space-themed films like Stanley Kubrick's film 2001: A Space Odyssey, Event Horizon and the film Alien. The band is known for renunciation of titling their works; all of their songs bear the name of "Dark" and are only differentiated by a two additional numbers, being the album number and overall song number, respectively. Additionally, all of their albums are titled "Dark Space", differentiated only by a number indicating order of release.

Peter Sculthorpe is the most internationally prominent Australian composer to emerge in the second half of the 20th century. Here is the second of three volumes with his works for string quartet.

Hand crafted two artists who understand the music of a wide, creatively and without borders to either geographical or stylistic. The Cadiz Chano Domínguez (piano) and Almeria Niño Josele (guitar) flow in the succession of pieces that come with the explicit title "Chano & Josele". Behind this recording is Fernando Trueba, film director and producer who could see right that jazz and flamenco departing pianist and guitarist has entered them in as deep as beautiful waters. The repertoire interpret it termed "classical music of the century", and will spare no reason.

‘A Passion Play' is the sixth studio album by Jethro Tull, released in 1973. Like its predecessor, Thick as a Brick (1972), it is a concept album the theme being the spiritual journey of one man in the afterlife. Alongside Thick As A Brick, 1973′s A Passion Play is Jethro Tull’s most overtly Progressive and conceptual release, featuring a complex poetic narrative framed by the most adventurous music of the band’s career. A #1 US & #13 in the UK hit on its release, the album offers dazzling virtuoso instrumental passages, evocative synthesiser sequences, and fuses Folk, Jazz and Rock influences in a strikingly unique, wholly Jethro Tull way. A Passion Play (An Extended Performance) features new Steven Wilson (Porcupine Tree) mixes (stereo and 5.1) of the album, alongside Steven Wilson mixes of the infamous ‘Chateau Disaster’ recordings that preceded it.

Happy Anniversary, Charlie Brown is a 1989 album commemorating the 40th anniversary of the comic strip Peanuts and released by GRP Records. The album contains versions of music and songs from the TV specials, as well as some original compositions, performed by various jazz artists, such as David Benoit, Dave Grusin, Lee Ritenour and Kenny G.

Kingdom of Madness is the second album by the German power metal band Edguy, released in 1997. It is usually referred to as their "official" debut album since it was the first to be professionally recorded and to receive record company distribution.

Pack Up the Plantation: Live! is the first live album by Tom Petty and the Heartbreakers, released in November 1985. It was primarily recorded at the Wiltern Theatre during their 1985 tour but also includes several tracks from previous tours…

Freshly unpredictable and unpredictably fresh sounds from King Crimson rhythmatist accompanied by big basses, angular horns and mysterious voices on this studio improv based recording of quick changing dark fun.

Earth Wind Fire In Concert DVD Recorded live on December 30 & 31, 1981 in Oakland, this DVD captures the band at their absolute peak. Earth Wind Fire In Concert movie Despite being a group of skillful musicians, the true essence of the band has always been the live show, with the choreography, the horns, and the massive stage show supplementing the outstanding combination of funk and R&B.

But I have for a very long time liked what Eric Clapton liked, the Delta Blues, and in particular Robert Johnson, the Delta bluesman who would be more myth than fact if it were not for the incomparable legacy of recordings we were lucky enough to be left to posterity. So it was therefore with some trepidation (and the faint hope that I might actually like it) that I came to hear 2004's Me and Mr. Johnson (Reprise, 2004). Call me prejudiced, but I was right. Immaculately recorded, perfectly played, I hated it.