"My favourite piece on this Digital CD would have to be the Fantasie by Fauré as I frequently play it myself. This collection of marvelous French flute pieces is spectacular and I thoroughly enjoy listening to it. Susan Milan has the most amazing soft playing, but can also be very strong. Her vibrato is the most immense I've ever heard. And Ian Brown, well where do I start? The guy's a genius. The way he tickles the keys giving off a smooth and delicate sound, always in time. This is a definite 5 star rating." - Stephen O'Donnell

SECRET SPHERE – a name guaranteed to make every Power Metal freak's heart beat faster with excitement and anticipation! Crediting bands like HELLOWEEN, ANGRA, DREAM THEATER and SAVATAGE as their biggest influences, SECRET SPHERE manage to honour the heritage of such big names while creating their very own brand of Symphonic Power Metal.

A collection of works of renowned modern composers, written in the end of the 20th century.

Andrew Ripp – She Remains The Same (2010)
MP3 256K/s 44100Hz Joint Stereo | 41:14 min | 76MB
Genre: Christian/Alt. Rock/Folk | Label: Catapult

To call Andrew Ripp a singer/songwriter is to leave something deep out of the equation. It’s true. He sings. And when he sings, something catches in your chest and you wonder why your heart is reacting to what is coming in your ears. It’s true. He’s a songwriter. He intricately weaves words into stories that have somehow aged and ripened and are sweet to ingest.But there is more. Maybe it has to do with the rock-infused tones that are ever present. Maybe it is more soulful than pop, or maybe it is more pop than soul? Or is it rock with some soul and a hint of pop with the songwriting of a well-lived life? Whatever you call it, Andrew has it.

Benoit Blue Boy - Couvert De Bleus (2009)
MP3 320 kbps | 44.1 Khz | Joint Stereo | 00 h 56 min 29 sec | 125MB
Genre: Blues, French | Label: Tempo Spectacle

Benoît Blue Boy (vocals, harmonica), Stan Noubard Pasha (guitar), Thibaut Chopin (bass), Fabrice Millerioux (drums)In the era of all-out banned, plus the right to drink or smoke, more peripatetic on asphalt neighborhoods of Paris, as the indivisible capital and for its tourism than the Eiffel Tower or the Zouave Bridge Alma, in the era of the incredible music format aimed at the faithful followers of the CAC 40 and Dow Jones, the disastrous single thought approved by the establishment, the irreversible lobotomy inflicted on listeners FM and future taxes than our elites may we enact all the enjoyments of life, (when will a tax on carnal pleasures, or to have the right to listen again and always the blues and rock and roll , Supreme offense in a civilized society?), it is comforting that honest musicians such as Benoît Blue Boy, one of the few mavericks and one of the last rebels of the blues, put a great kick or harmonica in the artistic doldrums.

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger.
While in high school in Philadelphia, Pennsylvania Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University Golson joined Bull Moose Jackson's rhythm and blues band; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time.

Blur is the fifth album by English alternative rock band Blur. Released on 10 February 1997 in the UK, it reached the top of the UK album chart. Blur was also a hit in the US, with "Song 2" becoming a hit there and the album being certified Gold. It also spawned several hit singles in the UK, most notably "Beetlebum" and "Song 2". The album's style was resultant of Blur's dropping their previous Britpop mantle in favor of lo-fi and alternative rock recordings, reportedly at Graham Coxon's urging. As a result, Blur was a hit primarily because it proved that Blur could evolve beyond their Britpop roots. The album's move from Britpop was emphasised by this being the first Blur album not to use Stylorouge cover-art and also not to have lyrics and chords printed in the liner notes, instead having a composite photo of the band in the studio spread out over three panels. The album featured the first song in which Graham Coxon not only wrote the lyrics, but also provided lead vocals, for the song "You're So Great". He would later do the same for "Coffee & TV" for Blur's next album.

These guys never fail to blow us away – and albums like this have us coming back for more Indigo Jazz Unit again and again over the years! If anything, the group are better musically here than ever – even more jazz-based in their approach, mixing together hard piano-driven lines with massive bass and drums – very similar to Quasimode at points, but with a much darker edge too! As with all their albums, the packaging is quite spare, but the sound is wonderfully rich – and some of the numbers here show a newly lyrical side that only has us loving them more than ever, and really pushing them to the front of our club jazz list.